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One summer day in 1845, Henry David Thoreau went into the forest, and built a small house to live for a while. In this cabin, he placed three chairs: one chair for solitude, one chair for friendship, and one chair for society. Now, 180 years later, we enter his home to stay for a while and build a shadow-forest to place three tables. Thoreau left behind his writings and drawings, observing carefully the life of diverse animals and plants in the woods. The traces he left are reimagined as a performance interwoven with various other stories and shifting shadows between light and darkness. “We may no longer know how to make fire, how to pray, or where the forest to pray in is”, but on the ruins already burned, we begin to rebuild a landscape of "a home as forest" and "a forest as home."

Xiaoxing hasn't seen his uncle for years, since he left for Argentina. When he finally visits him again, the man has changed completely and his life is in shambles. So Xiaoxing and his mother offer him a trip to Perito Moreno, the world's biggest glacier.

In a quiet forest, a sign warns of radiation hazard. “Is this the past or the future?” muses the masked figure who appears like a kind of ghost in nuclear disaster areas. At a time when nuclear power may be re-emerging as an alternative to fossil fuels, this calmly observed and compelling tour takes us to places that may serve as a warning.

Features making-of and documentary about Keiko Kitagawa's photo book "27."

Formed in 2013 and celebrating 12 years since their debut, Silica Gel has been praised for "creating a sound never heard before." In 2016, they were named the winner of Hello Rookie of the Year, a project organized by EBS Space to discover new talent, underscoring their presence on the popular music scene. The band's journey from birth to maturity was chronicled by EBS Space in an archive spanning eight years, complemented by dynamic 4K live performances and immersive interviews that transcend time.

This is a 3-part love story. One girl is talking a story of her ex-boyfriend. He went aboard to chase for homosexual love. Although she stayed home, both of them are experiencing almost simultaneously unbounded sexual exploring journey in each end. The traditional narrative monologue is manipulated as a link to all the experimental segments. As the story goes on, the emotion of those original extremely abstract experimental footages are becoming touchable and understandable.

Ippei was born at the cost of his mother's life. This fact haunts him, he felt a longing for Japan's ancient hot springs and embarked on a journey to find his ideal bath. The pinnacle of baths was the bathhouses with female bathers during the Keicho and Kan'ei eras. Men would drink sake with female bathers, push them down, and moan as they did so. Bathing also had an aspect of women's pursuit of beauty. Beautiful women try out various forms of bathing. Ippei's pilgrimage introduces various hot springs and engaging in sexual acts with the hot women he encounters. He experiences various bathing scenes, including Turkish baths and secretly filmed geishas bathing.

Climate change in the Sea of Okhotsk threatens the rich ecosystem of Shiretoko Peninsula. Decreases in sea ice and spawning fish have upset the natural balance and put once common brown bears at risk.

Extra, behind scenes from Hideaki Anno's film Ritual (also known as Shiki-Jitsu).

This rural documentary features poet Jin Makabe. Thoughts about agriculture, memories, landscapes.

This film tells the story of the translator Wang Tiesheng. Before 1949, Wang graduated from Tongji University in Shanghai. He was a student with good morals, intelligence and health. He then served as an assistant professor in the Economics Department of Renmin University. However, he was labelled a “Rightist” in 1957 and was sent to a farm in Tianjin to undertake forced labour. There, he underwent extreme humiliating “reform” and suffered starvation. Later, on a bumpy road as he was being sent to be buried, he miraculously discovered that he was actually alive.

Our family lives in Eunma Apartment in Gangnam, Seoul Korea. My father, whose business had got tough, had borrowed money using the house with security. Monthly interests has become a bit too much for him, but he never thinks about selling the house, expecting that the price of the house might go up. I don't quite understand him. But as time goes by I get to know our family's economic situation, and as I can fee his anxiety about the price of the house I am also being uneasy. Could he ever sell Eunma Apartment?

In Thailand, a hymn to rice need not always be sung. A dance, or spectacular homemade fireworks can say the same thing. As can a film, as is convincingly demonstrated by this lyrical, beautifully filmed homage to this essential staple food.

