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School integration problems of Turkish children and the inaction of the German and Turkish governments are the focus of this film. The Turkish journalists Aysim and Yagmur Atsis examine new teaching models and present further proposals for solutions as to how equal opportunities can be guaranteed for all children while retaining their respective national identities.
'Thinking machines' and 'people thinking as machines' (super-computerprogrammers who have internalized computerese) are perhaps two of a kind. But clashes with the 'real world' are preprogrammed for these machines of flesh and blood. The film traces humankind's striving to discover itself again in its mechanical creations, from the effort to construct automatons in Switzerland some 200 years ago, to a pinnacle display of the 1980ies achievements: a robot playing Haydn's 'Genesis' at the World Expo in Japan.
Their ethnic roots are different and they are neither blond nor thin; this a cappella ensemble is their own creation. Three powerfully voiced singers and their pianist tour Austria and Germany, performing a program of soul and gospel. Trendy cafés and village church, everyday life as a musician and survival away from the international charts.
Drawing on a location test filmed in Uganda and an email exchange with the scout, this short film captures cinema’s ties to land and its entanglement with colonial imaginaries, binding the fiction of filmmaking with state-building.
This grandiose concert, held in Krakow (Poland), brings together Hans Zimmer's greatest film scores: ‘Gladiator’, ‘Interstellar’, ‘Pirates of the Caribbean’, ‘Dune’ and ‘The Lion King’.
Hate, political manipulation, uncontrollable filter bubbles, mental illness: In the eyes of many, our social media world has a corrosive effect on society. What can be done?
Documentary about the films of John Ford.
As a headliner of the prestigious Berlin Jazz Festival (Berliner Jazztage), Fela takes the stage with Afrika '70 and captures the hearts of the audience with a raucous, high-energy, exciting musical performance.
Facebook is for “old people” and baggy pants are almost vintage. We are the generation that now has to learn to fit in the shoes of grown-ups. We are the generation "not-as-young-as-we-thought-we-were" - Y. This documentary tells our journey through the different generations and which milestones our lives hold from the viewpoint of a modern "social and connected" society. We met people of the generations before and after us, to find out what matters to them, what unites them and also divides them. We talked about communication, family, work and aging. We learned about ways of life, dreams and goals. This isn’t just a movie about generations. This is a movie about finding one’s place. This is a movie about growing up, growing old and everything in between. This is a movie about life.
What does modern art mean for ordinary visitors to an exhibition?
The Swiss are proud of their direct democracy and largely satisfied with their government. In Germany, dissatisfaction is steadily increasing. The film ventures a thought experiment and asks: What if Germany's political leaders were to take more of a cue from Switzerland?
Many Zimbabweans have fled their economically stricken country, but they do send a lot of money home: in 2021 remittances totaled more than a billion dollars. One such migrant is Frank, who has emigrated to Cape Town. His brother Miles and sister Portia live in the UK, one in London, the other in Luton. His other sister still lives in Zimbabwe, but their mother MaMlilo thinks that she should also emigrate.
Documentary film.
A portrait of a woman’s life between 1915 and 1975. In Jutta Brückner’s documentary, her mother looks back at the 60 years of her life, talking about her father’s early accidental death, the constraints faced by a lower middle-class family of five, her training as a seamstress, marriage to a bookkeeper committed to social democratic ideals, the privations of war, and not least of all, her later realisation that fear may have caused her to miss opportunities … An ingenious collage of picture and sound accompanies the mother’s narrative, a tapestry of proverbs, pop songs, marching music, and the noise of war. Hundreds of photographs – most selected from August Sander’s (1876–1964) project “People of the 20th Century”, alongside newer photos by Abisag Tüllmann, among others – lend the individual vita of the director’s mother a kind of ontological validity. Images of labourers and office workers, excursions and marches, imbue what we hear with references that transcend the personal.
In a society where caregiving is rarely valued, four idealists seek to change the system from within with tenderness, love and care - and start a tender revolution.
Can books start a revolution? In 1976, my uncle Hans boards an old fishing boat as a member of the left-wing activist group Operation Namibia. Their goal: fighting apartheid with 6000 banned books on board. But what was planned as a five-month journey, turns into a tragic odyssey. A post-colonial experimental film that oscillates between written correspondence and original photographs.
