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In the work of Jack Garfein - Holocaust survivor, theater and film director, key figure in the formation of the Actors Studio - past and and present freely intermingled to contribute to memorable stage productions and in two films, many which were ahead of their time in tackling such issues as homosexuality, race and violence. Powered by his vivid recollections and augmented with readings by Willem Dafoe, The Wild One traces Garfein’s life: his Czechoslovakian youth, his family’s fleeing the Nazis, surviving in Auschwitz and other camps, his 1946 arrival at 16 in New York and coming under the wing of Lee Strasberg, Hollywood, his marriage to actress Carroll Baker.

Ludivine, 15, is facing the juvenile court system. Her judge offers an alternative to being placed in foster care: embark on a three-month walk across Spain. To reflect. To distance herself from her turbulent past. Ludivine accepts. It's the beginning of a 1700-kilometer journey on foot.

Documentary about French playwright and film director Sacha Guitry.

Actress-director Zabou Breitman embarks on an unusual adventure: imagining the life of a boy discovered in an old photo from an album bought at a flea market. These are the images and memories of an unknown family, which somehow feel familiar. At the center is the boy, with his gaze that is both gentle and melancholic yet joyful. Who is he? What is his true story, the one that unfolds between the lines? What if every individual were also the unwitting hero of a tale? This dizzying family investigation blurs the lines between reality and fiction, sometimes merging them completely.

A brief meeting with the writer and playwright Roland Topor in his studio.

Lefebvre's Le Droit à la Ville as visualised by Jean-Louis Bertucelli

Belgian pop star Angèle reflects on her life and hopes as she finds balance amid the tears, joys and loneliness of fame. Told through her own words.

The unique story of film directors who managed to critic the Communist regime while being produced by the State: this is Polish cinema's golden age, in the 1970s. Director Ania Szczepanska, born in Poland and raised in France, meets prominent filmmakers, producers, actors such as Andrzej WAJDA, Marcel LOZINSKI, Krzyszstof ZANUSSI, Kristina JANDA, Ryszard BUGAJSKI and confronts them the testimonies of the State men of that time. Through unknown archives, forgotten documentaries and excerpts of cult films, she relates how the Solidarnosc people ended up in Cannes.

This is Gaston Rebuffat's fourth film, in which, with several close friends, he discovers the sublime landscapes of the Alps. “Mont-Blanc is beautiful. I climbed it several times depending on the time, the color of the sky and the shape of the cornices and ridges. Because of the weather and also because of this feeling of altitude, Mont-Blanc provides great pleasure. For the guide, Mont Blanc is his garden, but the garden becomes more beautiful when shown to a friend. Personally, I really like the bivouacs; only there one penetrates a little the mystery of the altitude. That's why I immediately accepted when Tazieff expressed the desire to spend the night at the top of Mont Blanc in an igloo. The film won the Grand Prix at the Trento Film Festival in 1961.

In 1998, Jean-Luc Godard made a short video entitled Adieu au TNS (Farewell to the TNS). Never released (or intended to be), the video is nearly impossible to see and has not been included in any Godard retrospectives to date.

Zénon is the hero of “The Abyss”, the famous novel by Marguerite Yourcenar published in 1968. He is also the main character in André Delvaux’s film, played by Gian Maria Volonte, for the movie adaptation of the same book in 1988. But what does Zénon represent for us today, and what has become of him? How can this entirely fictional philosopher, doctor, alchemist and inventor from the Renaissance help us understand the era in which he lived as well as our own in these uncertain times? This is what this documentary sets out to do.

Documentary on the lives and hopes of the people living in Arlit, Niger and working in its uranium mine.

In this program, directed by Jean Pierre Devillers, actor Isabelle Huppert and director Claude Chabrol reflect on their special bond as collaborators and friends. It aired on French television on December 23, 1998.

A documentary on Soviet filmmaker Aleksandr Medvedkin, examining his tumultuous career, the rediscovery of his masterpiece Happiness, and Russia's struggles over the course of the 20th Century.

A fictionalised documentary about the great Japanese poet Bashô (1644–1694), the spiritual father of haiku poetry. A monk, portraying the poet, journeys through Japan, following Bashô's journal and writing many of his haikus. A ruminant, poetic, Zen Buddhist observation of nature – a return to the lost paradise of unspoilt nature.

This documentary depicts two young adults discussing their relationship with sound and silence.

In September 2021, France will celebrate the 40th anniversary of the abolition of the death penalty. A decision so strong that it will symbolize, in itself, the first seven years of François Mitterrand. For Robert Badinter, it was the fight of a lifetime, rooted in a personal history marked by the rejection of injustice, which began after the arrest of his father by the Gestapo in 1943. A story told through archives and by his family and closest friends.

Soon after we meet Manyari, the queen of her pride, she does something both unusual and bold: She leaves the sanctuary of the clan with her young cubs and takes them on a dangerous odyssey. She makes a bid to escape because two young bloods are sniffing around, and if they take over the pride, they will kill her cubs

Thirty years after the death of Ernesto Che Guevara, Maurice Dugowson went on the tracks of this revolutionary who was to become a true myth for a whole generation. Portrait.

A homage to journalist Francis Ponge in a film that its author regarded as “natural.”

In an invisible territory at the margins of society, at the border between anarchy and illegality, lives a wounded community that is trying to respond to a threat: of being forgotten by political institutions and having their rights as citizens trampled. Disarmed veterans, taciturn adolescents, drug addicts trying to escape addiction through love, ex-special forces soldiers still at war with the world, floundering young women and future mothers, and old people who have not lost their desire to live. Through this hidden pocket of humanity, the door opens to the abyss of today's America.