The "Great Sichuan Earthquake" took place at 14:28 on May 12, 2008. In the days after, ordinary people salvage destroyed pig farms in the mountains, collect cheap scrapped metals, or pillaging other victims' homes. Behind the media circus of official visits is an inconsolable grief of families searching for loved ones. As the Lunar New Year approaches, vagabonds and family tell of the ill-handling of rebuilding schemes and misuse relief funds. As they prepare for another visit from a high official, the refugees are swept out of the town and into tent cities. The promise to put a roof over their heads before winter seems impossible to keep.

Taipeilove* is a documentary on the perception of homosexuality in the Taiwanese society. As Taiwan is the first country in Asia that is in the process of legalizing same-sex marriage, the documentary follows activists, politicians and experts in the Taiwanese society who have been fighting for marriage equality and navigating their lives through the hardship of coming-out, reaction of families, abandonment and finding love.

The poignant focal point for this film is a cherry tree that is over 1400 years old. Beginning with the tree, the director then explores the families and environment around the tree. The editing and music contribute to the sense of a haunting past contained within the solid structure of an ancient natural wonder.

Aloneness is not the same as being lonely. Lying beneath the white sheets, the 11 holds the tale of forbidden unconditional love in dreams and in reality. The lovers whisper words of love as conversations continue to flow and laughter fills the ward.

"AA" is a documentary about Akira Aida (mostly known as Aquirax Aida), a japanese music critic who introduced free jazz, improvisation, and progressive rock to Japan. It's based on interviews with 12 critics and musicians who had connections with him. This is a documentary that considers the past, present and future of improvisation.

Documenting the discovery of a large stone chakra in Nakhon Pathom.

A train rolled into Tamsui, a charming harbour town full of historical and cultural complexity. European-style architecture tells its colonial past, while Fujianese immigrants' influence stays present in local people's everyday life. Celebrated photographer and cinematographer CHANG Chao-tang captured Tamsui in the 1970s on film, creating a nostalgic yet melancholic concerto played by missionaries, fishermen, and tourists.

Korean film critic Jeong Sung-il’s camera explores the work of Wang Bing, a Chinese director who won international fame with his film Tie Xi Qu: West of the Tracks. Jeong’s attempt to pry into Wang’s filmmaking secrets leads to the question: “What is film?”

After the wave of #MeToo movement stories from various circles, did sexual violence survivors return to their normal lives? Finding the new 'normal' is now in the hands of those individuals. Even though the cases were closed, their memories always take them back to the past. Blighted by violence, their bodies stiffen up even with little touches. From getting out of bed, taking a shower to leaving the house, everyday is a battle with themselves. While many survivors feel they're body still remain in the past, dance therapists, choreographers and feminist activists have gathered and plan a movement workshop for trauma recovery. They feel their fingertips again and they move their toes. They re-experience inhaling and exhaling in a safe place. To survive this moment, they move together, and they prepare themselves for a return to daily lives.

Lingtan Street is home to several shops, where the owners keep their secrets. A woman who has lost her family, a lesbian running a bookshop, a vegetable stall owner controlled by her husband, a piano teacher relying on a cleaning job, a young mother separated from her son and a music store owner about to have a home birth. Their lives become entwined as they go through the highs and lows together.

The man who created the sounds of the future, legendary sound designer Matuo Ohno, most famous for his work on the 1963 animated TV show Astro Boy.

Recording a 24-hour period throughout every country in the world, we explore a greater diversity of perspectives than ever seen before on screen. We follow characters and events that evolve throughout the day, interspersed with expansive global montages that explore the progression of life from birth, to death, to birth again. In the end, despite unprecedented challenges and tragedies throughout the world, we are reminded that every day we are alive there is hope and a choice to see a better future together. Founded in 2008, it set out to explore our planet's identity and challenges in an attempt to answer the question: Who are we?

Eight years after the shocking documentaries A and A2, which examined the Aum Shinrikyo affair that shook Japan, director Tatsuya Mori finally returned to filmmaking. Documentaries Tell Lies, broadcast on the TV Tokyo network in 2006, was an extraordinarily provocative work that challenged conventional assumptions about television. Watch it and read it, and the way you view television may never be the same.

