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Propane Bubble Chambers at the Joint Institute for Nuclear Research

Bubble chambers are typically used to record interactions between high-energy particles and the nuclei of the chamber’s working fluid, or to observe particle decays. In the former case, the working fluid also serves as the detection medium. When an ionizing particle enters the chamber, its trajectory is marked by a trail of vapor bubbles, which can then be photographed. The ability to visually analyze these events made it possible to discover particles that could not be detected by any other means. Most notably, this includes the cascade decays of strange particles, whose decay products were either fully or partially captured in the chamber images.

Propane Bubble Chambers at the Joint Institute for Nuclear Research

NR 1964
Felicia

This 13-minute short subject, marketed as an educational film, records a slice of life in the Watts neighborhood of Los Angeles prior to the rebellions of 1965. Filmmakers Trevor Greenwood, Robert Dickson and Alan Gorg were UCLA film students when they crafted a documentary from the perspective of the unassuming-yet-articulate teenager Felicia Bragg, a high-school student of African-American and Hispanic descent. Felicia’s first-person narrative reflects her hopes and frustrations as she annotates footage of her family, school and neighborhood, creating a time capsule that’s both historically and culturally significant. Its provenance as an educational film continues today as university courses use "Felicia" to teach documentary filmmaking techniques and cite it as an example of how non-traditional sources, as well as mainstream television news, reflect and influence public opinion.

Felicia

6.0 1965
Underground New York

A rare behind-the-scenes view of the exploding New York “underground” in the late sixities, a turbulent time and place that was to change American culture forever. A German TV crew, led by journalist Gideon Bachmann, explores the epicenter of the sixties revolution in art, music, poetry and film and interviews the main players in the “New American Cinema,” that was born on the streets of New York. Against a backdrop of cultural upheaval in all of the arts and growing political agitation against the Vietnam War, Bachman interviews the most prominent figures in “underground film,” including Jonas Mekas, Shirley Clarke, the Kuchar Brothers and Bruce Connor, and visits the most notorious location in the New York art world of the era - Andy Warhol’s Factory - to conduct an interview with the genius of Pop Art himself.

Underground New York

NR 1968
Seven Steps Beyond the Horizon

Has the capacity of the human brain already been exhausted due to information overload? Sobolev posed this question at the end of the 1960s after a hidden camera recorded the results of a university entrance exam. The director, renowned for his belief in the endless possibilities of humanity, created a participatory documentary in which he filmed experiments with people with phenomenal abilities under the guidance of professors from the Academy of Sciences. Scientific analysis of the nature of hypnosis, telepathy, and dermo-optical perception reveals potential avenues to expanding the frontiers of human knowledge.

Seven Steps Beyond the Horizon

NR 1968
Mestrovic - Exaltation of Matter

Meštrović (Exaltation of Matter), is a short film directed by Ivan Martinac, recorded in the production of Kino Club Split. He filmed it provoked by the teasing of Belgrade moviegoers who claimed that “mostly eating and drinking is done in the Split cinema club”, which was not far from the truth. Still, the wounded pride and anger took their toll, and in 1960 he filmed his first “Split” film — Meštrović (The Exaltation of Matter) with which he succeeded. At the international film festival in Vienna, he received a UNICA bronze plaque, the first international award received by amateur cinematography in Yugoslavia at the time.

Mestrovic - Exaltation of Matter

NR 1960
Flame and the Fire

Bounding from one continent to another, from desert to jungle, this early mondo documentary examines the habits and customs of people whose lives are unaffected by the modern world. In New Guinea, director Pierre-Dominique Gaisseau's crew spends time with jungle villagers who honor the deceased by preserving their corpses, and in Africa they film the resourceful people of the Kalahari. Other subjects include a Brazilian community whose male members wear lip-stretching jewelry.

Flame and the Fire

NR 1966
The Wild, Wild World of Jayne Mansfield

Jayne takes us on a review of her last world tour. She takes us through Rome, shares a fantasy about Roman athletes, and then is off to Cannes. She takes a trip to the nudist colony on the Isle of Levant, where she almost kind of joins in. Then it's off to Paris, where she gets a beauty treatment from Fernand Aubrey, and attends some racy dance revues. In New York and Los Angeles, she visits some topless clubs and listens to a topless all-girl pop band. The film wraps up with some posthumous footage of her family in mourning.

The Wild, Wild World of Jayne Mansfield

4.1 1968