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The film documents boxer Jia-Ling Chen participating in a world-class boxing competition. With her bare hands, this young woman of twenty-something exemplifies young people's relentless efforts to go after their dreams.

A documentary included with Jolin Tsai's 2006 compilation album J-Top. Includes behind the scenes footage of music videos, performance recordings, and various other content such as dance practice recordings.

Hebei origin, air-force officer retiree, Mr. Chou, now diligently learning Taiwanese, met “Chang Jiang No. 1,” China’s top secret agent during Sino-Japanese war, on a Peking opera’ seminar. Chou’s flat moon life has then been sparkled. He started to talk around about the heroic accomplishments this “Chang Jiang No.1” had done. This person, “who contributes most to China,” gradually becomes Chou’s only mark on the Moon. Is “homesickness” a gene? Inheritable? Transplantable? Can be parted or chosen? Contagious? Needs regular purging like computer viruses? … Through the story between Mr. Chou and “Chang Jiang No.1.” the film uses lively rhythm to represent the interesting homesickness issue. The director adopts a humorous way to re-present these new Taiwanese in Taiwan. As for whether “Chang Jiang No.1” is a real person or not is up to the audience to decide.

In the table that symbolizes the value of traditional women, a woman who wants to break free from her family must face her daughter.

The fierce and domineering Lee Volcano specializes in animal rescue and has lynched animal cruelty offenders. Some activists hate his style, but some supporters believe he has done justice to the ineffective animal protection laws.

The film documents the rise and fall of the Wufeng Lin family in Wufeng, Taiwan over the turbulent years of Taiwan under the administrations of the Qing dynasty, Japan, and Republic of China.

Polar Super Marathon: Chen Yanbo, running for the dream

"Bohemians in Taipei: The Life of Theatre" documents a group of artists living in Taipei who have committed themselves to creating and performing theatre. Some are no longer young, but theatre work continues to incite their creativity. They are either out of work, working part-time, or have temporary jobs; but theatre is still the main thing in their lives. Theatre provides a minimal and unstable income, and their lifestyles are remarkably thirfty and frugal. But these financial shortcomings do not limit their theatrical ambitions.

The essence of progress in civilization has always been handiwork. In traditional Chinese civilization, the emperor was supreme. Vested with the authority to enjoy the best of handiwork, all crafts used for residence, clothing, food, and travel were the most refined and splendid.

A short documentary directed by Chang Chao-Tang (張照堂) while working as a cameraman at China Television Company (中國電視公司), produced for the television program News Highlights (新聞集錦). The film documents the group exhibition “Womangraphy” (「女展」), organized by V-10 (Group Visual-10).

"Searching for Love: A Story of Family Life Delicately Presented" This is a family movie that mainly reflects the importance of family. Home is a nurturing environment where family members gather together and share some of the subtle actions and interactions of each other's lives, revealing Show love and support for each other. Reflect on the subtle but important moments of love in our daily lives as a family . The importance of these moments can only be discovered and cherished when we take the time to observe and reflect.

French-made documentary, "Métro Lumière", which actually does help provide some of the context for Hsiao-hsien's approach to the film. It includes excerpts from Ozu's films, in particular, "Equinox Flower", to show the parallels with this film, the obvious basis for some of the scenes and situation set-ups.

During his period working in Taiwan, Christopher Doyle made this experimental short film documenting the families of friends around him. This film received an Honorable Mention at the 4th Golden Harvest Awards (1981).

A team of an entrepreneur, an athlete and a student from Taiwan arrived in the Arctic Circle. Through their participation in the 2008 Polar Challenge – a 600 km race to the Magnetic North Pole, they’ve realized their dreams. They experienced hypothermia and attack from polar bears en route.

Two girls in the bloom of youth meet at a vocational training program. Afterwards, their lives move in completely different directions.

A warm and engaging documentary about young boys training for gymnastics competition.

