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A film about the Snæfellsnes glacier and various mysterious phenomena which are associated with this area.

Hong Kong Diaoyutai Movement (1971) documents HK youth protesting the U.S. decision to transfer the disputed Diaoyu Islands to Japan alongside Okinawa's return. The protest joined the transnational Baodiao movement, launched by overseas Chinese students in America and taken up across Taiwan and Hong Kong in defense of Chinese territorial claims. The film was produced by 70s Biweekly, a radical publication that served as a crucial platform for political debate among young Hong Kong intellectuals. Co-founders Ng Chung-yin and Mok Chiu-yu, who organized the demonstrations themselves, commissioned directors Law Kar and Chiu Tak-hak to create a documentary from inside the movement. The camera moves with the protesters, capturing chants, gestures, and surging crowds as they unfold. This approach transforms cinema into a tool of activism—the filmmakers weren't documenting history but participating in it, positioning the camera as part of collective action rather than a neutral observer.

A jazz concert film featuring Moscow and Baltic musicians: Goloschekin's ensemble, the 'Melodiya' ensemble, Boris Frumkin, the 'Modo' ensemble, and Vyacheslav Ganelin's trio.

A short documentary, produced by the Israeli Film Service about the laying of the Trans Israel Pipeline. The film was produced under the auspices of the Eilat Ashkelon Pipeline Company and TAHAL. After 18 months of work, one of the most important engineering projects in the history of Israel comes to a close: the laying of a 254 kilometer long pipeline between the Port of Eilat and the oil port in Ashkelon. The purpose: creating a landbridge to transport oil from the Red Sea to the Mediterranean – independently of the Suez Canal. This film follows the complex undertaking, which took place both in the desert and at sea.

The review and study of the pictorial work of José Sabogal (1888-1956), father of Peruvian Indigenism, continues.

A promotional short which details the making of 'The Enforcer'.

A look at sex in Japan, that covers underground gay life, transvestites, sex change operations, tattoos, and S&M. What does it mean to live an individualistic life in the modern age? By capturing the seemingly bizarre customs of men in drag and women in men's clothing seen on the streets, and examining the world of sexual perversion in an attempt to unravel the mysteries of our homogenized modern society, we explore whether it represents the pinnacle of pleasure, or a world of endless hell.

For over three-quarters of a century, Russian-born Marc Chagall set new standards for modern art with his colorful, heartfelt paintings, murals and stained glass works. In rare filmed interviews and looks at his creations Chagall's devotion to his Jewish heritage and his love of humanity is shown.

An interview with a young Toni Morrison. The video also shows Toni Morrison going shopping, at a party, and at work. Her commentary provides an incisive look behind her written words, and at the vision, technique, and lifestyle of this award-winning author. She reads from The Bluest Eye, Sula, and Song of Solomon.

Short documentary film on the fashionable nightclubs and the trendy pop culture scenes that were famous in London on the late 70's. Released as a support feature to the first Alien (1979) movie.

The film explores the curious socio-psychological phenomenon of believing in witches.

A documentary film that looks at the racing and private life of professional road and track bicycle racer Eddy Merckx and which is one of the pillars of films about cycling.

Hailwood, Agostini, Sheene

A visual exploration into the origins of witchcraft in the UK and in particular the demystification of symbolism still embedded today within many modern religious artefacts and rituals. X-rated upon its original release, this documentary looks in detail at previously hidden magic rites and rituals. Sharing the secrets of initiation into a coven, divination through animal sacrifice, ritual scrying, the casting of a 'death spell', and the chilling intimacy of a Black Mass.

A series of ghost-like vehicles drive by.

Tells about the development of the large petrochemical industrial area at Rafnes, established in the 1970s, and how it affected the surrounding areas.

Montage of images from an American football stadium, from before kickoff to after the game.

An exploration of the musical and social origins of the blues, shot on location in Mississippi in 1978 by Alan Lomax, John Bishop, and Worth Long in association with the Mississippi Authority for Educational Television and broadcast on PBS in 1980. This re-release in 2009 includes two hours of additional music.

Between June 26 and 29, 1976, the sixth edition of the Festival of the Juvenile Proletariat took place at Parco Lambro in Milan, an event conceived by the countercultural magazine Re Nudo. The organizers invited Alberto Grifi to film those days filled with meetings, debates, and concerts, but not everything went as planned. This is the 58-minute version (from 27 hours of footage) edited by Grifi himself after the event.

The film of the first ascent of Mont Foraker (5,304 m) in the Denali chain in Alaska, by the southeast ridge of independence in 1976, which remains years after an unequaled sporting and human adventure. The 7 members of the expedition, Henri Agresti, Jean-Paul Bouquier, Jean-Marie Galmiche, Werner Landry, Gérard Creton, Isabelle Agresti, Hervé Thivierge, all came to the top after thirty days of climbing in conditions still limits. Breathtaking images where the grandiose views of the icy desert and the scenes of daily life alternate on a most rough mountains on the planet. The film received the Gentiane d'Or Festival prizes from Thirty 1977, Public Prize Festival des Diablerets 1977, SFP Festival de la Plagne in 1977.

