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Viva Ingrid!

Original newsreels, clips from Roberto Rossellini films starring the actress, and above all, astonishing home movies made largely by Ingrid Bergman herself: they all go into this story of the great Hollywood star's Italian years, from 1948 to 1956. Eight years that cover her memorable love affair with Roberto Rossellini, their three children and five unforgettable films. It's an Italian journey through Ingrid's eyes, here in an unusual role as "director", and an emotional and at times exotic look at the country, part family life, part Dolce Vita. The narrator for the occasion is the actress herself, in interviews and other stock footage, with the exception of a letter to Roberto Rossellini which is the stuff of legend, read by their daughter Isabella.

Viva Ingrid!

NR 2015
London's Last Wilderness

When an alien visitor discovers it can communicate with Earth’s oceans, it becomes the only intermediary between humanity and a vast marine intelligence whose patience with the human race is running out. Part survey, part discovery, the film explores a stretch of the wilderness that has largely slipped through the cracks of human attention, and in some places, bears the marks of human failure. The alien encounters a force both beautiful and terrifying, a voice as old as the planet itself, carrying memories, warnings and a power beyond human control. The film is a parable about nature on Earth by establishing an unidentified alien as interacting with the planet. By way of subtle messages the sea warns the alien that the existence of the planet is at stake. The alien discovers a controlling city but does not interfere with it and hopes that the sea will find a way to survive.

London's Last Wilderness

NR 2026
Menschenaffen

Because they are close relatives, great apes - particularly chimpanzees and bonobos - can help humans understand hominization, the evolutionary process that led to the appearance of man. Filmed in Nigeria, Tanzania and a Dutch zoo, this documentary explores the differences and similarities between apes and humans. Despite those who place man at the pinnacle of creation, all these species, from the same stock, have reproduced with each other several times over the course of history.

Menschenaffen

NR 2021
Northern Range

It’s firstly the portrait of an area, France’s north coast between Dunkirk and Calais, where Olivier Derousseau lives and works: ransacked landscapes, port installations, plumes of smoke from the chimneys of petrochemical facilities, blown by the wind… It’s also a musical suite in five parts, a kind of minimalist blues lovingly composed in memory of time and people that have disappeared: the constant bass of juggernauts on the motorway, the percussion of the wind in the microphones, all the world’s sounds blending into a repetitive guitar thread. And it’s a melancholy meditation on the stuff of days, the flesh of the future, on irretrievable erasure and the traces waiting and hoping to be saved.

Northern Range

7.0 2020
Code-Breakers: Bletchley Park's Lost Heroes

This is a documentary about unsung heroes of World War II. In 1943, a 24-year-old maths student and a GPO engineer combined to hack into Hitler's personal super-code machine - not Enigma but an even tougher system, which he called his 'secrets writer'. Their break turned the Battle of Kursk, powered the D-day landings and orchestrated the end of the conflict in Europe. But it was also to be used during the Cold War - which meant both men's achievements were hushed up and never officially recognized.

Code-Breakers: Bletchley Park's Lost Heroes

8.0 2011
Workers Leaving the Lumière Factory

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Workers Leaving the Lumière Factory

6.7 1895
Balseros

In the summer of 1994, a team of public television reporters filmed and interviewed seven Cubans a few days before their risky venture of setting out to sea in homemade rafts to reach the coast of the United States. Six made it far enough to be picked up at sea by the U.S. Coast Guard. When these balseros (rafters) were finally allowed to go to the United States, the film crew went with them to a string of several cities. Seven years later, the film crew visits them again, to discover that their destiny has been in the United States. Theirs is a true story about some of the authentic survivors of our times, the human adventure of people who are shipwrecked between two worlds.

Balseros

6.5 2002
Umbracle

This film turns on two basic axes: the inquiry into ways of cinematographic representation and a critical image of official Spain at the time of the Franco dictatorship. “Montage of attractions” and Brechtianism in strong doses. Umbracle is made up of fragments (some are archive footage) that resound rather than progress by unusual links, with dejá vu scenes that promise us more but remain tensely unfinished. Jonathan Rosembaun said: “few directors since Resnais have played so ruthlessly with the unconscious narrative expectations to bug us”. Learning from the feeling of strangeness caused by Rossellini as he threw well known actors into savage scenery in southern Europe. Portabella makes Christopher Lee wander around a dream-like Barcelona. Without a doubt Portabella’s most structurally complex and most profoundly political film, that is ferociously poetic.

Umbracle

6.0 1972
Sergio Leone: The Italian Who Invented America

To mark the recent thirtieth anniversary of Sergio Leone’s death, this documentary sets out to pay tribute to one of the great legends of world cinema. The singular artistic vision of Sergio Leone has transcended national borders, creating the Spaghetti Western genre and transforming the international cinematic panorama forever with his innovative stylistic and narrative solutions, which have now become part of the language of the movies. The film, which is enriched with precious archive footage from the Cineteca di Bologna, including rare audio recordings and film clips shot behind the scenes, sees for the first time the direct participation of the Leone family and has interviews both with Leone’s longtime collaborators and with icons of Hollywood who have been profoundly influenced by his work.

Sergio Leone: The Italian Who Invented America

7.4 2022
13 Days in France

This colorful documentary chronicles the events of the 1968 Winter Olympics in France. The events made international celebrities of skater Peggy Fleming and skier Jean-Claude Killy for their gold-medal performances. The camera accurately catches the speed of bobsleds and downhill racers and ski jumpers as they race for the gold. President Charles DeGaulle is shown observing the action over 13 days, which saw France earn the best performance to date in the winter games.

13 Days in France

6.9 1968