In this landmark 1977 documentary, narrator Ronald Eyre journeys to Taiwan to explore the vibrant and complex world of Chinese folk religion. Facilitated by the pioneering team behind ECHO Magazine—Linda Wu (吳美雲), Huang Yong-song (黃永松), and Yao Meng-chia (姚孟嘉) —the film captures a rare and precious glimpse of 1970s Taiwan, a time when ancient spiritual traditions remained deeply woven into the fabric of daily life. From the thunderous temple festivals and the mystical trances of spirit mediums to the quiet ancestral rites in family halls, "A Question of Balance" examines how the pursuit of the "Way" (the Tao) provides a sense of cosmic harmony amidst a modernizing society. It stands as a definitive visual record of a vanishing era, showcasing the enduring power of Taoist belief and its diverse pantheon of deities.

The Chen Family Residence “Chen Sì-yù” in Xiushui Township, Changhua, was built in 1846 (the 26th year of the Daoguang reign, Qing dynasty). Designed by craftsmen from Tangshan and constructed using stone from Mount Wuyi, the residence features a symmetrical and meticulously crafted layout. The “Wénkuí” plaque above the main entrance serves as a moral exhortation to future generations, bearing witness to the Chen ancestors’ journey across the strait from Fujian to Taiwan.

Directed by artist and filmmaker Tiffany Sia, The Sojourn (2023) imagines a restless landscape film in Taiwan. Visiting scenic locations shot by King Hu, the short experiments with the road movie genre and its intersection with the martial arts epic. Sia meets actor Shih Chun, who played the protagonist in Hu’s Dragon Inn, Touch of Zen and other wuxia films, as he guides the quest to re-encounter the iconic landscapes where Dragon Inn was shot. He advises on the perfect conditions of mist and weather. Yet, in the journey through the mountains of Hehuanshan, the sublime landscape of King Hu remains ever elusive. She later visits the elementary school of Indigenous filmmaker and principal Pilin Yapu of the Atayal tribe. Absent of conventional subtitles, the essay film employs text burned into the center of the frame as a mode of translation, sometimes refusing total disclosure. – tiffanysia.com/glossary/the-sojourn

“Journey into the Mine” (礦之旅) is a 1981 documentary directed by Chang Chao-Tang (張照堂). Part of the “Journey Through Images” series (映象之旅), it documents the Ruìsān Coal Mine (瑞三煤礦) in Houtong, Ruifang (瑞芳侯硐). Using a portable ENG camera, the crew descended 600 meters underground to record miners working amid heat, coal dust, and gas hazards. Rejecting elite-centered television perspectives, the film foregrounds the resilience of working-class laborers. Its essayistic voice-over is paired with ECM jazz and blues, creating a distinctive tone. In 1982, it won the Golden Bell Award (金鐘獎) for Best Educational and Cultural Program. A rebroadcast added footage of the Neihu Futian Coal Mine disaster (內湖福田煤礦災變), producing a stark dialogue between policy narrative and industrial tragedy. Its footage was later used in Hou Hsiao-hsien’s 1986 film Dust in the Wind”(戀戀風塵).

The film was shot in two periods. Initially, during Kuo's visit to Ching-wen rebuilding his parents' home, unplanned as a documentary. Later, funding came, but Ching-wen left for Taipei. Kuo returned to Orchid Island, capturing memories of Ching-wen.

The title of the François Lunel film is the Buddhist proverb concluding by: "all is but illusion". His movie draws the Tsai Ming-Liang's face during the shooting of his movie Visage, which itself is also a movie within a movie.

This documentary explores the reason why people in Chiayi have an everlasting passion for music—is it the vibe of the city, or is it mere illusion? In this film, Chiayi-native musicians and musicians who have migrated to Chiayi were both actively engaged in a reality show in which they tried to fulfill their calling as musicians. Even faced with a dilemma, they have not hesitated for a second—music, for them, is the best choice in life.

Taiwan has 20 million inhabitants, and 12,5 million motorbikes. My 747 is the directors personal story, about his motorbike and their life together over the last eight years.

Is it possible that a group of people share our culture and fate, but are drifting in another part of the ocean? Taiwanese aboriginal musicians, Suming and Baobu, are invited to New Caledonia for a month of musical exchange. They lived with local Kanak musicians, playing music and sometimes composing together. In the end, they all found that the secret to innovation and globalization is to re-discover one’s own cultural roots.