John Irving's literary worlds are satirically exaggerated, socially critical, unexpectedly magical. But how do these dazzling, sometimes bizarre, narrative worlds emerge? A unique insight into his writing workshop and a search of the places and people who have become part of his stories.
Gerti Gerbert was photographed by her husband Eugen over a period spanning more than forty years. Besides the obligatory family photographs, from their wedding day until his death Eugen took countless pictures of Gerti: in her underwear, in homemade summer frocks, or completely naked; on the beach, in the woods, in the car, or on the floor at home. Using the Gerberts’ picture archive, interviews with Gerti, and Eugen’s notes, the film looks at what remains of life and love at the end.
A Series of Thoughts consists of four shorts: EL GRECO IN TOLEDO, LEONARDOS TRÄNEN, AN BORD DER USS TICONDEROGA and EIN MUSEUMSBAU IN ESSEN.
Documentary film.
A worker is sitting at a conveyor belt on which light bulbs are coming in at regular intervals. He takes the light bulbs from the conveyor belt and inserts them into a testing device. The light bulbs light up briefly and bathe the scene in glistening light. The worker puts the light bulb back on the conveyor belt, looks directly into the camera and shouts against the noise of the machines: "We create wealth."
A 47-minute black-and-white film by Theo Gallehr and depicts Il Gruppo in various candid stages - in interviews, setting up, recording, working with eachother, and performing onstage. The players showcased here include Bertoncini, Branchi, Evangelisti, Heineman, Kayn, Morricone, Vandor and Frederic Rzewski. It's interesting to watch the composers interact and perform spontaneously as it is to see them preparing the piano by tying horsehair around the strings and rubbing the interior with empty plastic bottles and vaccuum cleaner attachments.
For the first time in their lives, Polish-Jewish twins Adam and Ida Paluch tell their incredible story of being separated at the age of three and surviving the Holocaust, growing up knowing almost nothing about each other and their family roots.
Film noir, which enjoyed particular success in the 1930s and 1940s, is probably the most profound genre of classic Hollywood cinema. Eckhart Schmidt tries to show the background and developments and speaks, among others, with directors such as Richard Fleischer and Robert Wise as well as with "femme fatale" actresses. Filmmakers of the following generations explain how the style and themes of noir continue to shape cinema today.
Who gets the idea to write “Nine unfinished symphonies” - one of them perhaps the shortest Symphony in music history? Or "1001 sonatas’ - each lasting about a minute but in total being one of the longest pieces ever written? Like a postmodern Erik Satie the Belgium composer Boudewijn Buckinx is using music history as a playing field. The classical music audience is irritated, the avant-gardist wrinkles his nose... "Daisies in a Meadow" - that's how Buckinx described his "1001 Sonatas” for violin and piano, They play a leading role in our film, in the supporting roles the Spanish sun and the Belgian rain. The latter, however, did not show up at the set - just as you always have to be prepared for surprises with Boudewijn Buckinx. "Why is my music so simple? - Why is my music so complex?" With a wink, Buckinx gives various answers to these recurring questions. The portrait of an immensely productive artist who is radically taking his own path.
"Had it not been for Hitler, I would have been born a German-Jewish child, more German than Jewish, in a small village in the South of Germany. But as it happened, I was born in Argentina, my mothertongue is Spanish. I came to Germany 17 years ago." It is here, where author and director Jeanine Meerapfel starts searching for her own Jewish identity, being confronted time and time again with Federal Republic reality.
The WWF is the largest environmental protection organization in the world. Trust in its green projects is almost limitless. Founded in 1961, it is the most influential lobby group for the environment in the world, thanks largely to its excellent contacts in both the political and industrial spheres. Behind the organization’s eco-façade, the documentary maker uncovered explosive stories from all around the world. A year in the making, this film is a journey into the heart of the green empire and may shatter public faith in the panda forever.
Episodes from school, family and leisure time show how boys and girls build gender relationships, what influence school and home have on them, how their behavior changes and what conflicts can arise between parents and children. Fourth part of the "Relationships Between Boys And Girls" series.
