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1993. Emmanuel is a young village boy in Eastern France. He believes he's found a friend in Hubert, the local priest. One rainy afternoon, Emmanuel leaves the presbytery after promising Hubert not to tell anyone what had just happened. Thirty years later, Emmanuel remembers that day. At the police station, he discretely switches his phone recorder on and starts his deposition.

Faced with President François Mitterrand, Jacques Chirac embodied the opposition. In 1986, the right won the legislative elections and he became Prime Minister. After two years of tough cohabitation, François Mitterrand was re-elected in 1988. After a moment of despondency, the Chirac machine started up again. During the referendum on Maastricht, he took a position for the "yes", against the vast majority of his party. In March 1993, the opposition led by Chirac won a crushing victory. Edouard Balladur became Prime Minister. In 1995, Jacques Chirac was elected President of the Republic: thirty years of political life found their fulfillment.

A documentary on the making of THE 13TH WARRIOR with interviews from the director, cast and crew, and some behind-scenes footage.

Thousands of royal artifacts of Dahomey, a West African kingdom, were taken by French colonists in the 19th century for collection and display in Paris. Centuries later, a fraction returned to their home in modern-day Benin. This dramatized documentary follows the journey of 26 of the treasures as told by cultural art historians, embattled university students, and one of the repatriated statues himself.

The film retraces the last two years of Antonin Artaud.

The eight-hour series of interviews between Gilles Deleuze and Claire Parnet, filmed by Pierre-André Boutang in 1988-1989.

As French kindergarteners pour forth for recess, play takes on epic proportions. In every corner, some miniature drama is unfolding. Violence, love, jealousy, treachery are all here! This is human society in the making.

Through encounters with a hydrologist, a farmer, and citizens mobilized around the Marais Poitevin, the director helps us understand the effects—on biodiversity and the state of rivers—of substitution reservoirs, also known as megabassins. For several years, Anne-Morwenn, David, Patrick, Yann, and others have been fighting for fair water sharing and devising ways to convince as many people as possible that it is time to change the agricultural model.

Jacques Demy’s ability to enchant audiences was rooted in his personal struggles and doubts as a showman, establishing him as one of French cinema’s greatest artists.

An essay film critiquing post-war France's urban developments- Pialat states that modernity and suburban convenience have limited Parisian freedom and widened class gaps.

From New York to Los Angeles, a journey in the United States, in the footsteps of Johnny Hallyday, on tour in the country he has always admired. On the stages trodden by his idols, Elvis Presley, Gene Vincent or Eddie Cochran, he presents to an audience that does not know him a raw rock, full of emotion and energy. A tour he did to give back to America what it had given him.

Fourty-six years since the release of Le mépris, Jean-Luc Godard watches the film again to comment on it and its tumultuous production. Featuring interviews with: Jacques Rozier, Alain Bergala, Michel Piccoli, Charles Bitsch.

An invaluable imprint of the world tour of the play Maria Callas: Letters and Memoirs, starring Monica Bellucci as the great opera diva. Through the chronicle of the tour, which lasted from November 2019 to January 2023, we observe and compare two different eras (the current one and the one in which Callas reached the apex of fame), while at the same time, we partake to and witness an essential dialogue between the great contemporary Italian actress and the voice that marked the 20th century: two women who, despite their different background, meet in retrospect due to their love of art.

To be in Venice and see the architecture of New York, to perceive in a painting by Tintoretto the birth of animated images, to look at the burlesque Cretinetti as the ancestor of montage - so many shifts, displacements, and striking telescopings that Philippe-Alain Michaud proposes in this film dedicated to him. To follow this art historian, curator of the cinema collections at the Centre Pompidou, is to go from the oriental carpet to the film, or from the first fireworks to the cinema. And everywhere the animation of the images - projections of Antony McCall, or of Paul Sharits, Column without end of Brancusi, Pasolini's Accatone - everything moves! Under the tutelage of Aby Warburg, the great art historian of the early twentieth century, precursor of iconology and image comparison, to whom Philippe-Alain Michaud was the first in France to devote an important essay, eleven images are placed on the table to describe the singular journey of this art historian.

Join the big cats as we get up close and personal with their journeys through growing pains, adulthood, survival struggles and unfamiliar territories. These seven films follow the lives of some of the most formidable feline predators - lions, leopards, tigers and cheetahs in intimate detail.

The house referenced in the title is an old building, whose past splendour is recognisable despite the apparent lack of upkeep. This enormous house, in the middle of the forest, was a health cure site that Casanova and Voltaire apparently visited in their time. The spring was blocked and Nestlé, which was using it, closed the house.

On June 9, 2024, during the European elections, over half a million young voters backed Jordan Bardella, while others turned to Marion Maréchal. A new generation of leaders is emerging, reshaping old ideological foundations. From the youth wing of the Rassemblement National to student unions and Reconquête’s activists, we followed these key figures as they campaigned their way to the gates of power.

Sadio's story is the classical heroes journey and and archetype for African football players. Blessed with exceptional talent, he sets out from his village to find his destiny in the world - defying his family, social structures, doubters and injuries - to come back triumphant and able to help those around him.

A documentary road movie with René Vautier In the aftermath of Algeria's independence, René Vautier, a militant filmmaker, considered "the dad" of Algerian cinema, set up the cine-pops. We recreate with him the device of itinerant projections and we travel the country in ciné-bus (Algiers, Béjaïa, Tizi Ouzou, Tébessa) to hear the voices of the spectators on the political situation, youth and living conditions of men and Of women today.

Follows an international archaeological team exploring Saudi Arabia's Black Desert and Jordan, investigating ancient megastructures to uncover insights about humanity's oldest massive constructions.