A pioneer in Taiwan’s contemporary dance scene, Lo Man-fei receives a beautiful tribute from director En Chen, a decade after her passing. Three years in the making, Manfei traces the life and work of the dance legend, including her early days at the Cloud Gate Dance Theatre, her studies at New York’s most prestigious dance schools, and the founding of her Taipei Crossover Dance Company. Featuring rare footage of Lo’s graceful performances as well as candid conversations with her closest friends and collaborators, Manfei is a stirring journey into the heart of a true artist and a moving remembrance for a dearly missed member of the Taiwan art world.

Puppeteer Chen Hsi-huang establishes his own troupe and moves out from under the shadow of his father, the legendary Li Tien-lu.

In Singapore, executions take place at dawn. Years after her brother’s death sentencing for drug trafficking, a sister duo continues their early-morning journeys, carrying the quiet aftermath of a punishment the city no longer sees.

Who says the elderly could only wait for death? A group of them, averagely aged 70, broke the stereotype. They formed a team of cheerleaders and performed at the opening ceremony of the World Game in Kaohsiung in July 2009. Their 9-month preparation left not only them but their families the most memorable memories of their lives.

I enjoy religion, I appreciate belief systems and how they offer structure to people's lives. I also appreciate how spirituality manifests itself in Asian cultures as this almost earthbound presence guiding people through every day life and when they need an extra bit of help they need only ask whichever deity holds dominion over their desire. Here is an experimental film I made with videos from my iPhone. Shot across Taiwan and South Korea. An experimental film I made with videos from my iPhone. Shot across Taiwan and Korea. My aim was to explore success in how it pertains to every day life, the satisfaction of small moments, spirituality, superstition, and daily rituals.

Using footage shot between 1974 and 1978, this experimental documentary offers an intimate portrait of Hung Tung, one of Taiwan’s most singular outsider artists. Born in 1920 in Nankunshen, Tainan, orphaned at a young age, Hung Tung worked as a laborer, fisherman, and spiritual medium before suddenly beginning to paint at fifty. His densely imagined world—filled with plants, humans, animals, gods, ghosts, and symbols—captivated the Taiwanese art scene of the 1970s and secured his reputation as a legendary folk artist. Combining observational footage, interviews, and a distinctive musical structure—from Tibor Szemző’s evocation of innocence to Leonard Cohen’s “Bird on the Wire”—the film traces a life of solitude, frustration, and pride, shaping a restrained yet poignant portrait of an artist who remained fiercely autonomous within his own inner universe.

My Nostalgia, My Songs is a poetic documentary centered on Lin Hwai-min’s landmark dance work for Cloud Gate Dance Theatre of Taiwan. The music, curated by iconic photographer Chang Chao-tang, weaves Taiwanese folk melodies into reflections on urban migration and collective memory. Through the cinematography and editing of Christopher Doyle, the stage becomes a cinematic space, transforming performance into a sensory meditation on Taiwanese identity and cultural displacement in the 1980s.

This landmark 1981–82 documentary series consists of weekly 25-minute episodes filmed across Taiwan using an ENG (Electronic News Gathering) camera. It documents local customs and social textures through a distinctly humanistic lens. The project also marks an early collaboration between Christopher Doyle and Chang Chao-Tang.

Wang Shin-hong is suffering from insomnia. A fortune teller advises the Mandalay businessman, whose car and bulging wallet suggest that business is going pretty well, to spend 14 days in a monastery, living life as a monk and eating an apple a day. Such a thing is possible in Burma today. Wang Shin-hong arrives at the rural monastery, has his head shaved and dons a red robe, in which he instantly becomes an authority. During the welcome procession, the village women, their poverty clear from their clothing and the huts in the background, put more than they have in his alms bowl. During his fleeting role as their advisor, Wang Shin-hong soon learns of the villagers’ attempts to survive and make a living as legal or illegal migrants in China, Thailand or Malaysia. He also finds out how the other monks try to generate profit and additional income.

The director follows three art college students HUANG Yong-song, MOU Tun-fei, and HUANG Gui-rong as they enjoy an excursion into the mountains. As the song ‘California Dreamin’ plays, the three talk about their artistic ideals, how only KMT party members were eligible for scholarships, and their view on the Vietnam War.

The director gets a phone call from his aged mother. A stubborn woman, she worries about the future of the rest of the family. The father is a gambling addict in poor health; the brother is penniless yet sure of his talent as a medium. Looking back at the reasons he left 20 years earlier, Elvis A-Liang Lu creates a wonderful family portrait, touching and full of light.

