Discover Movies

This documentary wants people to stop armament. Instead of that, we should focus on humanitarian aid, education and healthcare. There is no commentary in the film, some images of the modern world spread the message. On the one hand, it is industry; on the other hand – famine.

Tien-Shan, 1966. For the first time in 13 years, winter duration is six months. Sheep in the mountains are hungry for grass on the sunny slopes. The state is taking urgent measures to save hundreds of thousands of wintering animals. But still...

Two women discuss the roles and problems of women, education, and shopping on Fogo Island.

This short begins with footage of Harlem church congregations, but focuses mainly on a chartered Hudson River boat trip; Disembarking, we see picnicks in the park and dancing in the woods. Director Gordon Hitchens founded Film Comment magazine and believed strongly in film as a marker and influencer of social progress.

The tobacco industry in Portugal through time and the full process, from plantation of seeds to its vanishing in smoke.

A harrowing, gorgeous, in-your-face-and-mind 45-minute black-and-white film by Marty Topp, produced by Ira Cohen for Universal Mutant. “Marty Topp’s beautiful film of ‘Paradise Now’ reveals how the theories of revolutionary change and the experience of sexual liberation are not separate paths to the beautiful nonviolent anarchist revolution. Practiced together they are a single thrust, encompassing both political action and sensual joy, leading to the dreamed-of terrestrial paradise.

An industrial documentary about the Razi Serum Institute

A non-narrative tribute to the seaside town of Onomichi, where Obayashi grew up and where most of these films were made.

A dizzying view of Manhattan in the 1960s, the tallest town in the world, and the men who work cloud-high to keep it growing. They are the Mohawk Indians from Kahnawake, near Montréal, famed for their skill in erecting the steel frames of skyscrapers. The film shows their nimble work, high above the pavement, but there are also glimpses of the quieter community life of the old Kahnawake Reserve.

Corrientes carnival, polyform joy in the subtropical night, the renewed rite is fulfilled once again. Cascades of lights, multicolored pyrotechnics, exalted rhythms, the old Momo extends its reign over the littoral city.

A sublime documentary on childhood and bereavement that’s one of several shorts the filmmaker completed while working in Algeria for Georges Derocles’s company Les Studios Africa, for whom he would shortly make his breakthrough feature The Olive Trees of Justice.

The film shows the interior of Suriname. Central to this is the Marowijne River with its villages, and how the rich society of Creoles (Afro-Surinamese), Hindustani, Javanese, Chinese, Boeroes (descendants of Dutch farmers' immigrants), Indians and Maroons live together. Wide rivers flow through the jungles of Suriname, mostly peaceful, but sometimes furiously against the rocks. Indians hunt for fish, while Marons prove that they are masters of driving their narrow boats. The Surinamese are sensitive musicians when they play their flute, which is shaped like bamboo. The jungle is a vibrant sea of green and there are flowers of every color that you can imagine. This is the interior of Suriname. The majority of the population lives on the coast, where the capital Paramaribo is also situated, a city that is lively and contains many different population groups, with their own clothing and language.

Also known as Around the World with Nothing On, this cheerful Swiss-made travelogue once again demonstrates that despite running around naked all goddamn day, nudists are not sexual perverts but, instead, decent folks who just love wallowing in nature. In fact, the only thing a nudist really has a jones for is Lust for the Sun!

Barclays Bank documentary about computers in the UK and how they might be used in the future.

Short film, going behind-the-scenes of shooting for One Plus One (1968) in London, featuring an interview with Godard sitting beside a tree. Many crew members from this shoot were then borrowed by him, playing the press in the film's Eve Democracy sequence. Originally broadcast on the BBC programme 'Release' (30th Nov. '68).

Documentation of the 1960's which demonstrates the attractions of the new world between Alaska and Tierra del Fuego as a colorful tourist picture book.

