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Liniers, el trazo simple de las cosas

Winter 2007. Two artists from Argentina receive a grant to develop their work in Montreal (Canada). The only catch? They have to share an apartment. In this way filmmaker Franca González and cartoonist Ricardo Siri Liniers come to know each other. From the moment González becomes the roommate of Liniers, a friendship emerges between them and she makes him the proposal of doing a documentary about him. The film starts with an argument to get Liniers permission to chase him with videocameras and ends up becoming one of the most tender portraits ever done of the artist, reflecting the transcendence that ensues from the simple line of his drawings.

Liniers, el trazo simple de las cosas

6.5 2010
Guillermo Pérez Villalta. Del agua y el Mediterráneo

In the summer of 1996 Pablo Llorca did a long interview with Guillermo Pérez Villalta on the subject of water and the Mediterranean. They were five hours of recording, faded away immediately due to humidity problems and that had never been seen before. Recovered twenty-five years later, this is the result, where the painter's words are matched by images chosen by the filmmaker, in a descriptive relationship as well as a complementary reading.

Guillermo Pérez Villalta. Del agua y el Mediterráneo

NR 2023
La Gent De L'escala (People on the stairs)

The documentary People on the stairs analyzes through 21 testimonials "the most emotional part" of what happened on October 1 at the IES Pau Claris in Barcelona. The institute was protected by the neighbors in the morning and when the anti-violence of the Spanish police wanted to access the center to prevent the referendum. The images of the police loads in which the agents were seen throwing people down the stairs were the most widespread in the media around the world and for social networks, in fact it is estimated that 40 million people have been seen . The people on the stairs are a TV3 production, with the collaboration of Minoria Absoluta '.

La Gent De L'escala (People on the stairs)

6.7 2018
Urak aske: presak kendu, ibaiak berreskuratu

Draining two million cubic meters of water to protect a small animal in danger of extinction. This has been the task of those who have worked to remove the Enobieta reservoir and ensure a safe haven for the Pyrenean desman. This amazing story took place in Artikutza, the estate that San Sebastián bought in Navarre a century ago and which is now one of the best-preserved natural sites on the Cantabrian coast. In Normandy, meanwhile, the large Vezins dam has been removed. Its demolition will allow salmon to return to the Sélune River. Abandoned dams on rivers are barriers to biodiversity, and their demolition allows us to imagine a more habitable planet. That future will depend on small gestures, or large ones, such as those in Vezins and Enobia.

Urak aske: presak kendu, ibaiak berreskuratu

NR 2022
Sunday in Brazzaville

Forget about war and suffering and discover a different side of Congo. The sapeurs adhere to a subculture of high fashion. They may be surrounded by poverty but as Yves Saint Laurent, President of the Sapeur Association, explains, they're always dressed impeccably in Versace or Prada. Rapper Cheriff Bakala is working on recording his first album in a country with almost no producers. Meanwhile wrestler Palmas Ya Ya, is relying on voodoo and faith to help him defeat younger, stronger opponents...

Sunday in Brazzaville

7.2 2012
Vilca, the Magic of Silence

Ricardo Vilca was one of the most transcendent artists in the Argentinean north-west. However, his person and his music remained in the shadows to bigger audiences for years. Like a work of destiny, his songs arrived to Buenos Aires through the voice of important musicians such as León Gieco and Divididos. With unknown archival footage, Vilca is a journey through his story and a tribute, trying to better understand the sources of inspiration that sustain his music.

Vilca, the Magic of Silence

NR 2020
De Salamanca a ninguna parte

Human portrait of a generation of filmmakers, born as a result of the Salamanca Conversations (1955), who tried to show throughout the 60s the social reality of our country. Beyond the review of some times, or a description of the facts, we have tried to approach the looks, the memories, the silences, the desires and the struggle of its protagonists. Because in those years Patino, Borau, Camus, Picazo, Summers and Saura set out to do something that no one had asked them to do: a different, critical, innovative and personal cinema, values that we miss today. Translated with www.DeepL.com/Translator (free version)

