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Appunti per un romanzo sull'immondezza

In the spring of 1970, between the African Orestiade and The Decameron, Pasolini shot a film for which he wrote a commentary in verses but never finished editing. The film was born as a typical Pasolini intervention: filming the strike of the garbage collectors in Rome, who at the time worked in dramatic health conditions, and filming the humility of their daily work, amidst the waste and scraps of society, in the squares and in the streets. Pasolini also filmed the faces of garbage collectors engaged in claims discussions and the result was an extraordinary anthropological picture of an unknown humanity.

Appunti per un romanzo sull'immondezza

9.0 1970
Super Bowl

A behind-the-scenes documentary about the events and personalities surrounding Superbowl X in Miami between the Pittsburgh Steelers and the Dallas Cowboys. Features intimate portraits of the players and the CBS personnel who broadcast the events of Superbowl week. Produced with multiple lightweight video cameras in TVTV style, it is both informative and revealing of the extremes surrounding football culture and hype. With color commentary provided by Bill Murray and Christopher Guest.

Super Bowl

NR 1976
Wow

In this French Canadian film, the lives of teenagers are examined in fantasy sequences and through the use of documentary interviews. Prompted by the filmmaker, nine teenagers individually act out their secret dreams and, between times, talk about their world as they see it. The fantasy sequences make creative use of animation, unusual film-development techniques, and stills. Babette conceives of herself as an abbess defending her fortress, a convent; Michelle is transported in a dream of love where all time ceases; Philippe is the revolutionary, defeating all the institutions that plague him, and so on, through all their fantasies. All the actual preoccupations of youth are raised: authority, drugs, social conflict, sex. Jutra's style in "Wow" exhibits his innovative approach to storytelling and filmmaking, showcasing his talents as a director during that period. With English subtitles.

Wow

5.5 1970
Liebeserklärung an Berlin

A stroll through East Berlin in 1977 - unique original recordings of the GDR capital by day and night, summer and winter, accompanied by music, offer a comprehensive insight into the diversity of urban life at that time. Numerous sights, famous buildings and squares, such as the television tower, the Red City Hall, the Palace of the Republic, Alexanderplatz and Unter den Linden, are shown. Popular places for leisure and recreation are also filmed, including the zoo, Volkspark Friedrichshain, the Christmas market on Alex and the Pankow outdoor pool. The film team also interviews a wide variety of Berliners, giving an impression of the lifestyle and everyday life of the capital's inhabitants at the time. The cityscape is rounded off with insights into new housing developments, renovated streets, businesses, restaurants and stores as well as official political events, military parades and memorial ceremonies.

Liebeserklärung an Berlin

NR 1977
Do It With Joy

British Columbia has a reforestation program to restock vast tracts of land stripped by logging companies. DO IT WITH JOY is about a unique community: a group of people from widely varying backgrounds who come together each spring to plant trees in the vast logged areas of northern British Columbia. For all of them, tree planting is a source of income, but more importantly it is a chance to share in the building of a self-sufficient community for the few months of the planting season.

Do It With Joy

NR 1979
The Hole

One of Han Ok-hee’s renowned pieces called The Hole uses the flicker, oblique angles, the cross-cutting of reality and fantasy to express inner entrapment and the desire for liberation. Han Ok-hee’s The Hole, The Rope and Untitled not only experimented with cinematic forms of expression, but also played an important role in the protest against forms of expression in experimental films and the artistic protest against the social suppression and censorship in 1970s Korea. (Art Cinema OFFoff)

The Hole

7.0 1973
On Africa

Skip Norman shot ‘On Africa’ after graduating from the German Film and Television Academy (DFFB). On the level of the image, we see tracking shots through West Berlin, information detailing the economic gains of colonialist exploitations, and photographs from West Africa, while the soundtrack shares facts about the continent’s conquest and decolonization. As Norman himself put it: “The starting point is the relationship between Europe’s prosperity and Africa’s poverty; Europe’s destruction of societies and cultures, and the simultaneous use of Christianity and racial theories as justification for a massive exploitation of the colonized.” ‘On Africa’ was first shown in 1970 and then broadcast on television by WDR in 1972. In 2020, the Harun Farocki Institut was able to digitize a 16mm print from the archive at the WDR.

On Africa

NR 1970
Drums from the Past

Filmed in May 1971 in Niger, this short documentary records a possession ritual performed by the Simiri people in response to a locust invasion. The ceremony centers on the beating of the archaic drums Tourou and Bitti, used to invoke spirit forces through music, dance, and trance. Shot in a single continuous take, the film documents a concentrated moment of collective ritual practice, reflecting Jean Rouch’s first-person ethnographic approach and direct participation in the event.

Drums from the Past

6.4 1971
Beautiful Jimmy

This documentary, directed by Boaz Davidson, was originally intended to warn youth against drug abuse. The film offers an intimate portrait of Shmuel Adi, known as Handsome Jimmy, a 29-year-old man who lives in Tel Aviv and is addicted to opiates and other drugs. In his unique speaking style, Jimmy talks candidly about his struggles and the loneliness of being an addict. The soundtrack features Shalom Hanoch’s song “Children of Life,” written especially for the film.

Beautiful Jimmy

NR 1973
Festival of the Midnight Sun - Mantorp 1970

Festival of the Midnight Sun, a.k.a. the Mantorp Festival became the biggest fiasco in Swedish pop festival history. The festival was presented the midsummer weekend 19-21 June 1970 at Mantorp Raceway. A local band, Magazine Story, from Linköping, had the honor of opening the festival with Clabbe af Geijerstam as MC. The raceway and surroundings were almost empty. Clabbe's welcome speech explained that the sun was the guest of honor at the festival, which was dedicated to "peace, friendship, love, community and everything that can be thought of as beautiful".

Festival of the Midnight Sun - Mantorp 1970

NR 1970