IMAGINERO is an ethnobiography of Hermogenes Cayo, a self-taught woodcarver and painter who lives on the high Andean plateau of Argentina. The film portrays Hermogenes, his wife Aurelia Kilpe, and their children in their Andean lifestyle, as well as Hermogenes' passion for painting, carving, building, and his devotion to the Virgin Mary. Devout, austere and dedicated to craftsmanship, he can make anything from religious figures carved from cactus wood to a working harmonium. Inspired by a trip to Buenos Aires to advocate for land rights, Hermogenes has labored to replicate the style of the capital's grand cathedral and shrine to the Virgin with resourcefulness and skill.

Andy directs Edie for a screen test.

Documentary footage of Soviet Air Forces parade held on 9 July 1961 on Tushino airfield.

An intimate study of Dunquin, County Kerry, Ireland, the westernmost village in Europe and one of the last Gaelic-speaking communities. Isolated from the rest of the country, depleted by emigration and devastated by a harsh climate, the society, traditions, and lives of Dunquin carry on.

The film is the first commission for the budding production company Filminor Oy, commissioned by the City of Tampere. Emphasising closeness to nature, the film showcases Tampere as an attractive summer city. Antti Peippo’s cinematography shifted a traditional city film towards a new wave visual narrative.

Nigeria became an independent country in 1960. In 1967 it was torn apart by civil war. Between these two events Nigeria enjoyed a kind of golden age, full of cultural ferment and cross-tribal fertilization. Every kid out of the village was writing the great Nigerian novel. A spirit of great hope prevailed through the land. Give Me A Riddle is about this golden age, seen through the eyes of ex-Peace Corps volunteer returning to his host country a couple of years after his Peace Corps service as a teacher at the University of Nigeria. The film follows Roger as he looks up his old student friends, travels with them to their homes, talks with them about their lives and the life of their country. Shot in 1966, the film is a time capsule of a Nigeria and the Peace Corps both in the rambunctious bloom of youth.

One of my filmic interests in Ethiopia was to see and film the salt trade between the Highlands and the Dallol Depression, a wondrous environment of unbearable heat and intense color. I managed a start only and these are the bits that emerged.

Cesare Maestri demonstrates rock climbing technique by making an ascent in the Sella Group in the Dolomites. Maestri starts by climbing a fourth and fifth grade route. Then he progresses through a sixth grade rock face, and ends climbing a roof using aid climbing techniques. Maestri, nicknamed the 'Spider of the Dolomites' is known for his solo repeats in the Dolomites, as the first climber in the world to ascend the sixty-year walls, and for the controversial first ascent of Cerro Torre in Patagonia.

Another early Aleksandar Petrovic documentary, done for Dunav film in 1964. It is made as a kind of a road movie through socialist Yugoslavia, registering numerous bizarre sites and events, with strong irony both in the selection of scenes and in the background commentaries. Originally filmed in 16mm.

A look at the ruins of the ancient city of Angkor. The largest collection of sculptures the world has ever seen - an entire metropolis of palaces and temples recovered from the jungle.

... with real-life portraits of Jayne Mansfield, Frak O'Hara, Ruth Ford, Ned Rorem, Virgil Thomson, Claes Oldenburg, Roy Lichtenstein, William Burroughs, Andy Warhol, Rudy Gernreich, Jonas Mekas and others.

Against the coastline of the Big Sur country the camera catches swiftly shifting fragments of the nude women at the baths, playing the guitar, cutting the hair, sleeping. The camera movement is used to slightly smear the images onto the film emulsion in a manner parallel with the use of broad different medium from music or painting.

Join Art Baker and Dr. C.H. Cleminshaw on a tour of our lunar neighbor in this science-fact short subject.

The entire history of the 39/45 war: the campaigns in France, Libya, Russia, the Pacific war, all the phases of the gigantic and merciless struggle between two worlds animated by opposing ideologies.

Produced in 1969 by Mosfilm, this documentary details the filming and editing of "War and Peace."

A look at the impact of road traffic on cities and their environments.

About a group of "Rockers" who belong to a British motorcycle club. Included are interviews with both male and female bikers. The film is largely based on candid interviews where the bikers respond to questions about politics, society, freedom and independence.

Sets out to persuade businesspeople of the advantages of going from city to city by train. How it gives them time to relax, work or sleep in comfort.