Documenting Taiwan from an aerial perspective offering a glimpse of Taiwan's natural beauty as well as the effect of human activities and urbanization on our environment.

30 years after the Taiwanese New Wave first emerged, the veterans such as Hou Hsiao-hsien and Tsai Ming-liang remain active in their careers. Ten of Edward Yang's former assistants have become directors. The filmmakers of the younger generation are facing a Taiwanese audience hungry for films that link them with Taiwanese society, whether they are fictional or not.

In the 1980s, Taiwanese families arrived in Argentina; years later, many who felt Argentinean ended up in Taiwan. Parents leaving, their children returning; identities and memories divided, worlds we build to find each other.

A back-and-forth correspondence between two filmmakers living in Beijing and Tokyo. It began during the COVID-19 pandemic when it was difficult for them to meet in person and continued until 2024. The resulting work, employing various forms such as animation, collage, and 8mm film, develops through quoting each other’s images and sounds, and the result shimmers with the joy of “this is personal cinema!”

They sacrificed their lives fighting for the independence of their country, but their stories remain untold for 60 years. The story begins with a man’s portrait, which has been hanging for more than 30 years in an old wooden house where I was born and grew up in Perak, Malaysia. It’s long become a taboo that my families do not talk about this man, not even to bring up his name or his past. Eventually I found out he is my grandfather, who sacrificed his life fighting for Malaysia’s independence and decolonisation, but his and his comrades’ stories are excluded from history. This documentary set out to unveil the mysteries.

A sex worker falls into a coma. Bailan's work has provided solace to many, supported her family, and cared for a group of stray cats. What happened to her and her sisters after the licensed prostitutes were banned? We go on a journey to accompany Bailan's recovery and to see the struggle of the marginalized community.

The Tai-Hwa Ferry is a ship that sails between Kaohsiung and Penghu in Taiwan. Once, visiting Grandpa in Penghu was a yearly routine for the director and her mother. However, with Grandpa's departure, the ferry is also about to retire. As delayed messages slowly appear on the phone, it signifies the boat nearing its destination. In this journey of becoming survivors of suicide, what truly constitutes nearing arrival?

Documentary short examining the life of the indigenous Taiwanese singer, Panana.

The true story of Mei Lanfang, China's greatest opera star; a husband and father whose world-wide fame came from the portrayal of women. His fascinating life was the basis for the feature film Farewell My Concubine.

I transcribe a relationship on film with what I find at home: the flower baby’s breath, love letters my father wrote and sun print papers my lover gave me. This film is a dedication to Shadow Film: A Woman with Two Heads (Nito-onna: Kage No Eiga) (1977) by Shuji Terayama - Erica Sheu

’Being fat’ often has negative connotations and is seen as a state that needs to be changed. Amy and Mallie suffered much frustration before learning to live in harmony with their bodies and advocating for body equality.

Documenting outsider artist Lin Yuan (林淵, 1913-1992), a self-taught folk artist from Nantou (南投), and his stone sculptures—works marked by simplicity, naturalness, and a vital rural vernacular spirit.

Hero! Hito! tells the true story of Chinese Taipei, the team that represents Taiwan in international baseball competitions, and their eleven-year climb from the heartbreak of the 2013 World Baseball Classic to a world championship win. With powerful tournament footage and candid player interviews, the film shows how an underestimated team overcame doubts, pressure, and tough odds to defeat Japan and unite fans in a moment of unforgettable pride. A heartfelt and uplifting documentary from director Lungnan Isak Fangas.

Recipe for C is a collaborative creation by visual artist Jie-Huai Yang and graphic designer Changwei, inspired by their shared experiences with a mutual ex-boyfriend, C. As a restaurant chef, C centered his life around experimental cooking, with his notes and recipes serving as the foundation for this project. Though a recipe book and a cooking tutorial video, the work transforms intimate emotional memories into a public sensory and visual dialogue. Cooking becomes not only a retrospective of a past relationships and sexual roles. By kneading and blending ingredients, the work reinterprets fragile yet profound memories, showcasing the vulnerability and resilience of emotions. Recipe for C unveils private stories hidden in the shadows, like a dish releasing its lingering aroma, challenging viewers' perceptions of emotions and gender roles.