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80.000 Schnitzel

Battering, breading, frying – Berta has prepared thousands of schnitzels in her old cast-iron pan over the years. This 83-year-old landlady’s life on the family farm with adjoining guest house in the Upper Palatinate has been marked by constant hard work. A life that her granddaughters Monika and Hannah never wanted to lead. Now, the deeply indebted farm is on the brink of collapse. Despite having an academic background and contrary to her intentions, Monika, in her early thirties, decides to give up her modern life and save the family business. The two women join forces and give themselves a year to sort out the farm’s problems.

80.000 Schnitzel

7.0 2020
In Comparison

In Comparison revisits issues explored in the director's 2007 two channel installation Comparison Via a Third. Spanning continents and cultures, the film focuses on the brick in its many contexts, from the collective efforts of a community building a clinic in Burkina Faso, through semi industrialized moldings in India, to industrial production lines in Germany, France, Austria and Switzerland. Through its notable structure and its captivating rhythms, In Comparison presents various methods of labor production, allowing for an assessment that changes with every layer and goes well beyond a simple binary divide.

In Comparison

6.6 2009
I Don't Belong Anywhere: The Cinema of Chantal Akerman

I Don’t Belong Anywhere - Le Cinéma de Chantal Akerman, explores some of the Belgian filmmaker’s 40 plus films. From Brussels to Tel-Aviv, from Paris to New-York, this documentary charts the sites of her peregrinations. An experimental filmmaker, a nomad, Chantal Akerman shares her cinematic trajectory, one that has never ceased to interrogate the the meaning of her existence. Thanks in great part to the interventions of her editor, Claire Atherton, she delineates the origins of her film language and her aesthetic stance.

I Don't Belong Anywhere: The Cinema of Chantal Akerman

6.7 2015
The Olive Tree

Filmed between 1973 and 1975, L’Olivier was produced by the Vincennes Cinema Group. This activist collective of teachers and filmmakers, formed on the occasion of this film, attempts to explain the Palestinian problem through interviews. The Olivier was one of the first films to attempt to give substance to what was still largely ignored in the West: the existence of the Palestinian people and their fight to recover their rights. L'Olivier responds to a concern: the already weak support of French public opinion for the Palestinian cause diminished following the Munich operation of 1972. Structured in such a way as to tell the Palestinian story and explain the state of the struggle at the time, the film appeals to global militant solidarity and, in particular, to European political commitments.

The Olive Tree

10.0 1976
Desert Victory

A featureless land fit only for war, as the narrator, J. L. Hodson stated in the early scenes: "If war was to be fought then let it begin here". In endless miles of rock-strewn scrub desert, where civilians hardly existed. Desert Victory tells the story of the Allied campaign to drive Germany and Italy from North Africa is analysed, with the major portion of the film examining the battles at El Alamein, including some re-enactment. Won "Best Documentary Feature" at the 16th Academy Awards in 1944.

Desert Victory

6.3 1943
Scars

We admire beauty; we recoil from bodies that are marred, disfigured, different. Didier Cros’ moving, intimate film forces us to question what underlies our notions of beauty as we join a talented photographer taking stunning portraits of several people with profound visible scars which have dictated certain elements of their lives but have not come to define their humanity. The subjects' perceptions of themselves are dynamic, unexpected, and even heartwarming. This is an unforgettable journey to be shared with the world.

Scars

8.3 2018
Zero Gravity: Mission in Space

In May 2014 three men were sent into space for a period of six months: the American astronaut Reid Wiseman, German Alexander Gerst and Russian Maxim Surayev. For Wiseman and Barley, it was their first space trip. They take you on a breathtaking adventure. The film follows them during their last months of training in different locations - the NASA center in Houston, Star City near Moscow and the European Centre in Cologne - and ultimately, the launch from Kazakhstan in May 2014. During their six-month stay, the astronauts also shoot footage, giving the viewer an overall picture of what it means to be an astronaut. Zero Gravity is a unique experience full of inside information, fascinating images of space as well as a beautiful story about friendship and devotion.

Zero Gravity: Mission in Space

8.0 2016
Strike: When Britain Went to War

Twenty years ago, Britain went to war - with itself. In March 1984, Mrs Thatcher's government announced plans to close 20 coal mines, with the loss of 20,000 jobs. The Miners' leader, Arthur Scargill, led his workers out on strike. What followed was the ultimate left verses right showdown, a colossal battle for the political heart of a nation, with an epoch-making, era-defining moment of social significance unparalleled since World War II. This feature length documentary tells the story of the year-long struggle that split friends, families and the country apart, led to shocking scenes of violence, and made many fear that George Orwell's nightmare vision of a police state was becoming a reality. After this war, Britain would never be the same again.

Strike: When Britain Went to War

NR 2003
Red Trees

Award-winning filmmaker, Marina Willer (Cartas da Mãe), creates an impressionistic visual essay as she traces her father’s family journey as one of only twelve Jewish families to survive the Nazi occupation of Prague during World War II. Photographed by Academy Award® nominee César Charlone (City of God), the film travels from war-torn Eastern Europe to the color and light of South America and is told through the voice of Willer’s father Alfred (as narrated by Tim Pigott-Smith, Quantum of Solace), who witnessed bureaucratic nightmares, transportations and suicides but survived to build a post-war life as an architect in Brazil. As the world struggles with the current refugee crisis, RED TREES is a timely look at a family besieged by war who finds peace across an ocean.

Red Trees

7.0 2017
JD Vance: The Revenge of America

From his chaotic childhood to the White House, JD Vance embodies the MAGA-style revenge of America. To recount the ideological journey of the Vice President of the United States, Thomas Snégaroff and David Thomson met with a dozen people who have been close to him throughout his life. They reveal who Vance truly is: how the man evolved ideologically and how he transformed politically. These encounters and interviews with his closest associates, including his mother Beverly and his mentor, David Frum, uncover the secrets of his ambitions and plans to transform America and Europe.

JD Vance: The Revenge of America

7.0 2026
Hayati: My Life

In 2015, Ossamah Al Mohsen and her son were the victims of a trip on the Hungarian border by a television reporter in her desperate flight from a Syria at war. The cameras captured this moment by scandalizing public opinion. This kick allowed Ossamah, famous soccer coach in his country, to arrive in Madrid and resume his profession. But the rest of his family did not have the same luck. The story of Ossamah allows us to reflect on the survival of thousands of Syrian families trapped in Turkey but also that of Moatassam, Youssef and Muhannad, three promising Syrian footballers who were robbed of the best years of their lives by war.

Hayati: My Life

6.0 2017
The Square

The Square looks at the hard realities faced day-to-day by people working to build Egypt’s new democracy. Cairo’s Tahrir Square is the heart and soul of the film, which follows several young activists. Armed with values, determination, music, humor, an abundance of social media, and sheer obstinacy, they know that the thorny path to democracy only began with Hosni Mubarak’s fall. The life-and-death struggle between the people and the power of the state is still playing out.

The Square

7.6 2013