An experimental short film about wind and sunlight sweeping across tree leaves.

After selecting a building at random in a Jewish neighborhood in Paris, French director Ruth Zylberman meticulously reconstructed its community of inhabitants during the German occupation. What results is the spellbinding 209 RUE SAINT-MAUR, an experimental historiography that tells the emotional story of lives uprooted and destroyed under the Nazis.

The film is a commemoration of the lost livelihood of the earth, the lost lives of the War and to the work of two of the cinema’s greatest artists.

Four young women joined the Resistance to fight Nazi oppression and brutality in occupied France. They were arrested and deported to Ravensbruck concentration camp, where they helped each other to survive. SISTERS IN RESISTANCE captures their recollections and the intense friendship that has survived with them.

The development of professional soccer worldwide owes a great debt to the soccer – or "football" – that is played on the streets of France.

A dense work, citing everyone from Tarantino and Verhoeven to Artaud and Chaplin, made for Godard's exhibition at the Centre Pompidou, Voyage(s) en utopie.

Rites and operation of the circumcision of thirty Songhai children on the Niger. Material of this film has been used to make "Les Fils de l'Eau".

Sofia and Nigina. They’re Afghans, beautiful, proud, best friends, despite themselves and without knowing it - icons of Kabul’s idle youth. Behind the curtains of their beauty salon, the exterior of which has been ransacked by the Taliban, they support a small team and a dream: to protect their last space of freedom. Their salon is situated in central Kabul. Around twenty employees work there, seven days a week. It’s a sanctuary for women: a place where men do not enter. We began filming the day after the Taliban came to power on August 15, 2021. For a year and a half, as the extremists impose new laws on Afghans, especially women, we follow the two friends in their beauty salon and across the Afghan capital: in a park where they are the only ones who still dare to show their faces; on the hilltops where they learn to drive in secret… And then, on the road to exile. The repression becomes too suffocating, too violent. The young women’s quest for lightness becomes a plan of escape…

I Who Fooled the Good God

The french mainstream media ignored the last visit in Paris of the leftist Ecuadorian President Rafael Correa. It's however this small country of Latin America, Equator, that serves as a model for Greek activists who are taking part in Syriza party or for non-orthodox economists from the spanish movement Podemos in order to solve the issue concerning the public debt. The Correa government declared a part of this debt « illegitimate » to implement public investment, and social inequalities reduction policies.

April 17, 1944. A high-profile trial for sedition opens in Washington. Dozens of individuals—including members of Congress—are accused of cooperating with German forces, participating in pro-Nazi movements, and plotting to overthrow the U.S. government. How did this happen in the world's greatest democracy? And why does no one remember this major episode in American history?

Despite its Afro-American origins, the history of disco music, the soundtrack of the seventies, would be inconceivable without a handful of legendary European music producers who conjured up some of the biggest world-wide hits in the anonymity of their studios.

The documentary is a portrait of former Canadian boxing champion Gaétan Hart, profiling both the ups and downs of his career in the 1970s and 1980s and his attempt to return to the sport in a 1990 fight. The film's title was inspired by "A Piece of Steak", Jack London's 1909 short story about a retired boxer struggling with poverty.

Everyone knows Aguigui Mouna, the jester who harangues the crowds on the Beaubourg esplanade in Paris and rides his bicycle through demonstrations. But many don't know the story of André Dupont, a Savoyard raised in tough conditions, forced into violence in the navy to rise to power and into resourcefulness in civilian life to survive. Antibes, 1952, the transformation: Aguigui Mouna is born. Laughter, solidarity, non-violence, humanism—Mouna has found the meaning of his existence. He will try to share them with all the robots of this "poop-pee-capitalist" society. A comic book character who, through his adventures, reveals the absurdities of his century.

Far from the dictates of current female beauty, MBMR focuses on these other bodies, those who take up space, those that stain, biters, those who devour, those who enjoy as they wish, those age and those who are self-transformed, those who are free and wild. Eight people will reveal the magic,cruel, sensuel, powerful relationship they have with their own bodies.The adventure of the film is multiple: the objective is to give voice and images to women whose body or sexuality is seen as non-standard, unseen or without speaking. The film will highlight possible resistance through an intimate portrait gallery, collective experimentations, tantra, exchange of fluids and knowledge, rituals… A strong political and feminist manifest about body politics, female sexuality and its representation, as well as about diversity and various forms of sexual desire.

In a closed locker room, rugby players perform the last pre-match rituals. Warming up their souls and bodies, all tense in anticipation of the fight.

As the peaceful and determined Hirak movement gathers momentum and hopes for profound political change sweep across Algeria, women are combining femininity and feminism in the past, present, and future.

This is the story of an ordinary man transformed by history. A simple baker from Besançon who became a political symbol of resistance. That of a France that knows how much it needs others to grow. Of working classes rejecting the siren calls of populism. He says: "I was nothing and I became a monster" to express the vertigo of his transformation. And so the baker entered politics, visited the United States in the footsteps of Martin Luther King, brought aid to the Ukrainians, and ran for legislative elections. Fearless. Fighting with all his heart. It is this inspiring, touching, and funny human epic that Pedro da Fonseca's camera followed closely, capturing his doubts, his hesitations, and his emotions.

Radios echo across Niger, connecting lives through news, music, and debate. This gripping doc explores how this everyday device becomes a lifeline in a changing nation.

Nadja is a guest student, who stays at Cité Universitaire and visits the Sorbonne, while preparing a thesis on Proust; she also likes to stroll about Paris.