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Living Room

A film about people and the space in which they live. From country cottage to council flats, stately detached houses, railway arches and tiny bedsitters - this is a journey with the camera through living rooms of all sizes, designed in all kinds of taste. It's a journey, too, through the lives of the people who inhabit these rooms; a film producer who lives in an empty house with bare walls and floor, a young Gloucestershire couple who have filled every inch of space with mementoes of their life together, an artist's model whose walls are crammed with paintings of herself, an architect who lives in a bedsit one-and-a-half metres square. Couples, families and single people appear in this film, some happy and secure within their living space, others lonely, or simply alone.

Living Room

NR 1978
Reclamation of the Negev

In just a few decades, the Negev turned from an uninhabitable area to a home for a quarter of a million people. This short film, on behalf of the Environmental Protection Service, explains how the Negev became suitable for living. It reviews the development of the evolution of desert agriculture in Israel, sheds light on the scientific research that improves the quality of life in the Negev, and presents the unique architecture facilitating living in a desert climate. All of these attract new residents to the Negev, improve the quality of life for its original inhabitants the Bedouins, and even bring tourists to the Israeli desert.

Reclamation of the Negev

NR 1977
Os Imaginários

Pilgrims from the Northeast have the habit of buying images of characters in whom they identify exemplary behavior. By carving wood to shape these figures, the imaginary artists, artisans who make images of typical characters from the traditional Northeast, perpetuate a tradition that has changed over time. The ways of the traditional artist adapt to the demands of the tourism market and the dissociation between their conscience and the real meaning of the work to which they dedicate themselves.

Os Imaginários

NR 1970
Oil-Coated Umbrellas: Meinung

Once essential on rainy days in Taiwan, the handcrafted oil-paper umbrella from Meinung,was not only a symbol of local craftsmanship but also a major source of livelihood. However, as Taiwan rapidly shifted toward an industrial and commercial economy in the 1980s, mass-produced plastic umbrellas replaced these meticulously made paper ones. What was once a daily necessity gradually became a nostalgic cultural artifact. Today, a handful of long-established artisans continue to follow traditional methods. With patience and precision, they craft each umbrella by hand. Though its original function has faded, their emotional bond with the craft remains unchanged. Their dedication and skilled workmanship reflect a deep-rooted respect for materials and tradition, preserving a vanishing heritage one umbrella at a time.

Oil-Coated Umbrellas: Meinung

NR 1978
The World Known as BAM

City-hero Minsk. It has been reborn from the ashes by the hands of Belarusian builders. This new home is being built five thousand kilometers away from Minsk by Belarusian guys. The village of Shemanovsky is now known throughout the country. Ten Minsk residents, members of the all-union shock brigade named after the 17th Congress of the Komsomol, are constructing a residential complex. Foreman Alexander Nikitenko and his team know that the industrial foundation of the BAM is being laid here.

The World Known as BAM

NR 1975
Bexiga, Ano Zero

A brief look at the traditional Bexiga, am important neighborhood in the early 20th century with the massive arrival of Italian immigrants who felt at home while developing their businesses and generating a great economy to São Paulo. But in the second half of the century the families of means left the place; others were evicted due to a government crisis...and then with plenty of empty houses and spaces Bexiga became a spot for home invasions from poor families who were living under the streets.

Bexiga, Ano Zero

NR 1971
Lost in the Garden of the World

Cannes is the town in France where Bergman meets bikinis, and the art of filmmaking meets the art of the deal. In 1975, a group of expat Kiwis managed to score interviews with some of the festival's emerging talents, indulging their own cinematic dreams in the process. Werner Herzog waxes lyrical on the trials and scars of directing; a boyish Steven Spielberg recalls the challenges of framing shots during Jaws; Martin Scorsese and Dustin Hoffman talk a gallon.

Lost in the Garden of the World

NR 1975
Swift, 1971

The Popular Revolutionary Army (ERP) was a military unit of an Argentine political party, looking up to Mao's cultural revolution as its model. Its way of fighting involved kidnappings and assassinations of government officials as well as representatives of foreign firms. The crusade of the military junta against its terrorist practices later became a pretext for state terror against civilians who had nothing to do with ERP. Gleyzer's so-called "secret film" records the kidnapping of a manager of the meat processing factory and cooling plant Swift. The partisans request an improvement in the working conditions in the factory in exchange for his release.

Swift, 1971

5.8 1971
Pleasure Faire

From British Columbia, a day at a youth festival reminiscent of the folk fairs of medieval times, organized by people who choose to live outside the usual social pattern. The Pleasure Faire offered crowds a wide variety of hand-made objects--jewellery, beadwork, leatherwork, art, pottery. More than that, it provided a day of music, minstrel songs, dancing, and people participating in the spirit of the occasion, free of any commercialism or constraint. A day of joy, relived through the film.

Pleasure Faire

NR 1972