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The New York School

The band of American artists known as the New York School toyed with tradition and rebelled against the Renaissance.Feeling as though free association yielded their best results, the painters, poets and performers of the New York School took a surrealist approach that was concerned less with aesthetic and more with expression. Those associated with the School were unified by their desire to create from within. They created a monumental, dramatic art that remains a singular expression of the crucial modern quest for individuality and personal freedom." Never knowing exactly how their pieces would turn out, the artists of the New York School embraced their own complex humanity and worked from a place of bold, sporadic realness.

The New York School

NR 1972
Roots Rock Reggae: Inside The Jamaican Music Scene

'Roots Rock Reggae' depicts an unforgettable moment in Jamaica's history when music defined the island's struggles and immortalized its heroes. Director Jeremy Marre films Bob Marley and the Wailers, and Lee 'Scratch' Perry record in his legendary Black Ark studio with The Upsetters. Jimmy Cliff rehearses with Sly and Robbie, while Inner Circle's historic live gig is recorded on the violent Kingston streets. The legendary Abyssinians harmonize their haunting Rastafarian songs; Joe Higgs (formerly Bob Marley's teacher) plays and talks; majestic toaster U Roy raps alongside The Mighty Diamonds, and Third World record in a Kingston studio. There is also early archive footage of Toots and the Maytals, and Haile Selessie's royal visit to Jamaica while police and thieves battle it out on the streets, and the ghettos erupt in violence. 1977: An extraordinary year for Reggae music.

Roots Rock Reggae: Inside The Jamaican Music Scene

7.7 1977
Not the First Time

"This film is composed of different and relatively commonplace subjects, but each image is a super-imposition ('double exposure') of two similar shots of the same subject, almost in the same position. The effect is amazing: one's gaze at the image becomes a double gaze, as the two images were made at different times and with slightly different framing. The viewer is engaged in a process of double-vision that returns him to image and subject in a manner more complex, more self-aware, and more temporal than the way most of us view photographs." - Fred Camper

Not the First Time

NR 1976
Walya Ngamardiki: The Land My Mother

Exploring the relationship between Aboriginal people and their land (including the Dreaming, sacred places), this film was inspired by Silas Roberts’ submission to the 1976 Australian Government inquiry on uranium mining - the Ranger Uranium Environmental Inquiry. Silas, whose tribal name is Ngourladi, is an elder of the Allawa clan and was the first chairman of the Northern Land Council, established to assist Aboriginal people make land rights claims based on traditional ownership. The film, which moves from Arnhem Land in the north to Yuendumu in the centre, examines the importance of maintaining Aboriginal culture and laws and explains the reasons why they object to the mining being carried out.

Walya Ngamardiki: The Land My Mother

NR 1978
Images of Asian Music (A Diary from Life 1973-74)

A contemplative, seemingly timeless record of the years Hutton spent in Southeast Asia while working as a merchant seaman. Jon Jost writes, "The film is rich with truly wonderful visions: a thick, white porcelain cup perched on a ship's rail, the tea within swaying gently in sync with the ship while the sea rushes by beyond…the faces of crewmen posing awkwardly but also movingly for the camera; a cockfight on ship; scenes from a bucolic pre–Pol Pot Phnom Penh. Images has the haunting elegiac resonance of Eugène Atget's Paris, the echo of a time and place that was." - MoMA

Images of Asian Music (A Diary from Life 1973-74)

6.7 1974
Working Class Artists

The film shows works of art by people of various occupations who are engaged in fine art in their free time. It was achieved through interviews in which people talk about the world of work - a world of no freedom, necessity and coercion in which they do not see themselves as individuals. Painting enables them to escape from everyday banal reality into the world of beauty and freedom. So-called ordinary people of various occupations have a built-in awareness of the problematic nature of humanism in the modern world. Through interviews, the film articulates a story, kind of - it is a vision of the apocalyptic end of modern civilization that has no higher, metaphysical meaning. At the same time, there is hope that after the collapse of modern civilization, a society of meaning, love and freedom can be created.

Working Class Artists

NR 1975