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Mothers

Kurokawa Yoshimasa, Daidoji Masashi, Masunaga Toshiaki, and Arai Mariko, all members of the East Asian Anti-Japanese Armed Front " Scorpion, " were incarcerated for instigating the bombing of the Marunouchi offices of Mitsubishi Heavy Industries. This film was conceived of and directed by Kurokawa whilst in prison. During the making of this film, he and his fellow members were under sentences of death or life imprisonment. As testimony to Kurokawa's idea that " the emperor system is not only an incarnation of the patriarchal principle but also the embodiment of the female principle, " the film aims " to critically examine the essence of the Japanese maternal image. "

Mothers

NR 1987
Taiwan Life

Journalist and director Atsuko Sakai meets the japanese-speaking generation of Taiwan. Their testimonies reveal the history that weaves the mesh of their existence, as people who've known Taiwan at the time of the Japanese colonial empire, and who've experienced the White Terror, being part of the many demographic and historical layers that make up today's Taiwan. The sound of their voices echoes in an evermoving present to be convey history to young people in Taiwan and Japan.

Taiwan Life

NR 2009
The Last Air Raid Kumagaya

The central character is a 7 year old girl called Sachiko. She has just lost her immediate family in the firebombing of Tokyo and takes the train to her uncle’s family in Kumagaya in Saitama Prefecture. She is not out of danger yet, for the train gets shot at by a plane along the journey. Her uncle meets her at the station and he and his whole family welcome her with open arms. With her cousins, Sachiko explores the beauty of the natural landscape around Kumagaya. Sadly, these beautiful days of late summer are not to last. The final movement of the film depicts the final air raid of the war. The city descends into fear and chaos and Sachiko gets separated from her family with tragic results.

The Last Air Raid Kumagaya

NR 1993
Decommissioning Fukushima 2021: Ten Years on from the Nuclear Accident

A decade on from its triple core meltdown, we take stock of the mammoth task of decommissioning the Fukushima Daiichi Nuclear Power Plant, an undertaking fraught with both technical and social challenges. The Japanese government maintains the process will take up to 40 years, but the schedule has already been revised 5 times, with pivotal elements postponed. Meanwhile, as people return to their homes in surrounding areas, disposal of unprecedented volumes of radioactive waste has become a point of contention between residents and the government. We look back on the 10 years since the nuclear disaster and explore the choices that will shape Fukushima's future.

Decommissioning Fukushima 2021: Ten Years on from the Nuclear Accident

NR 2021
Rehabilitation Of Synthetic Human

After the release of "Synthetic Human" in 1993, director Yoichiro Serizawa waited 30 years for an opportunity to make a sequel. Both the previous work and this one aimed at an accurate objectification of human vision. When we see something we see it on our retina but the image in our mind is not the only thing we see. In this film both memory and delusion are "visible" at the same time while the point of view and perception of different individuals is presented.

Rehabilitation Of Synthetic Human

NR 2022
Bearman of Hokkaido

Hokkaido Prefecture's Shiretoko Peninsula is a UNESCO World Natural Heritage site. The area includes one of the world's densest concentrations of wild brown bears. 84-year-old fisherman Ose Hatsusaburo has forged a remarkable relationship with these creatures over a lifetime of working among them. Bears obey his commands without a fuss, and no fisherman has suffered a bear attack in 50 years. A rapidly shifting climate and recent UNESCO directives mean this unique way of life now faces an uncertain future.

Bearman of Hokkaido

NR 2020
Kaso chitai

The outflow of population, mainly young people, from agricultural, mountain and fishing villages in Japan to urban areas became remarkable from around 1960, but the actual situation of Japan's depopulation, which is rapidly progressing in the shadow of high economic growth, was interviewed after 1970. Pick up the voices of the residents. We interviewed mountain villages and remote islands in Hokkaido, Tohoku, China, and Kyushu. The aging of villages and the rapid decrease of households affect all the lives of residents such as school consolidation, agriculture and forestry, and living road management, and the decline in village (community) functions is further accelerating remote villages.

Kaso chitai

NR 1973
Lost Love

A young man sees something by the river. It's a shot of the girl he loves with another man. The young man has been dumped! He bites his lip and remembers those glorious days of love. And now, in order to express his anger, his frustration, his sadness and his regret, he comes up behind them... The word for "lost love" is "persistent". The story is about the youthfulness and innocence of a man who has lost his persistence. The frustration of youthful immaturity. The uncool and shameful part of the male sex, and the love for it. The melancholy and unhurried narrative suddenly comes to an unexpected end, and the audience realises that this is a very short and hilarious coming-of-age graffiti.

Lost Love

NR 1991
Zainichi: The Story of Koreans in Postwar Japan

Portraying the fifty-year history of zainichi (long-term residents in Japan) Koreans after the liberation of Korea, traces of zainichi evoked in this film question the concepts of 'post-war democracy' and 'pacifism' in Japan. With copious stock footage and testimony, the first half of the film, "History," chronologically traces the various experiences of zainichi from Japan's defeat (Korean liberation) through 1990. The latter half, "People," focuses on first, second and third-generation zainichi respectively, vividly depicting how they live.

Zainichi: The Story of Koreans in Postwar Japan

NR 1998