6,125 Matches Found
An actual patient, Gloria Szymanski, allowed herself to be filmed while engaged in therapy with three different therapists, distinguished by their different orientations but sharing their therapeutic endeavors. Poster illustration by Kati Szilágyi.
A BAFTA special award winning documentary that pays a visit to a first-year chemistry class in a London secondary school (Wandsworth Comprehensive), where three pupils' theories as to why copper turns black when heated in air are tested. Intended for science teachers to show how a child's natural curiosity can be encouraged. Includes a sequence on the work of Mrs. C. Hutt in experimental psychology.
An educational film about power sources that’s rendered as a lyrical meditation on heat and vapor, The Four Elements is a poetic and avant-garde documentary Curtis Harrington made for the United States Information Agency.
Two keen hostelling youths, Ken Moody and Brian Cotton, convert a boat in their native Selby into a youth hostel, and get the chance to air their views on the direction that hostelling is taking in the mid-1960s.
A documentary poetic composition about the hopes of farmers for a better life.
Set on the Upper Sepik River in New Guinea, this film records the day-to-day experiences of Kiap (one-man representative of the Australian government in regional areas) Barry Downes as he patrols an area that in 1963 had only recently been brought under control from headhunters. As well as being a record of the role of the colonial administration, Along the Sepik offers insights into some tribal communities' cultures through depictions of their spirit houses and traditional 'sing sing' ceremonies. Downes investigates a murder, and the culprit is caught and tried by a magistrate in a jungle courthouse under the Australian flag, on the edge of the Sepik River. Australian patrol officers and their men operated under rugged conditions to bring western law and order to this remote area. The film also portrays some of the impact the colonial government had on regional, traditional communities.
A study of my parents in grey and white. An evening film. My mother lights the sabbath candles, cooks, crochets, sleeps, talks to father reading the paper – we are together. This is the first completed note.
A rare archival short, Queens at Heart follows four shockingly courageous pre-Stonewall trans women, Misty, Vicky, Sonja, and Simone. They go out as women at night, but live as men during the day, take hormones, and dream of “going for a change.” Subjected to a six-month psychological project, and cross-examined by dubious “experts” all four women are incredibly captivating subjects—whether being interrogated or partying at the ball.
Documentary showing perverse and aberrant behavior from around the globe, including such things as sex slavery, dwarf love, Asian brothels and lesbians.
A documentary focusing on the things and animals necessary for the Olympics in Tokyo in 1964.
Impressionistic collage of Amsterdam.
Brazenly experimental, the film illuminates the debilitating effect of mental illness, imaginatively but discreetly conveying the message of its sponsor (Roche) while showing real insight and sensitivity towards its subjects. Its brutally graphic opening brings mental turmoil sharply into focus.
A film about one of the most responsible and professional jobs on British Railways. Practical work in shop and signal box, on gantry and trackside, coupled with instruction in mechanics, electricity, electronics and draughtsmanship, lead the apprentice intro the intricacies of design, the excitement of research and experiment, and the intense satisfaction of being in on a big changeover from old-style semaphore signalling to a new coloured light system.
A documentary film about the discovery of the "dead city" of Khara-Khoto by the Russian traveler K.K.Kozlov in 1908 and about the work of philologist and linguist N.A.Nevsky on deciphering the ancient Tangut language.
Auto-racing crews prepare for the Indy car race near Fuji in this Japanese documentary. Award-winning director Hiroshi Teshigahara compares the celebrated event with the enthusiasm of the youth of the time to the sport. Narration is provided by Shoichi Ozawa and compliments a well-crafted feature that will only appeal to die-hard auto-racing fans.
This 14-minute film talks about the Hindu god Brahma's creation of life, the world and of course the first woman. Saeed Jaffrey narrates the story as dancers Bhaskar, Dinu and Anjali Devi "act" out the story.
Short documentary about 50 years of history of Czechoslovakia, with archive images.
A short documentary showing the formation of an island from lava and other volcanic activity.
By using film as a means of communication, the people of Fogo Island, Newfoundland, voice some of their daily concerns. In this film, Islander Chris Cobb sings his own songs and recites his poems about the old days and the recent changes on Fogo.
Documentary about filmmaker Jean Grémillon.
Dan Drasin's documentary short, shot in a single afternoon in 1961, is often cited as the first major social protest film of the Sixties. When 19-year-old Drasin and his friends joined folk singers and protesters in Greenwich Village's Washington Square Park, they confronted NYC authorities to protest the cancellation of a standing permit to gather and sing in the park on Sundays. Here are the first signs of the political, racial and cultural issues that would soon erupt during the decade.