Neil Diamond gives a powerful and memorable performance at the packed Greek Theatre in Los Angeles in 1976, perhaps one of Neil’s great years. The show takes us back to a memorable time in pop music and in Neil Diamond’s career - while also giving us music that is as fresh and timeless today as it was then. The early hits are here, in rousing and intimate interpretations: ‘Cherry, Cherry,’ ‘Song Sung Blue,’ ‘Sweet Caroline,’ ‘I Am...I Said,’ ‘Cracklin’ Rosie,’ and more. But Neil also introduces songs from what was then his new album - and is now considered a classic - the benchmark ‘Beautiful Noise,’ produced by rocker Robbie Robertson. And Neil gets across the footlights, bringing the big audience to its feet, inciting clapping and singing along, and pulling two of the best-known stars of the era, singer Helen Reddy and the actor Henry Winkler (then an icon as TV’s ‘Fonzie’) up on stage to sing with him. An amazing trip back in time with one of our most enduring singers.

The film documents the start, and difficult progress of a house cooperative in the fishermen's village of Meia Praia, during the revolutionary process in Portugal, from April 25, 1974 until mid-1976.

A view from a window becomes the locus for a series of visual and verbal descriptions of the past and present.

Produced collectively by women, this documentary is a valuable historical document of the origins of the modern women's movement in the United States. The film delves into the lives of ordinary women from different races, educational levels and social classes. Filmed mostly in small consciousness-raising groups, from which the women's movement grew, the women talk about the daily realities of their lives as wives, home-makers, and workers. They speak, sometimes with hesitancy, often with passion, about the oppression of women as they see it.

"What is art?" The film offers some new answers to the age old question.

Generally regarded as Australia's finest railway film and winner of many awards the world over, A Steam Train Passes is a nostalgic, imaginative essay on one of the majestic C38 class steam locomotives, 3801. The locomotive has recently returned to service and is currently operating out of the NSW Rail Museum at Thirlmere, south of Sydney.

An account of a 1975 independent truckers strike.

This documentary shows the German Peasants’ War between 1524 and 1525 and looks at the role of Thomas Müntzer in it. Müntzer, who was a follower and admirer of Martin Luther, directed his resistance not only against the clerical authorities ruled by the papacy, but also against the secular worldly order. In Mühlhausen, Müntzer worked as a pastor in the Marienkirche and later became an agitator and promoter of the violent liberation of the peasants. Luther distanced himself from Müntzer at the beginning of the Peasant Wars. In the battle of Frankenhausen the rebels were completely defeated, Müntzer captured, tortured and publicly executed on May 27, 1525.

As part of the process of political and social transformations undertaken by the military government, a new political model based on the election of corregimiento representatives (505 in total) popularly chosen and that will replace the former Assembly of Deputies controlled by political parties by political parties traditional The majority of the members of this new political experiment are peasants, indigenous, workers and community leaders.

Film about the life of former Prime Minister Willem Drees, commissioned by the central government. In an interview, Drees talks about his life, with the period when he was Prime Minister naturally being the main focus. The interview is supported by visual material that provides a picture of the era and makes Drees's monologue somewhat more vivid.

A documentary about how religion, the church, and fanatical spiritual movements are utilized to halt societal progress, and the crisis this has led to in the church and religion in general.

A corporate documentary about the construction of the hydro-electric power plant at Búrfell, from the beginning in 1966 until the inauguration in 1970.

Mosha Michael's third film follows six Inuit hunters from Frobisher Bay, N.W.T. setting out on a spring whale hunt. Once again, Michael documents the process on Super 8 film, from pushing the canoes out over the thin spring ice to open water, to the killing and cleaning of the whale and storing the meat. An original score features music and songs in Inuktitut by the filmmaker himself.

(Pseudo) documentary film about sexual life in the late sixties and early seventies, from the series of Oswalt Kolle's sex education films that caused scandals in the late sixties and early seventies.

Through books and their illustrations, the film provides an overview of the more than 400 year-old history of Estonian-language original and translated literature. The film gives an idea of Estonian publishing activities and book culture in general.

Self portrait of psychiatrist, filmmaker, musician and art collector Ottomar Domnick.

Three former victims of incest relationships with their fathers speak openly about their experiences, their feelings and their psychological adjustment.