A 1967 documentary on the lives of Cu Chi guerrillas by the Film Studio of South Vietnam National Liberation Front.

Lightning struck the hut of a Fulani shepherd near a village of settled fishermen, Ganghel, in Niger. A yenendi, a purification ceremony to obtain "water from the sky but not fire from the sky", is organized, with Sorko priests, ritual musicians and dancers, and the faithful from Niamey. The musicians call on Dongo, god of storms, and his brother Kirey, god of lightning. To the rhythm of the orchestra, a man goes into a trance, becoming Dongo's horse and at the same time the riding genie. Then a woman is possessed by Kirey. When the riding gods have mastered their horses, the gods visit the men. Dongo purifies the lightning-struck land and the oldest fisherman prepares the purification vessel, addressing Dongo.

During the 1960s, artist Eric Olson embarked on a series of works under the title Optochromi. The vast majority of these were plexiglass objects: most were sculptures although a few are formally closer to paintings. From a cinematic point of view one could describe the Optochromi sculptures as metaphysical colour animations frozen in time – so much so that modern composer Jan Wilhelm Morthenson made his film Interferences (1966), a tribute to 1920s abstraction à la Richter, with the use of Olson’s works. Gösta Werner did something similar five years earlier with Levande färg – only that he mainly circles the sculptures, and contemplates them more than he interacts with them. A respectfully curious distance is always kept.

Ed Fury poses and plays in the waves at the beach.

Using Aspergillus niger mold, we observe culture breeding and the formation of spores. Microscope images show the structure and method of mold reproduction, the properties of which are used in the production of citric acid.

This program profiles Andy Warhol and Roy Lichtenstein, two of pop art's greatest icons. Back-to-back interviews highlight their differences. The voluble Lichtenstein, interviewed in his studio, discusses his methods and the use of familiar objects in his art. The reticent Warhol baits the interviewer, who attempts to extract concrete statements from the elusive artist. The Warhol segment is supplemented by footage of his band, the Velvet Underground; a clip of one of his short films, "Nancy Worthington Fish"; and brief comments from Edie Sedgwick, one of Warhol's proteges.

Documentary by Wilhelm Roth about the state of affairs of the Young German Cinema.

Apollo 7 was designated to make the essential test of the Apollo spacecraft before the ambitious lunar-orbital mission could be attempted. All systems respond perfectly.

A look at how the British Army developed its own Air Corps.

Zakopane is the winter capital of Poland, where Marszałkowska Street smoothly changes into Krupówki. Hitchhiking, views from Gubałówka, mountaineering – all of them, from a male perspective, could be an opportunity to meet a beautiful woman.

Factory machines, old enough to be locked away in museums and not used in modern production.

Only at a crisis do I see both the scene as I've been trained to see it ( that is, with Renaissance perspective, three-dimensional logic–colors as we've been trained to call a color a color, as so forth) and patterns that move straight out from the inside of the mind through the optic nerves... spots before my eyes, so to speak... and it's very intensive, disturbing, but joyful experience. I've seen that every time a child was born... Now none of that was in WINDOW WATER BABY MOVING; and I wanted a childbirth film which expressed all of my seeing at such a time.

The film reconstructs, using archive footage, some events from the Nazi occupation of Rome.

WW2 newsreel documentary film

A journey through five continents and an impression of the impact of television on peoples of different civilisations.

A documentary record of the stage performance of the piece titled "Piętawka" played by the Zbigniew Namysłowski quartet: the leader (alto saxophone), Włodzimierz Gulgowski (grand piano), Tadeusz Wójcik (double bass), Czesław Bartkowski (drums). The modern composition corresponds to the geometric, rhythmic stage design in the background. The film is part of a bigger project - a music documentary titled "Jazz in Poland" directed by Janusz Majewski.

A short documentary directed by Jesus Franco.

This is fluxfilm No. 21 and without a title

An officialist film produced by Chile Films in late 1965, following the submission to Congress of the agrarian reform bill by President Eduardo Frei Montalva’s government.