The exodus of Palestinian refugees in Jordan after the Six Day War and King Hussein's intervention at the United Nations assembly.
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The exodus of Palestinian refugees in Jordan after the Six Day War and King Hussein's intervention at the United Nations assembly.
A documentary film about the 99 year old artist Anna Casparsson. She is interviewed by Peter Weiss in her home in Saltsjöbaden. “I shot 'Anna Casparsson' together with Staffan Lamm. I had wanted to complete the film, but somehow I did not get around to it and then she died shortly afterwards.” -Peter Weiss
A film by Gianfranco Mingozzi.
Back in the 1960's a former Harvard professor stopped giving A's, B's and C's and started handing out LSD. his name was Timothy Leary and he was at the center of a controversy in North America over the growing use of psychedelic drugs. Leary ran a research center in New York state where young people took 'acid' while he took notes. The media took notice.
A documentary about the artistic and verbal expressions of mentally ill people.
Shot in the impoverished northern province of Tuncamán in Argentina, this brief cine-tract shows the children and elderly people who are served by a community soup kitchen that exists independently of state support. The film's sequence of images, many shot in close-up, is accompanied by the Argentine national anthem on the soundtrack.
"Society is a carnivorous flower" - About activists in the student revolt in May 1968. Archive footage shows police entering the Sorbonne, street fighting, meetings and demonstrations. Many interviewees testify to police violence and abuses.
Documentary about the personal and professional life of La Bolduc, a singer of French Canadian music.
An impressionistic documentary, depicting moments moments from a work day at a salt mining site during 1960s Bulgaria. The final cut. aptly titled "Salt" of the film consists of two versions of itself. The first is the original cut of the documentary, as the author imagined it, known as "Salt I". The second half is a heavily edited version, produced in accordance to terms, put forward by the Socialist Cultural Commitee at the time, called "Salt II".
High-schoolers Sally and Faith scheme to get the attention of classmates Bill and Frank by challenging them to a bake-off for a party. When the boys fail miserably to measure up, the girls give the them credit for their own excellent wares to cement a date. Sponsored by Crisco, which is featured prominently.
"This feature documentary is considered to be the forerunner of the NFB's Challenge for Change Program. The film offers in inside look at 3 weeks in the life of the Bailey family. Trouble with the police, begging for stale bread, and the birth of another child are just some of the issues they face. Through it all, the father tries to explain his family's predicament. Although filmed in Montreal, the film offers an anatomy of poverty as it occurs throughout North America." - NFB
Film essay about the slums of 1960's Amsterdam.
About the struggle of the South Vietnamese people against American aggression.
After the Second World War, a cemetery turns into a city. The camera flies over Warsaw to take a bird's-eye view of its mosaic beauty: the Old Town, Śródmieście, and modern blocks of flats. The soundtrack reflects the mood of the summer of 1965.
This documentary in the Look At Life series – made by the Rank Organisation for screening in Odeon and Gaumont cinemas – was released in 1967 and anticipated a radical redevelopment of Piccadilly Circus, which never actually happened.
Antoine has his face illuminated only on the right side; he holds very still throughout, smiling slightly, and doesn’t blink until halfway through the roll.
The Yorkshire Dales - 'from which no traveller wishes to return'. Sheltering under the Pennines, the Dales have escaped the human ravages of time. There is magic here; skysweeping hillsides and weirdly weathered rocks; Wensleydale cheese; ruined abbeys and castles and standing drystone walls; fellracing and potholing, photography, traditional songs and a commentary spoken by Robert Shaw.
In late 1968, the last SDS delegates' conference was held in Hanover. It had already been postponed by the Berlin Action Council in Frankfurt in September after the famous tomato throwing by the women. Now attempts are made once again to develop common criteria for the supra-regional context of the SDS, for an SDS whose organizational structures have been overturned by the revolt itself. Factions emerge, the Frankfurt Women's Council distributes its leaflet "Free the socialist eminences from their bourgeois tails", the wave of lawsuits looms. Joscha Schmierer as Django criticizes the student "shitty milieu that is out to satisfy immediate needs. Christian Semler calls for a strong central office. "Of course, I don't have a central office in mind, like the German Communist Party had a central office before '33". After all, the anti-authoritarians in the North region are attacking.
The Greek mathematician Eratosthenes estimates the circumference of the earth.
This film was shot at a factory. A factory making shirts in the town of Herning i Jutland, decorated by Paul Gadegaard. Formerly art was confined to churches and palaces. Today man is in focus - his working place. Paul Gadegaard has been able to accomplish this pioneer work thanks to art experiments carried on since the beginning of this century.
This color documentary chronicles the musical concert on Mount Scopus in Israel a mere three weeks after the Six Day War. Leonard Bernstein and Isaac Stern join the Yoi Yisrael Philharmonic Orchestra, the Israel Philharmonic, and the Tel Aviv Philharmonic Choir for stirring classical renditions by Mahler and Mendelssohn. The concert was recorded by Columbia records for release at a later date and accurately captured the live music in all its classic splendor. Prime Minister David Ben-Gurion sits proudly in the front row as the symphonies play to a capacity crowd. Scenes of the war, the Wailing Wall, schools and hospitals are also included as Bernstein and Stern tour the country and meet the people of Israel.
