Discover Movies

After twelve years in exile, Syrian journalist and filmmaker Daham Alasaad returns to Homs, devastated by the war in Syria. Once the city of his childhood, it is now a relic of an authoritarian regime, where different communities (Sunnis, Christians, Alawites) are trying to rebuild their lives together after terrible years of division and destruction. Thanks to Daham Alasaad's close relationship with the city's inhabitants, the director highlights some very moving characters, torn between grief, fear, the need for justice, and the desire for peace and reconciliation. By opening up naturally to the camera, they allow viewers to experience what Syrians of all backgrounds are going through today. "Homs-Syria, Life After" is a personal and political investigation into the ability of this symbolic city to rebuild hope on the ruins of a Syria ravaged by more than fifteen years of war and facing an uncertain future.

Who knows about springtails? And among those for whom this name rings a bell, how many have already seen them? Yet, these small animals, similar to insects, are present in all terrestrial ecosystems. Springtails are undisputed soil regulators. Scientists recognize them today as absolutely essential, especially in the search for pollutants, disruptors, and all the variations that affect our soils, but this little animal is almost unknown. Thanks to extremely precise cameras, as close as possible to these microscopic animals, a teeming life is revealed before our eyes. According to the seasons, the film invites us to get into the intimacy of the springtails, to discover their morphology, their role and their usefulness in the ecosystems of the planet while rubbing shoulders with other organisms in the same environments.

Hours and historical meetings, Pierre Assouline has composed an anthology of the best extracts presented in the form of a primer, which he had commented on by a surprised Bernard Pivot.

An Iranian filmmaker participates in a series of video calls with a young Palestinian photojournalist who describes her life confined in Gaza during the current regional conflict.

In the summer of 1975, the young director Steven Spielberg set new standards for cinema worldwide with an oversized shark bite, a plastic shark fin and an unmistakable two-note main theme composed by John Williams. With the horror from the deep, a man-eating, gigantic great white shark, the film of the same name became a similarly traumatic reference as Alfred Hitchcock's "Psycho": it triggered lasting primal fears across generations. On the beaches of the world, there was clearly a "before" and an "after". Steven Spielberg, who was only 28 at the time, not only set new standards for the thriller genre, but also hid his biting criticism of US capitalism in the 1970s behind it.

Showcasing three short films by American writer James Baldwin, wherein he muses about race, sexuality and civil rights, among other topics, in Istanbul, Paris and Great Britain.

Yves Montmayeur takes Crouching Tiger, Hidden Dragon as the starting point for his study of the new female warrior in Asian pop culture. From Beijing to Tokyo and Taiwan, he went to meet with the most iconic muses of this new trend, including Michelle Yeoh, Zhang Ziyi, Shu Qi and Asami.

What is the connection between a pension reform and motorcycle racing, between the Louvre Museum and tenderness, between a phoenix and the work of a cinematographer, between abandonment and cruelty, between alcohol and memory? There is this film—woven like an essay, like a journey… or perhaps a journey on trial.

Forty years after the abolition of the death penalty in France, voted on September 18, 1981, the guillotine remains in the collective imagination as the instrument of the death sentence. This machine, developed during the Revolution to render justice more equal, was presented as progress. Over time, opinion has been divided on the subject of the death penalty, the guillotine becoming the object of man's cruelty, a remnant of an archaic way of dispensing justice and fuelling the many debates around the death penalty and its abolition.

The comic art of Louis de Funès (1914-1983), like that of Totò and a few others, ultimately transcends the limits of the films in which he appeared, thanks to the dynamic expressivity of his persona. Drawing on contributions from critics, scholars and the actor’s colleagues, this documentary deciphers the keys to the de Funès phenomenon, intelligently analysing the peculiar characters of his facial and corporeal mimicry, the plasticity of his gestures, and the doubling of character and creator (in the sense that, once he became successful, ‘Fufu’ effectively became the author of the majority of his films, often limiting the director’s role).

Jean-Luc Godard and Anne-Marie Miéville talk about their films, while doing everyday tasks around their house.

In the 1968 movement in Paris, Jean-Luc Godard made a 16mm, 3-minute long film, Film-tract No.1968, Le Rouge, in collaboration with French artist Gérard Fromanger. Starting with the shot identifying its title written in red paint on the Le Monde for 31 July 1968, the film shows the process of making Fromanger’s poster image, which is thick red paint flows over a tri-color French flag. —Hye Young Min

Out There is the story of Belgian ultrarunner Karel Sabbe, who holds the world records on two of the most epic trails in the world: the 4279km long Pacific Crest Trail and the 3500km long Appalachian Trail. How did setting these world records prepare Karel for a race as brutal as The Barkley Marathons? How did these adventures help Karel to find the necessary mindset to do well at this Spartan challenge?

The "gravity" nightmare is becoming a reality: tons of rocket and satellite parts have been scattered into space over the past 60 years. The fragments collide with other objects, producing more and more scrap - a proliferation that has long since gotten out of control and poses an acute danger to rocket launches and space stations.

Unhoused in San Francisco, Dawn and Tony find solace with Terry and Harry, who facilitate support groups at Glide Church. There, they are challenged to overcome their circumstances and stand up for their community. The film weaves together their intimate stories of resilience and their fight to reclaim their place in society. A powerful story of resilience, community, and hope, set in the heart of San Francisco’s LGBTQ+ advocacy movement.

