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Christchurch - Garden City of New Zealand

This promotional travelogue, made for the Christchurch City Council, shows off the city and its environs. Filmed at a time when New Zealand’s post-war economy was booming as it continued its role as a farmyard for the “Old Country”, it depicts Christchurch as a prosperous city, confident in its green and pleasant self-image as a “better Britain” (as James Belich coined NZ’s relationship to England), and architecturally dominated by its cathedrals, churches and schools. Many of these buildings were severely damaged or destroyed in the earthquakes of 2010 and 2011.

Christchurch - Garden City of New Zealand

NR 1952
Passionate Life of Clemenceau

The life and work of French statesman Georges Clemenceau is detailed in this 80-minute documentary. Using family photographs, newspaper layouts, newsreel clips and other such sources, the film traces Clemenceau from his earliest political triumphs to his dotage. Much emphasis is placed upon the subject's involvement with the League of Nations and the Treaty of Versailles. The narration by Yves Furet is counterpointed with excerpts from Clemenceau's most celebrated speeches. The patriotic fervor of La Vie Passionee de Clemenceau tended not to play too well in non-French markets.

Passionate Life of Clemenceau

NR 1953
The Open Window

One of the first European films commissioned by the countries that signes the Brussels treaty and filmed in the museums of Brussels, Amsterdam, Paris, London, Ghent and The Hague. The film shows, by means of 59 works of art, how painting discovered the landscape once it left the strictly religious context behind. Henri storck wrote, "We have tried to eliminate the artificiality of filming. We have tried to hide the camera in order to immerse the audience in the world of the painting and the landscape that it depicts. We want the viewer to discover the feeling of nature for himself, through the artists.... It is not our ambition to make a critical or informative work." This iconic journey from Bosch to Manet and Turner is accompanied by music by Georges Auric.

The Open Window

6.0 1952
The Vipers

Short film about the experience of taking psychoactive drugs. ‘I wanted to make a short documentary-style film about marijuana and hashish, psychoactive drugs that in 1955 were still relatively unknown to the general public. They were mainly used by a small group of artists, jazz musicians, intellectuals, and North Africans. I wanted to visualize the ritual of rolling and lighting up a joint, and then put a series of seemingly unrelated images next to each other to represent the feeling of being high. When the movie was finished, we took it to the festival for 16mm films at Cannes, and won the Golden Lion for ‘Best Use of Film Language’. (Shinkichi Tajiri, Tajiri, 1993)

The Vipers

NR 1955
Oslofilm: To i bredden

A short film about driving. Traffic scenes from Oslo, including Rådhusplassen. The actor Rolf Kirkvaag explains and sits behind the wheel, demonstrating the situations in practice. ***** Oslofilm was a series of public information films about life in and around Oslo, produced between 1940 and 1980. Funded by the state, the films offer valuable insight into postwar Norwegian society. A wide range of Norwegian filmmakers contributed to the productions, resulting in a rich variety of styles and expressions. Several of the films also possess notable cinematic qualities, standing out as more than just informational material. The Oslofilms represent a unique and important chapter in Norwegian film history.

Oslofilm: To i bredden

NR 1959
Oslofilm: Jordal Amfi

Jordal Amfi was an indoor ice hockey stadium that was built in Oslo, to host the 1952 Winter Olympics. This film shows how the arena was being prepared, to it was finished and opened in 1951 for said Olympics. ***** Oslofilm was a series of public information films about life in and around Oslo, produced between 1940 and 1980. Funded by the state, the films offer valuable insight into postwar Norwegian society. A wide range of Norwegian filmmakers contributed to the productions, resulting in a rich variety of styles and expressions. Several of the films also possess notable cinematic qualities, standing out as more than just informational material. The Oslofilms represent a unique and important chapter in Norwegian film history.

Oslofilm: Jordal Amfi

NR 1953