Set in Hong Kong, the narcotics documentary Opium: The White Powder Opera (1976-77) was commissioned by a British television station. Yung, its associate producer and cinematographer, joined the surveillance team of the Narcotics Bureau to acquaint himself with the workings of the drug trade. This paved the way for The System. In addition to the cat-and-mouse game between the cops and the druglord, a fascinating thread traces the relationship among dealers, junkies and mules in Sai Ying Pun. The title hails from Brecht’s The Threepenny Opera, another tragedy concerned with a capitalist society’s oppressed and exploited nobodies.

During the rice sowing season, Jun, a young Catalan of Chinese origin, works as a seasonal worker in the Ebro Delta. This ancient labour will make him confront his own roots and the distance that separates him from his family.

Daughter of Mobius shows the struggles of an independent women living in the early 80s - an era when it was much more difficult for women to be independent. The movie follows a 29-year-old single woman - who at the time was the object of social prejudices - through her daily life, showing the sights of Seoul in the early 80s and the life of the woman, in documentary style.

Can a life size doll, an avatar or an artificial intelligence truly love you? Through unilateral love stories between humans and non-humans, the film explores different attempts to be in the world and draws a picture of Japan’s future.

Costa Rica is one of few countries in the world to abolish its military. This documentary focuses on education, children and a co-operative in the Monteverde nature reserve.

This documentary explores the reason why people in Chiayi have an everlasting passion for music—is it the vibe of the city, or is it mere illusion? In this film, Chiayi-native musicians and musicians who have migrated to Chiayi were both actively engaged in a reality show in which they tried to fulfill their calling as musicians. Even faced with a dilemma, they have not hesitated for a second—music, for them, is the best choice in life.

This film project was made in 1996 to commemorate the 100th anniversary of the birth of the cinema.

The church is the body of Christ. In Greece, the church embodied a philosophy. Then in Rome, it became an institution. Spreading throughout Europe, it became one with the culture there. Traveling to the US, the church became a business. And when it arrived in Korea, it became a conglomerate. The top five largest churches in the world are located in Korea. However, Christ has long been absent in the nation. So then, what is the church? Who is Jesus Christ? What kind of world do Christians want? If the church is indeed the body of Christ, then we must ask the questions point-blank. Where do we stand in all this? And where exactly are we headed? Korean churches—“Quo Vadis?” Korean society—“Quo Vadis?”

Theatre 1 (Observational Film Series #3) is a feature length documentary, which closely depicts the world of Oriza Hirata, Japan's leading playwright and director, and his theatrical company, Seinendan. By depicting them, the film leads the audience to revisit fundamental but timely questions: What is theatre? Why do human beings act?

Made as a pilot film of Chiyo, At Altitude is a self-reflexive film of a filmmaker’s brief visit to her grandmother in the Japanese suburbs. Not having seen her grandmother for a while, as the filmmaker has been living abroad for the past 5 years, she uses a 16mm film camera as a mediation tool to reconnect with her grandmother. Interweaving the juxtaposition of inside and outside spaces, the film offers an intimate look at family life and ageing.

A pioneer in Taiwan’s contemporary dance scene, Lo Man-fei receives a beautiful tribute from director En Chen, a decade after her passing. Three years in the making, Manfei traces the life and work of the dance legend, including her early days at the Cloud Gate Dance Theatre, her studies at New York’s most prestigious dance schools, and the founding of her Taipei Crossover Dance Company. Featuring rare footage of Lo’s graceful performances as well as candid conversations with her closest friends and collaborators, Manfei is a stirring journey into the heart of a true artist and a moving remembrance for a dearly missed member of the Taiwan art world.

The hotel overlooks the city hall. The city hotel returns the glance. Glances bounce off each other, become directions and points headed towards, together, and outwards all just one frame apart in between the hotel and city hall.