A documentary that introduces the main places in Öræfasveit, for examples Ingólfshöfði to name a few. The picture gives a beautiful view of nature and life in Öræfasveit in the middle of the last century.
The film talks about women's participation in World War II. Former female soldiers, nurses and liaison officers tell about their wartime fates. Today they are directors, secretaries, lecturers and saleswomen.
A look at the 750 ships that pass through the five mile wide shipping channel every day.
Short directed by Ulf von Mechow
Promotional documentary for Rostock and Warnemünde with no commentary. Eleven film themes are set to a suite by composer Günter Kochan. Alternating image sequences of the old and new Rostock blend harmoniously with the music and show a proud, but also battered Hanseatic city, right up to the 750th anniversary with its national and international guests.
Tetzlaff's documentary combines historic film footage and photographs with quotes from Kollwitz's diary and images of her sculptures and graphic works, including The Weavers' Revolt (1893-97), The Peasant War (1902-08), Woman with the Dead Child (1903) and War (1922-23), her famous series of seven woodcuts.
William Wells defends the viability of Fogo Island and expresses his apprehension about the exodus of young people.
One taxi driver, the other mechanics or masons. They drive a moped as Johnny Halliday and wear pants Zazous. During the weekend, they play in a real western with guns purchased at the supermarket, loaded with blanks. They love violence, their favorite actors are Edward G. Robinson and Glenn Ford. The heroine is selling at the Galerie du Niger. When the Nigerian filmmaker Mustapha Alassane turned the return of an adventurer, the first African western, Serge-Henri Moati wanted to make a film about film. The cowboys are turning black traces and proves at the same time the reality and fiction, film and life, sometimes extremely close, especially when it comes to the Wild West ..
Quebecois lumberjacks have to face harsh working and living conditions to earn a living and support their families.
A view from a helicopter of the ten Canadian provinces in 1966. The result is a big, beautiful and engrossing bird's-eye portrait of the country. Nothing here is quite the same as seen before, even Niagara Falls. Canadians will be thrilled by this panoramic view of familiar territory. Made for international distribution for the Canadian centennial.
A look at the popularity of perfume and its many newer uses: from scented wrappings as an aid to sales, to scented fur coats and men's suits.
A film-truth document. It presents the life of Luis, a man who wanders the streets of the city, going to and from work, contemplating the windows of a world he can never have and that invite him to consume, to dream.
An overview of high-rise construction activity in London. From the crane operators who build the new sky-scrapers to the tenants who live in the penthouses, this newsreel provides a colorful birds-eye view of London Town.
Pop films by Garrel.
A leisurely view over Norfolk and Suffolk.
Animated-documentary film by Dušan Vukotić depicting the process of animation in the Studio for cartoons, Zagreb film.
Philosophical essay about the October Revolution of 1917 in Russia, its influence on the destiny of the world in the 20th century.
An elderly deaf man working on an armchair in a workshop talks about his deafness and how work helps him to forget it.
A film about three ski-bums (Run Funk, Mike Zuetell and Ed Ricks) that are followed by another ski bum (Dick Barrymore),with a 16mm Bolex camera, who filmed a four-month part of their nomadic and vanishing-breed way of life across four continents. These are four people doing every day what others work fifty weeks of the year to buy for two weeks. They were also becoming a vanishing breed who were becoming unwelcome from Aspen to Val d'Isere.
Images and verses to Christmas
"Peking Symphony Orchestra" is a 1965 black-and-white documentary directed by Felix Greene that records a concert performance by the Peking Symphony Orchestra under the direction of conductor Li Teh-Lun. The film presents orchestral works from the Western classical tradition, including excerpts from Liszt’s Piano Concerto No. 2.
Reporter Frank McGee profiles a platoon of the 101st Airborne Division in Vietnam. Spending nearly a month with them on patrol, McGee looks at the integration of African Americans in the U.S. military.
A look at the ancient art of barrel-making, and all the different uses that they are put to.
A British Transport Film, in German!
The earliest 'rockumentary' of John Mayall and his musicians filmed in their homes, dressing rooms, motorways, airports, clubs, concert halls and at festivals.
The actor Lawrence Casey begins his screen test by staring solemnly into the camera,. He then lifts his chin slightly and begins an uncanny, slow-motion transformation of his expression from complete neutrality to manic glee. By the end his face is wreathed in an ecstatic grin.
A Bolivian miner belonging to the pirquiñeros (independent workers that extracts ore in dangerous places abandoned by mining companies considered depleted) struggles to get some mineral by drilling the rock only with a chisel and a hammer.
Une nation est née depicts the progression of Senegal from colonization to sovereignty, shown allegorically through scenes of dance and celebrations of its newly-reclaimed independence.
Road work in Oslo. ***** Oslofilm was a series of public information films about life in and around Oslo, produced between 1940 and 1980. Funded by the state, the films offer valuable insight into postwar Norwegian society. A wide range of Norwegian filmmakers contributed to the productions, resulting in a rich variety of styles and expressions. Several of the films also possess notable cinematic qualities, standing out as more than just informational material. The Oslofilms represent a unique and important chapter in Norwegian film history.
Nico, in a pseudo ‘commercial’, holds a large, partially unwrapped Hershey bar to her chin, with the labelling upside down; the camera remains stationary while she gazes morosely into the distance.