A follow-up to Be Seeing You (À bientôt, j’espère), this collective work—initiated by Chris Marker and the Medvedkin Group—was made in collaboration with workers at the Yema Watch Factory in Besançon. It follows a female worker who becomes active in labor organizing, depicting everyday struggles and the growing consciousness within the French labor movement.
Beginning of the sextenary festival of the Sigui among the Dogon of the Bandiagara cliff in Mali. This first ceremony takes place at the village of Yougo Dogorou. The men, shaved and dressed in ritual clothes of the Sigui, enter the public square dancing the snake dance. They honor the terraces of the famous dead of the last sixty years and go to drink the sacramental millet beer.
A look at the construction of the Tormore distillery in Speyside, Scotland.
At the microphone with Max Ferguson, radio satirist, as he creates his weekday-morning program. Filmed inside his CBC broadcasting booth, this film watches and records as Max ad-libs his way through zany interpretations of news events. His only script is the morning paper and with it he tilts at humbug with a flair that has made him a national figure.
A documentary about surrealist artist Salvador Dali, narrated by Orson Welles.
A film about the painter Martiros Saryan.
Andy Warhol directs The Factory regular Louisa "Jackie" Foster for a screen test.
Historical documentary, on the life and work of the great Greek politician who contributed decisively to the shaping of the physiognomy of modern Greece. Venizelos came to Athens in 1909, after the Goudios Movement, at the invitation of the Military Association and, upon assuming the prime ministership, clashed with the palace. The film follows the man's path, through recorded testimonies (cinematic newsreels, photographs, newspapers), from his beginnings in Mournies, Crete, until his death.
A short film about Dublin City using a mixture of contemporary footage, folk music and quotations from past residents, Shaw, Wilde and Behan etc. Narrated in a "conversation" by Anthony Quayle and Norman Rodway.
Devastation of a Welsh-speaking community: Capel Celyn village and farms of the Tryweryn Valley disappear beneath the waters of a reservoir so Liverpool’s thirst may be slaked.
Documentary about Jean-Luc Godard filming Sympathy for the Devil with The Rolling Stones.
The first film by Chantal Akerman, a short silent 8mm film shot during the Brussels summer Midi Fair, that was one of four short films she made as a short of entrance exam at INSAS were she studied for just a couple of months.
Stuart Cooper's short about the work of Spanish artist Juan Genovés is an inspired introduction to the works of this extraordinary artist, exploring its minimalist aesthetic and storytelling qualities through a variety of cinematic techniques, including rostrum, animation, news footage and live action recreations.
In 1968, journalist Sergio Zavoli interviews italian psychiatrist Sergio Basaglia and documents the changes he made in the Lunatic Asylum of Gorizia.
Initially banned for seven years, the film treats the questionable and controversial newspaper story of a heroic village boy who prevented a train disaster as an antiauthoritarian, Rashomon-like puzzle.
Super-8 shot by Gonzalo García-Pelayo with a series of concerts at the famous Dom Gonzalo nightclub, named after the “holy right to have fun” of Dómine Gonzalo de Berceo. The club will become a gathering place for the counterculture, but also for the ruling party to come, as marked by the presence of young Felipe González and Alfonso Guerra.
Speaking as scenes from Anatahan are shown, for which he directed, photographed, wrote, and provided voiceover narration, film director Josef von Sternberg takes the viewer on a fantastic filmmaking journey in this presentation of Cinéastes de notre temps: Josef von Sternberg - From Silence Comes Another.
Skin, eyes, knees, horses, hair, sun, earth. Old song of Mexican hero, Valentin, sung by blind Jose Santollo Nadiso en Santa Cruz de la Soledad.
A mirror and satire of modern society, this film, without commentary, uses symbols, sounds, suggestive images, and signs to invite the viewer to reflect on the various forms of oppression—money, authority, prohibitions, and incentives—that constrain contemporary man, steal his time, and degrade his conscience and moral values.
While shooting a documentary about a 'Komsomol' class who all went to save a struggling kolkhoz, the filmmakers also shot mud, broken tractors, flooded fields. The film turned scandalous and was not screened, because of it allegedly being anti-Soviet: defamatory of collective farming.