An experimental film where a particular space is constantly "present" : there is a complex usage of superim- position, and of split-screen effects. The place shown is a part of a house in the country. Doors and windows are continually shown, emphasizing the film's concern with framing. Other images are present: city-scapes of a particularly sinister nature, implying a sense of ruin, and shots of a chorus on a stage. These shots begin and end the film which is accompanied by a vocal chant on the soundtrack.
Short film about aggressive driving
The film follows the daily life of the H. family; the footage shows the couple's workplaces, the daycare center, and their time at home.
In the world of fetishes there's a niche for every type of proclivity. Arwed caters to a special type of customer: he runs a private prison where he is happy to find all sorts of ways to bully and victimise his paying guests on the other side of the bars.
The "Titanic" was considered a masterpiece of modern merchant shipbuilding at the beginning of the 20th century. The documentary "Titanic" traces the history of the giant transatlantic liner. In a combination of historical photos and films, graphics, computer animations and play scenes, it is told from the perspective of those who built the ship. This not only provides an insight into shipbuilding in those days, but also into the social and political conditions within which the people involved in the Northern Irish shipbuilding industry operated shortly before the outbreak of the First World War.
Hans Goetze is not just the mayor of the picturesque coast village Ahrenshoop, he is also a famous painter. His portraits of people and landscapes sell to tourists all over the world. But the most common object of his paintings are cranes, who have a protected living place on the island of Darss. Every fall, tens of thousands of these large and majestic birds gather in the shallow waters of the baltic sea to prepare for their migration to the south. The film covers a full year of living on the island of Darss with the cranes coming and going.
Maximilian Schell's portrait of his sister Maria.
Between the risk of nuclear war with India, the rise of Islamists and the military, and the precarious situation of its youth, Pakistan is suffering from growing instability. This in-depth documentary takes stock of the situation, while delving into the country's history to better understand current issues.
The intricate history of UFA, a film production company founded in 1917 that has survived the Weimar Republic, the Nazi regime, the Adenauer era and the many and tumultuous events of contemporary Germany, and has always been the epicenter of the German film industry.
It was and is one of the biggest scandals in recent judicial history - the Gustl Mollath case. Mollath was unlawfully detained in a closed psychiatric ward for seven and a half years. He was declared paranoid and a public danger, allegedly slashed car tires, attacked his wife and made confused accusations about illegal money transactions at Hypovereinsbank. Directors Annika Blendl and Leonie Stade followed Gustl Mollath through the years of his trial and created an intense and nuanced portrait of a man who is still fighting for justice and rehabilitation today. In the course of the film, not only Mollath's supporters and opponents have their say, but also his former defense attorney and lawyer Gerhard Strate, who was able to obtain an acquittal for his client through the retrial.
On the 200th anniversary of Karl Marx's birth, the docu-drama paints a multifaceted portrait of the most influential German thinker of modern times. The world-famous actor Mario Adorf embodies the equally contradictory and contradictory world spirit, in the dichotomy of prophetic confidence and fear of failure. An exciting cinematic journey through his life and work.
Last Year in Utopia documents an experimental set-up: a staged group media experiment, isolated from the outside world, is reconstructed on the site where the original events unfolded. The boundaries between autonomy and heteronomy dissolve in new role assignments as the film makes the power structure behind the artificially created utopia visible.
This first co-production between the GDR and Great Britain is intended to contribute to an understanding of the situation and attitudes of millions of working people in opposing social orders. Using the example of shipyard workers, fishermen, the brigade and family of a trade union active cook and unemployed person of various ages and professions in Newcastle on the one hand and a brigade of crane operators of the Warnowwerft and fishermen of the Warnemünde cooperative on the other hand, insights into the way of life and attitudes of people of our time are to be conveyed.
Film by Biebrach and Rikli.
Recordings of an orchestra rehearsal, in which the soundtrack suddenly disappears, introduce us to the world without sound when the ear fails to work.
In Huanchaco, a coastal village in northern Peru, surfing is said to have been invented three thousand years ago by fishermen on "caballitos de totora", small canoes built from reeds. At the age of 60, Lorenzo Ucañan continues to practice this ancestral form of fishing and heads the association that brings together the last remaining defenders of the tradition.
A Brazilian diplomat realises that he has almost unconsciously assembled a unique and important collection of East German art. Concerned about his country's treatment of culture and feeling responsible for this amazing piece of art history, he has to make up his mind what to do with it.