The fourth film in the "Traces of Anatolian Civilizations" series, "The Unquenchable Fire of Lycia" consists of two 30-minute episodes. The documentary reflects the Lycian Civilization, another stop in the Anatolian people's civilizational evolution. Indeed, the Lycian Civilization is a "fire" that finds its historical continuity in the Anatolian people's resistance to independence. In a sense, it is a magnificent and unquenchable "fire." During the filming of the film, the Lycian region, located between Antalya and Fethiye, was meticulously scanned step by step in two separate seasons, consulting with expert scientists.

Factory workers struggles over contracts in post-68 Italy documented through original footage.

A short film about the exhibits of the Lviv Museum of Ethnography and Artistic Crafts, which were added to after an expedition to the villages of the Yavoriv district. The history of the Yavoriv region. A performance by the musical and ethnographic ensemble "Nova Yavorivshchyna" of the Yavoriv Mining and Chemical Combine. A story about the master of wooden children's toys, Vasyl Pryima, master carver Sava Melnyk, and woodcarver Mykhailo Kanarchyk.

In an intense, personal discussion, three gay men share their first sexual attitudes and experiences, feelings about men, women and children: about labeling, intimacy; and about first accepting, then becoming proud of being gay. They urge the freeing of all people; from labels and from compulsive sex--into a new intimacy.

The guide Gaston Rébuffat, shares with us his view of his job and the nature that surrounds him by showing us some beautiful climbs made with friends, noting the importance of the friendship of the rope party. Born near the Calanques, he could have been a sailor, like him linked to storms and the stars. We follow him with Edwin Mattews (USA) in their ascent of the Barre des Ecrins, then in La Meije. Accompanied by Jean Juge (Switzerland), in the Mont Blanc Massif, for a crossing of the Aiguilles de Chamonix. With his Italian friend Lino Donvito, he climbs the Torre de Vijolet in the Dolomites. Then with Massulu Suzuki (Japan) in the Mont Blanc massif (Rochefort ridges, Dent du Géant via the south face). Christian Ringeval (France) accompanies him for an ascent of Vignemale. And finally return to the Mont Blanc massif, to the Grand Capucin (Bonatti route) with Konrad Krirch.

Viewers are transported back in time to 1974 to see the annual Taoist celebration of the Dajia Mazu Pilgrimage. Thousands of participants accompany a statue of the goddess Mazu, who protects seafarers, on a 9-day, 8-night procession, stopping at several prominent temples along the way. The religious pilgrimage is a round-way journey from the Zhenlan Temple in Dajia, Taichung City to Fengtian Temple in Xingang of Chiayi County on the Western plains of Taiwan. The mesmerising festival takes place every year during the third lunar month and still attracts large masses to this day. The audio track of the film was once banned under the Kuomintang (KMT) due to the film’s inclusion of spoken Hokkien (Taiwanese), giving viewers at the time an altered and suppressed understanding of the event and its cultural significance in Taiwan. Viewers now can revel in the beauty of the Taiwanese language and see the film for the true spirit that it captures.

According to the information written in the credit roll of "Seoul 7000," the film was filmed in Seoul in November 1976 with an 'Elmo 108' 8mm camera using Kodachrome 40 film. It was also stated that "it was filmed frame by frame, and the shooting speed was adjusted differently for each shot," and "the number 7000 in the title of this film represents the total number of frames in all parts except for the title."

This entertaining film documents the first ascent of the very difficult South Face of Annapurna, a huge Himalayan wall that the right team could achieve the seemingly impossible. The ascent of the South Face of Annapurna in 1970 was one of those breakthrough ascents - both technically and psychologically. Chris Bonington assembled the cream of British mountaineering and American Tom Frost for the attempt. The documentary is punctuated by wry observation, understatement and cutting humor from a by-gone age when the game of taking huge risks was matched by a determination not to take it too seriously.

Ceremonies marking the inauguration of Pope John Paul II's pontificate in Rome in October 1978.

All freight movements over Britain's rail network are monitored and controlled by an advanced computer-based system known as TOPS (Total Operations Processing System). The film follows the progress of a wagon load of equipment from Truro to the Midlands and shows how TOPS makes it possible to accommodate a last minute change of plan.

The film was conmissioned by the Galeria Maeght to commemorate the Joan Miró exhibit organized by the French Minsitry of Cultural Affairs in the Grand Palais in Paris that opened on May 17, 1974. The film, that took five days to shoot, shows the smelting and casting process of the work known as Puertas Mallorquinas by Joan Miró. The filming team travelled to the foundry owned by the Parellada family in Llinars de Munt.

This short film, filmed at the Rural Exhibition, is a testimony that, based on 70 interviews with girls and boys of 9 and 10 years old, investigates the behavior guidelines imposed by conventional education and the results obtained. Boys are educated in a specific way, with very different life goals, and toys reflect this discrimination: kitchens, dolls, hairdryers, cosmetic equipment, the whole domestic world for girls. Creative games, those that awaken the imagination (trains, cars, building games, men in space), are intended for boys.

Reportage from the construction of a major highway.