This documentary concerns the contributions of German artists to the Dadaist movement. Created in 1916, the organizers rejected previous convention and delighted in nihilistic satire in painting, sculpture and literature. Comparisons are made between the movement and the political and social upheaval at the time of the release of this feature (1969).
BBC television program exploring Visconti’s mastery of cinema, theater, and opera direction.
Story of the Hassanlou chalice, which becomes the story of Halladj.
This documentary (first of a five-part series on education) examines the battle to educate at Junior High School 57-a slum school in Brooklyn's Bedford-Stuyvesant ghetto. In September 1966, New York University's Clinic for Learning, backed by a Ford Foundation grant, began an educational rehabilitation program at the school. The object: to reach apparently unreachable and disinterested students before they become drop-outs. Cameras look in on a seventh grade class, observing new approaches to working with disadvantaged youngsters: challenging students to be more aggressive in their studies; permitting class members to hold arguments pertaining to their lessons; and attempting to establish more personal contact between teachers and students. There are also problems. Discipline is poor among the students, who must be taught to have respect for themselves and for the education they can get.
The main committee is of the opinion that the rating "especially valuable" can be retained. The style of the film is appropriate to the subject of "Visiting Busch" in its concentrated limitation to the authentic living environment. The individual visual motifs are composed with great care. On the one hand, the small world appears endearingly portrayed, on the other hand, the film's allusions to the background of the Wilhelm Busch phenomenon are convincing. Above all, the Committee would like to uphold the rating because the film, made in 1961, sought out the people who still knew Busch and bear witness to them in the film in an impressively simple and not exaggerated manner.
Film portrait about folk artists - wooden spoon maker, basket maker, artist, who make useful and beautiful objects from wood.
A discussion about Fogo Island fishing, with some criticisms of the longliners.
A short pamphlet based on a text by Peter Weiss and on the contrapuntal use of the relation between image and sound. The commercial activities and fantasies linked to tourism in Sweden are contradicted by the geopolitics of capitalist imperialism, in particular with the war in Vietnam.
Pigeon breeders (men mostly) are a special kind of enthusiasts. Their hobby includes an element of competition – a long-distance race of carrier pigeons.
A documentary impression from the capital of the Tatra Mountains. All the winter attractions of Zakopane rhythmically presented by the camera: sleigh rides, skis, dances, sunbathes, bonfires. Visit Zakopane!
Short documentary on the solidarity of the Cuban people with Vietnam during the war against the United States.
The work of sculptor Inge Hardison is the subject of this beautiful short portrait of an artist. Hardison is perhaps best known for "Negro Giants in History," her important series of busts made during the early 1960s. Hands of Inge was edited by Hortense "Tee" Beveridge, a pioneer in her field who worked in the commercial industry and on independent, non-commercial films such as Amiri Baraka's 1968 film "The New-Ark". In the mid-1950s Beveridge became the first Black woman to gain admission to Local 771, the motion picture editors union.
Leonardi's film about the Living Theatre is less concerned with a straight documentary presentation of the exile theatre group from New York, but rather is concerned with the specific atmospheric factor which is indicated by their name, and which constitutes the highly suggestive effect of their playing. Cutting, for Leonardi, is the most decisive aesthetic device. The result is a wonderfully composed furioso of pictures. The hand-held camera catches rehearsals, conversations without sound, bits of theatre and daily life actions (which, for Living Theatre people, is very often intermixed).
According to the first volume of the Andy Warhol film cat. rais., the film was probably shot on the same day as Jill Johnston Dancing. In the Stephen Koch filmography, Shoulder is listed as: "16mm, 4 minutes, B/W, silent, 16 fps. Filmed summer, 1964. Lucinda Childs' shoulder."
A look at the importance of the helicopter and its uses, both civil and military, but also its failure to become a passenger carrier.
Initial panorama of Brindisi, a city with a peasant tradition. The petrochemical, city within a city. Children in poor neighborhoods, workers' voices: the crisis, the layoffs, the need for the recommendations of the Christian Democrats to enter Montecatini. Wealthy men and women binge at the restaurant. Voices of agrarians, forced to leave the earth to make room for the petrochemical. A ballroom. In a puppet theater, a show is staged in which the worker is addressed as "starved". At a course for foremost workers, various compliant testimonies follow one another: Monteshell is a large industry, and no one has any criticisms against it. But another worker, elsewhere, with his face in the shadows, confesses that everyone is afraid to speak, skilled workers get the same pay as simple ones, 400 colleagues have been fired, union activists are "special supervised", and going on strike is a business. 35mm b/w