This film is Taiwan’s first protest music documentary, examining Jiao Gong Band 交工樂隊. Jiao Gong Band initially received attention from their efforts opposing the Meinong Dam project. After a brief pause in the Dam issue, Jiao Gong began following farm and farming issues, with their musical style quickly gaining increased popularity. This film discusses the uneasy situation faced by Taiwan’s farm youth. The youth that sets out to the city seeking to develop themselves carry feelings of homesickness from leaving their farm and land; on returning to their hometown after the bubble economy, they continue to push the elder generation to leave the village. Aside from this, because of their difficult social status, farm youth can often only search for Southeast Asian “foreign brides” when seeking marriage. Within the film, new residents (新住民) discuss their feelings and mindset in moving to Taiwan and collaborate with Jiao Gong throughout the album’s recording process.

Follows the retirement of the head physician at a mental health facility in Japan

This film attempts to reconstruct the tension of the Battle of Shanghai through an episode in an understated way, introducting its story in a documentary mode. In the film story, Japan's marine regiment protects Japanese residents and Chinese refugees-women and young children-from rampant street fighting, Shanhai Rikusentai unsparingly uses its first eight minutes for an official-mannered self-justification of the war. From the viewpoint of explaining Japan's military operation,the narration refers to the city s spatial division in sync with maps on screen.

Daisuke is a comedian who was excluded from TV because of his political statements. This is the story of three years filled with his challenges, suffering, and love for his family.

A father loses his short-term memory as a result of a botched medical procedure, which causes him to develop Wernicke's Encephalopathy. Kore-eda chronicles his family’s fight to receive proper treatment and benefits from this devastating malpractice.

Two girls in the bloom of youth meet at a vocational training program. Afterwards, their lives move in completely different directions.

Wang Keqin was a reporter who dared to expose corrupt officialdom. Because his articles directly exposed stock market corruption and local government brutality to the public, people threatened to pay 500,000 yuan for his head. This attracted the attention of Premier Zhu Rongji. Wang was instructed to employ protection. This film documents Wang Keqin's interview experience in Min County, Gansu Province. Wang Keqin once wrote reports about officials oppressing the people there, which received widespread attention, so the cadres were brought to justice. The general public increased their legal awareness as a result of this incident, which also resulted in challenges to township governance. In the days that followed, the farmers who defended their rights continued to experience retaliation from the village cadres, and they kept calling Wang Keqin about their experiences.

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "No Regrets for Our Youth" (1946).

Shinjuku Tiger, a Japanese documentary, is named after its subject, a colorful figure who has been a feature of the Shinjuku scene since the 1970s.

A profile of the controversial novelist Mitsuharu Inoue, filmed during the last years of his life.

Having devoted much of his career to programming and film history research, Law Kar, a.k.a. Uncle Kar, places himself before the camera for the first time. This nostalgic trip down memory lane, as he recounts his personal and cinematic experiences, from film criticism, experimental filmmaking to auditioning for Federico Fellini, cumulates in a brief history of Hong Kong cinema itself. Reflecting on the past 80 years, Law Kar's affectionate documentary sheds light on local movies and Chinese cinema, brooding over the socio-political transformation of our perplexed city, as the restless cinephile ponders the role cinema and art play in times of crisis.

A partially restored version of Director Im Kwon-taek's Bhiksuni, which was halted in 1984 due to opposition from the Buddhist community. It contains the agony of a woman who has converted to Buddhism. The documentary, which is shown together with the partially restored version, contains the story of the production of Bhiksuni told by actress Kim Ji-mi, director Im Kwon-taek, cinematographer Jung Il-sung, and writer Song Gil-han.

Giraffe-like construction cranes are avid eaters. They forage around in the woods and fields for their feeds: the collective longing for development and prosperity. As they crane their necks longer, they make the fantasy of progress more alluring. And that is what Chung-Ming Wang steps forward to fight. Left his stable life behind, he devoted himself into local environmentalism in his hometown Tamsui(Danshui), tried to keep it distant from developmentalism that Taipei had been suffered for long. Few years later, he decided to change his way of political participation. This documentary film depicts his third attempt to run in the City Council Election in 2014, including the difficulties and conflicts he encounters and the diverse imaginations toward progress. The film also tries to brings up an important question: do we need more edifices in our city, or we need to find a way to edify ourselves?

In Thailand, three Japanese soldiers, left in the jungle more than a quarter of a century after their country's defeat, come together to discuss what their life was like during and after the war. Part two of Imamura's quest for Japanese soldiers who stayed behind after the war.