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Pigeon Lady

Pigeon Lady is an observational documentary centered around the everyday comings and goings of an elderly woman in Chicago, Clara Miller. Palazzolo films her walking, carrying a shopping bag, and stopping to toss bread crumbs to pigeons and other birds. Palazzolo’s distance from her renders the film a portrait of the city as much as it is of the “pigeon lady.” Set to classical music including Ottorino Respighi’s “The Birds,” Gustav Mahler’s “Symphony No. 1 in D Major,” and Richard Wagner’s “Tristan und Isolde,” the film is tender and sensitive, yet hints at the humor and penchant for oddball subjects that would come to define Palazzolo’s later films. Roger Ebert called Pigeon Lady a “masterpiece” and “one of the most moving experimental films” he had ever seen.

Pigeon Lady

NR 1966
Holy Ghost People

A study on a small Pentecostal congregation in Scrabble Creek, West Virginia. Explores the individual experiences of Pentecostal Christians at the Scrabble Creek Holiness Church, in Scrabble Creek, West Virginia. The documentary includes faith healing, snake handling, speaking in tongues, preaching, gospels and singing. Pentecostal Christians may also be described as "Charismatic." Pentecostals include Protestant Christians who believe that the "manifestations of the Holy Spirit" are alive, available, and experienced by modern day Christians.

Holy Ghost People

7.2 1967
The Four Seas

An English-speaking advertisement film produced by the Information Center (Hasbara) in cooperation with the Israel Government Tourist Corporation, intended to promote international tourism to Israel’s coasts and four seas: the Mediterranean Sea, the Sea of Galilee, the Dead Sea and the Red Sea. The film presents to potential tourists the options for a beach and sea vacation in Israel, whether in the coastal cities along the Mediterranean such as Nahariya, Acre and Tel Aviv where one can fish, swim or sail, a visit to Tiberias to the shores of the Sea of Galilee where water skiing developed in recent years, and a vacation in the Dead Sea. Upon visiting the southern city of Eilat with its shores along the Red Sea, one can experience the beauty of diving, as depicted in the underwater photography of the coral reefs in Eilat.

The Four Seas

NR 1962
Love's Presentation

'Love's Presentation' may be a time capsule of a rising art-world star, but it also pokes fun at the perspective of a celebrity profile. In its opening sequence, an antsy-looking Hockney squirms as a narrator reads aloud critic Jasia Reichardt’s introduction to his star persona. Scott’s portrait of Hockney is more expansive, spurning the growing popular image of the artist in favor of following him at work; He’s described the film as a “how-to” documentary. Filmed in April '66 in Hockney’s ground-floor apartment and studio, Hockney himself improvised the narration while watching the film. We watch the artist carve delicate lines into the plates, submerge them in an acid bath outside his window, then wipe his hands on the window curtains... A rare, relaxed close-up on Hockney’s creative process.

Love's Presentation

6.5 1968
Snows

This is a newly restored version of documentation of the 1967 group performance Snows, which was built out of Schneemann's outrage and sorrows over the atrocities of the Vietnam War. An ethereal stage environment combining colored light panels, film projection, torn collage, hanging sacks of colored water, "snow," crusted branches, rope, foil and foam was the set and setting in which an audience-activated electronic switching system controlled elements of the performance/installation. Images from film, slide and live action propel silent, ghostly performers to become aggressor and victim, torturer and tortured, lover and beloved, as well as simply themselves in this breakthrough mixed-media film performance. (The film Viet-Flakes is a central element).

Snows

6.0 1967
Beskrivning av en tankes rörelse - en film om Sivert Lindblom

A sympathetic portrait of the Swedish sculptor Sivert Lindblom, one of our time's most engaged sculptors for and of the design of public space. Hearing a young Sivert Lindblom (age 36) reason about his world of thought and view of art is an ear and eye opener that leads us back and forth into his unique language of form and imagery. We get to follow how his early discoveries from a point and then to a line lead us to his originally most famous and iconographic work: Sivert's own Profile rotated 360 degrees.

Beskrivning av en tankes rörelse - en film om Sivert Lindblom

NR 1967
Cartierul nostru

Produced at the request of the Executive Committee of the People's Council of the capital, "Our Neighborhood" follows the story of a locomotive mechanic and his neighbors, recently assigned to the newly constructed buildings in Floreasca. Set against the backdrop of the emerging residential areas, the film's narrative structure retains the spirit of socialist realism but is strongly influenced by the optimism and cosmopolitanism of the 1960s. Accompanied by rhythmic swing tunes, we follow the characters of this documentary, representatives of the working class, both at their workplaces and in the new, bright and airy apartments, integrated into the logic and aesthetics of the new socialist neighborhood.

Cartierul nostru

NR 1963
Made by Hand: The Porsche 356

This documentary was created to showcase the engineering that went into each new Porsche in the 1960s, it was specifically made for the American audience as a way to introduce Porsche to many Americans who were unfamiliar with the marque. The film opens with none other than motoring legend Ferdinand “Ferry” Porsche welcoming the viewer, the film then proceeds to follow what is essentially the full production line of each 356 starting with flat steel sheets and following it through cutting, stamping, and welding before heading off to the paint shop

Made by Hand: The Porsche 356

NR 1962
Record of a Marathon Runner

This was a sponsored documentary film by director Kazuo Kuroki of Japan. This highly artistic film focused entirely on Japanese marathon runner Kenji Kimihara. Kimihara finished eighth in the 1964 Olympic marathon with a time of 2:19:49. He had previously won the Japanese trials in 2:17:11 on April 12th of that year. He competed in a total of three Olympic marathons in all (finishing 2nd in 1968, and 5th in 1972) and he won 9 of 18 marathons prior to the Mexico City Games, including the Boston Marathon in 1966. Kimihara’s personal best was 2:13:25.

Record of a Marathon Runner

10.0 1963
Karel Appel, Composer

In 1960, Utrecht University took over the Studio for Electronic Music from Philips. In this studio in Utrecht, composers and artists worked on their own compositions. In 1961, Jan Vrijman made a film about Karel Appel, De werkelijkheid van Karel Appel, and Appel himself made a musical composition for this film in the studio in Utrecht. Van der Elsken films and photographs Appel during the composition of his Musique Barbare, as well as recording conversations on tape; the film is in fact a kind of collage of film, photographs and sound. As well as an exceptional record of Karel Appel’s working process, this film is a unique documentation of the studio and therefore a significant piece of Dutch musical history.

Karel Appel, Composer

NR 1961