De Salamanca a ninguna parte

7.5 2002
Uxío Novoneyra: Poeta/Alén

This documentary shows the life and work of the Galician poet from O Courel, Uxío Novoneyra, from a double perspective: the intimate and familiar analysis of his work, both poetic and artistic, and that of his ideological commitment, and a reinterpretation of a selection of his poems for signify the living mode of his verses. The documentary is directed by one of his sons, Uxío Novo Rey, and different artists, biographers, politicians and neighbors collaborate in it, showing the different aspects of the poet, from his origins, the life of the Courel, the Brais Pinto group, the thought politics and even the Galician language. The story establishes a parallelism with the most outstanding events that have occurred in Galicia and in the world in the second half of the 20th century and how the poet was affected by these events.

Uxío Novoneyra: Poeta/Alén

NR 2012
Bajo el silencio

A young journalist travels to the Basque Country to meet with those responsible for the murders committed by the terrorist group ETA and their ideological accomplices. On his journey, he interviews repentant terrorists, those responsible for crimes who are now integrated into their communities, and those convicted of terrorism who now hold positions as mayors, parliamentarians, or university professors, to hear their explanations about their past links to the ultra-nationalist network and to find out what mark terrorism has left on the Basque Country after its long and painful existence.

Bajo el silencio

6.0 2020
Aidez l'Espagne

The Colegio de Arquitectos de Catalunya commissioned Pere Portabella to make this film for the Joan Miró retrospective exhibit in 1969. There were heated discussions on whether it would be prudent to screen the film during the exhibit. Portabella took the following stance: "either both films are screened or they don't screen any" and, finally, both Miro l'Altre and Aidez l'Espagne were shown. The film was made by combining newsreels and film material from the Spanish Civil War with prints by Miró from the series "Barcelona" (1939-1944). The film ends with the painter's "pochoir" known as Aidez l'Espagne.

Aidez l'Espagne

6.4 1969
1212. The Battle of Las Navas de Tolosa

On 16 July 1212, a Crusader army made up of Castilians, Aragonese and Navarrese (but also French, English and Germans) confronted the army of the Almohad Caliph an-Nasir at the foot of the Sierra Morena mountain range. The Battle of Las Navas de Tolosa, as the battle is known, is considered the most important battle of the Middle Ages on the Iberian Peninsula and is a key event in the history of Spain. More than 800 years later, a group of archaeologists and specialists have begun an archaeological study of the battlefield. Is everything that has been said about the battle true? What secrets does the terrain hide? And, above all, what can we learn today about events that took place hundreds of years ago and that pitted tens of thousands of people against each other in the south of our country?

1212. The Battle of Las Navas de Tolosa

5.6 2023
Environmelisma

The entire project examines three interconnected extractivist processes in that area of southeastern Spain: mining in La Unión, construction in La Manga, and agroindustry in the Mar Menor. This short film was scripted as a spiral, revisiting the same three locations in three rounds. It overlaps archival materials with new recordings, aiming to approach the territory as a stratified archival ground – a form of storytelling conveyed by the land and water themselves. The archival materials are treated as compacted strata, whose grain and texture offer the possibility of excavating the trauma inscribed in the territory.

Environmelisma

NR 2025
Reserve

The wolf no longer inhabits the land that once formed part of its territory, and only through its outlines can we get closer to it; remnants of wolf traps, predator urine imported from the US, a dung-hill used to feed scavenger birds and archers that shoot at replicas of animals. Reserve constructs a story about the fragile balance of a territory after the disappearance of the predator, where the complex co-existence between humans and non-humans presents a distinctly marked anthropogenic ecosystem.

Reserve

6.5 2020
Los Pilares

Los Pilares is a family home, and also a portrait of the passing of time in one place and in one life, contained in the personal recordings of Antonio García Zarandieta between 1971 and 2018. Around the swimming pool, we get to know each tree, each grandchild that is born, each family celebration, which Antonio films painstakingly while adding a live narration. A film that pauses on the lyric of domestic life, at the same time as, through the past, it investigates a current theme: how what is around us is affected by constant recording, what does it mean to experience each event through the mediation of a device.

Los Pilares

NR 2018