How can a queer, androgynous Brazilian, son of a saint in Candomblé, an immigrant from Santo Amaro da Purificação in Europe, for 23 years bring together more than 60 thousand people dancing to the sounds of atabaques in the streets of Paris? This ritual, the Lavagem da Madeleine, which washes the steps of the French church, is intertwined with the life of his creator, the dancer from the Paradis Latin cabaret, Robertinho Chaves. In search of his identity in the Afro-Brazilian diaspora of Paris, he is about to cross the border of masculine and feminine, between the sacred and the profane.

The T.N.P., the Théâtre National Populaire, an important experimental theater directed by Jean Vilar. Franju combines sequences from theatrical performances with documentary images, creating links and confrontations between theater and the real world.

Having become a world star thanks to James Bond, Sean Connery, who died in 2020, has never stopped trying to shed the image of a sexy and slightly brutal macho that stuck to 007. A look back at an eclectic career, carried out with panache.

Created in 1945 to combat inequality and train competent, ethical civil servants, the ÉNA has since become the scapegoat of anti-elite sentiment. What happened to tarnish its image? This documentary, rich in archival footage and testimonies, delves into the history of this French symbol of excellence.

Exclusively created with period engravings, this animated feature explores the Franco-Prussian War of 1870 and the ensuing Paris Commune revolution in 1871.

Balkan Baroque is a real and imaginary biography of the Yugoslavian performance artist Marina Abramovic. Rather than a mechanical reproduction of the artist's work, the film tries to create a new reality by translating the performances into cinematographic images that intensify the fictional context of the film. Abramovic plays herself, but ,appearing in multiple forms, blurs her own identity. Memories and fantasies intermingle with day to day rituals. The chronological narrative often breaks to reflect the interior voyage of the protagonist from the present to the past and back to the present. The result is a visually impressive film. Balkan Baroque had its world premiere at the International Film Festival Rotterdam, 1999.

Adapted from famous French actor Philippe Torreton’s best-seller, GRANDMA is the portrait of the actor’s grandmother: a modest, unique but universal Norman peasant. Enriched with amateur films, nourished by major historical events, GRANDMA also tells the story of the end of a world, that of the countryside of our grandmothers, before the abyss of modernity.

In the form of a cyber-investigation, this documentary seeks to decode the manosphere and expose its dangers. Journalist Pierre Gault "infiltrated" forums, Telegram or WhatsApp groups, and private conversations. The normalization of sexual assaults, calls for rape, misogynistic and racist rhetoric, harassment... his deep dive into masculinist communities is staggering, uncovering a culture of hatred toward women.

Seven young people tell their personal stories with the Yiddish language while discussing the life and work of avant-garde Yiddish poets.

The arrival of King Rama V, the king of Siam, in Switzerland.

A handful of student revolutionaries from the Seventies meet up 30 years later to plan a robbery. This is not entirely correct, because they are friends, anyway, and always have been. They play cards together and go to each others’ birthday parties, have wives and children and probably mortgages. Romain Goupil’s film appears to be a throwback to the experimental days of cinema verite. Either that or it’s a home movie, shot with a video camera, to an improvised script or no script at all.

A young woman works as a prison guard in a hopelessly overcrowded jail in central Madagascar. She passes the time daydreaming about her father, a murderer, who abandoned her as a child after killing his own brother. In her imagination, her father becomes a mythical killer, wandering the countryside and rolling enchanted dice to decide the fate of his victims. Secretly, she yearns for the day her father will turn up amongst the prisoners. When a new inmate arrives claiming to know her father, her fantasies begin to turn to nightmares.

On August 15, 2021, Afghanistan descends into chaos. In one day, the completion of the withdrawal of Western forces precipitated the debacle of the regime in place: the army vanished, the leaders fled and the Taliban took Kabul without a fight. The great Central Asian country opens a new chapter in its tragic history, twenty years after the "war on terror" launched by George W. Bush in response to the attacks of September 11, 2001. The undisputed masters of 40 million trapped Afghans, the "students of religion" are back and are savoring their revenge by posing as the United States' victors. Their program will surprise no one: to restore the Islamic emirate and set up the "true" sharia, i.e. a perfect world, with divine commandments applied to the letter as in the time of the prophet.

A Sense of Justice, immerses us In a law firm in this same city. There, we can find Christine Mengus and Nohra Boukara, specialized in the rights of foreigners, supported by Audrey Scarinoff and their co-workers.. Stories from their sad, appalling or tragicomic cases alternate with their daily legal work. And as we hear snatches of consultations involving illegal entry or departure, deportation orders, the right to reside or medical assistance, we become witnesses to predictable tragedies, to the administrative or social precariousness induced by such predicaments, and to whole lives depending on court rulings.

As thousands of migrants attempt to cross the French-Italian border on foot through treacherous mountain routes, the state cracks down on the local communities that come to their aid in this revealing look at an unfolding human rights crisis.

"The caterpillar becomes a butterfly, the pig becomes a sausage, that is the law of nature." From birth to supermarket, 3 experiments on the well-being of farmed pigs are discussed by 2 biologists, 1 philosopher, 1 animal keeper, and 2 trainees from the pig research station of the Institut National de la Recherche Agronomique in Saint-Gilles in Brittany. Between scientific documentary and journalistic tract, this is a subjective vision of the practices of scientific objectivation in a French institution.

Jaguar, a kind of road movie on foot, tells of the journey of three friends, Damouré, Lam and Illo, on their way to the Gold Coast where they hope to make a fortune in order to return to their village in a few months.

Apprentice director Emmanuel Mouret submits a group of apprentice actors to a series of experiences: to what extent are they ready to expose themselves, either physically or psychologically, in the eyes of their director first, and then of the viewers?

What happens when a world that relies on traffic and the logistics that allow it comes to a standstill? What happens when sickness and even death are taken from us?