One winter day in 1934, Pr. Vangengheim was arrested for sabotage and sent to the Gulag on the Solovki Islands. He decided to hide the truth from his wife and daughter Eleonora, until his execution.

Thomas Sankara, former president of Burkina Faso, was known as "the African Che", and became famous in Africa due to his innovative ideas, his devastating humor, his spirit and his altruism. More than a classic biography, this film sheds light on the impact that this man and his politic made on Burkina Faso and Africa in general.

"I only film people who are always active. Even if their activity is strange, weird." The activity François Truffaut talks about here is love. Romantic or filial love. Love as an educational, political and social action. The love imagined by a filmmaker who wanted to show that love is within everyone's reach ! To gather Truffaut's formulas in a documentary rekindles how Truffaut communicates the essential.

A look back at the years leading up to the fall of Kabul and the perilous evacuation of civilians trapped inside the embassy in the hours following the Taliban's takeover of the country.

An immersion into the diverse filmography of René Clément, a rare popular filmmaker also loved by critics, famous in particular for "Purple Noon".

In 1955, on his report, a medical examiner wrote in the box: age, “about 53 years”. Charlie Parker nicknamed Bird just died, at 34. His death will be the ransom of a life that was not denied to the excesses or the consuming flame of genius. His wildest improvisations will open the door to future jazzmen. Between shadow and light this film will pay tribute to one of the greatest musicians of the 20th century.

Some months after the fall of the Berlin wall, during the time of federal elections in Germany in 1990, Chris Marker shot this passionate documentary, reflecting the state of the place and its spirit with remarkable acuity.

French national Stéphane Bouquet, the illegitimate son of a U.S. soldier, goes looking for the father he never met in the United States' heartland.

The reality of women's football (soccer) in France.

Shot entirely from a boat on a lake, this evocative film confronts the viewer resolutely with his or her sensitivity for the moment. Surrounded by sounds of animal life, both from the lake and the neighbouring forests, this film takes us through the seasons. Sounds of water, the wind and a human presence.

Marzena Sowa is a quintessential contemporary European: independent, aware of how the world works—or should work—and single. After her mother’s death, she is consumed by longing and sets off for her distant homeland, a Polish village where her beloved aunt Niuszka—an embodiment of joie de vivre and peace with herself—lived her entire life under the heavy weight of patriarchy. The film becomes a collision of social models, resolved with an open ending.

Portrait de groupe is a film series of filmed portraits that shows all kinds of groups gathered under family pretexts, friendly or professional, in a single fixed, wide shot (style: family photo) and silent of 3 minutes and 20 seconds.

Emperor Napoléon Ier's prodigious destiny, from his childhood in Corsica to the Return of the Ashes from Saint Helena, on the one hand, through popular imagery, engravings and paintings by great artists like David, Gros and Prud'hon, and, on the other hand, the landscapes and monuments that are the reminders of this great figure. The whole thing is unified by a commentary meant to captivate the public.

"I was the highest paid director in Italy'. Filming in Paris for Giuseppe Tornatore's ‘Four Talks with Freda’ (prod. Cristiano Bortone - Orisa Film)-

Duras interviews an exhausted Jeanne Moreau, addressing her friend as vous, despite the fact "the two were close friends for many years, living in neighbouring houses and cooking for each other from the early ‘60s.

Olmany, Terebejov, Gorodnaïa: Three villages in the Stolyn district, Belarus, 200 kilometers from Chernobyl. In this area, the radiation rate was considered too low to justify the systematic evacuation of the population. Sixteen years after the disaster, life continues in a seemingly unchanged landscape. These farming communities face an invisible threat on a daily basis.

For the first time Karl Lagerfeld has agreed to let someone create an artwork on his every day life and to trust in the director. Until today there is no authorised biography existing and the memories who Karl Lagerfeld would compose stay perfectly confidential. After three years of work, and over three hundred hours of footage, Rodolphe Marconi discloses the daily life of the star through his personal lens as a filmmaker.

Processions during a holy week in Valladolid.

In 1978, a young unknown singer with a flute-like voice captivated the world with Wuthering Heights, a song inspired by Emily Brontë's novel of the same name. Discovered by David Gilmour, guitarist with Pink Floyd, Kate Bush, aged 19, succeeded in imposing her choices on her record company: for the first time, a song composed by a woman reached the top of the UK charts.

A documentary about the creation of comics series "Largo Winch".

1995. On the outskirts of Abidjan, the largest city in Ivory Coast, a policeman is murdered. Shot outside his vehicle, while his fiancée sits in the car, terrified. Superintendent Kouassi is the detective in charge of the investigation. Tall and lanky, he moves with the tired energy of a man who has seen it all. Drawing on a network of underworld characters with dubious information, Kouassi’s team begins bringing in potential suspects and subjecting them to horrific brutality: beating them with sticks, hanging them upside-down, threatening their lives. Some of the men are left so broken they have to literally drag themselves into Kouassi’s office later, to be interrogated while lying on the floor, their bodies a mess of bruises, broken bones, and lacerations.

Jérôme Enrico talks about the career of his father, Robert, from the latter’s first short film, «An Occurrence at Owl Creek Bridge», awarded at the Cannes Film Festival and the Oscars, to his cinema successes, «The Wise Guys» or «The Old Gun».