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Revolution: New Art for a New World

Drawing on the collections of major Russian institutions, contributions from contemporary artists, curators and performers and personal testimony from the descendants of those involved, the film brings the artists of the Russian Avant-Garde to life. It tells the stories of artists like Chagall, Kandinsky and Malevich - pioneers who flourished in response to the challenge of building a new art for a new world, only to be broken by implacable authority after 15 short years and silenced by Stalin's Socialist Realism.

Revolution: New Art for a New World

7.5 2017
Stitching Palestine

Twelve Palestinian women sit before us and talk of their life before the Diaspora, of their memories, of their lives and of their identity. Their narratives are connected by the enduring thread of the ancient art of embroidery. Twelve resilient, determined and articulate women from disparate walks of life: lawyers, artists, housewives, activists, architects, and politicians stitch together the story of their homeland, of their dispossession, and of their unwavering determination that justice will prevail. Through their stories, the individual weaves into the collective, yet remaining distinctly personal. Twelve women, twelve life-spans, and stories from Palestine; a land whose position was fixed on the map of the world, but is now embroidered on its face.

Stitching Palestine

NR 2017
The Project

We are roaming around a futuristic, geometric construction whose structure emerges in a milky white. But a matter eroded by time is what now appears, lit up by torchlight, like the remains of a lost civilisation that these men dressed in yellow suits are collecting, beneath the gaze of a child concealed behind the vegetation. It is down to the “citrus tristeza virus”— a disease leading to the decline of trees — which struck the families living in this region of Cuba, who survive, now, in the virtual ruins of a former agronomy school inhabited by “New Men” familiar with the latest orange-growing techniques.

The Project

NR 2017
Danger Close

Freelance female war reporter Alex Quade covers U.S. Special Operations Forces (SOF) on highly classified combat missions. Since 2001, she has embedded with elite SOF, including the U.S. Army Special Forces or Green Berets, Army Rangers, Navy Seals, and CIA clandestine operatives to tell their stories from the front lines. "Danger Close" follows Alex as she lives alongside these highly trained forces on some of the most daring missions ever documented in Iraq and Afghanistan.

Danger Close

6.0 2017
Hasse Andersson - Spelemannen från Kvinnaböske

Hasse "Kvinnaböske" Andersson is a Swedish phenomenon. He had his first hit in 1982 with the song Änglahund which led to him touring around Sweden on both big and small stages. In 2015 his new song Guld och gröna skogar came out, and again Hasse started to attract big crowds to his concerts. In the documentary, we follow Hasse during Melodifestivalen, at the children's theater, big summer festivals and while he sings at various nursing homes. But also at home in his house in Skåne.

Hasse Andersson - Spelemannen från Kvinnaböske

NR 2017
A Year of Hope

A Year of Hope is about life on the streets of Manila. You will hear the horrible stories of Pablo, Justin, and some of the other boys. Thankfully their lives change during their year in Stairway Foundation. It's an NGO located on an island in the Philippines far away from Manila. They're there to get a proper education, eat nutritious food, have fun, and be introduced to new things. But sadly even in a place like Stairway, the gruesome streets of Manila are still lurking in the backs of the children's minds.

A Year of Hope

NR 2017
Jiabiangou Elegy: Life and Death of the Rightists

Jiabiangou Elegy recounts the persecution of inmates at the Jiabiangou labor camp in Jiuquan, Gansu province, and examines the way the victims’ final affairs were handled. During the Anti-Rightist Campaign of 1957–59, over three thousand people were sent to Jiabiangou for re-education through labor. These people were labeled rightists, counterrevolutionaries, and anti-party dissidents. Over a three-year period, more than two thousand died from abuse and hunger; only a few hundred were rescued in the end. The film includes interviews with the few remaining Jiabiangou survivors and their children, and presents the conflict between the preservation and destruction of memory.

Jiabiangou Elegy: Life and Death of the Rightists

NR 2017
Revolution: The Legacy of the Sixties

'Revolution: The Legacy of the Sixties' is an exploration of the 1960s Western cultural revolution as it ushers in our contemporary society. 'Revolution' explores, partly through interviews with many of its key instigators, the ground breaking cultural and social transformation of the 1960s as we get to the root of what changed during that period, and why. To what extent is our society and culture today a product of those changes? What does the 60s generation feel remains to be done today to complete the revolution, 50 years on?

Revolution: The Legacy of the Sixties

NR 2017
Nos hommes dans l'Ouest

A different perspective on the exile and social impact of major projects such as oil sands mining in Alberta, Canada. These large-scale projects, based on economic growth, also have human costs that change the cultural face of the regions on a small or large scale. Over a six-month period, three families from the Acadian Peninsula in New Brunswick opened their doors and hearts to director Renée Blanchar and her team. A film about exile, choice of life, values, but especially absence; absence being probably the highest price to pay for each member of these families.

Nos hommes dans l'Ouest

NR 2017
Gora

Gorani people live in Gora, in the south of Kosovo. They are Muslims who speak a Slavic language. Throughout the years they were always used for political games of power between the surrounding nations (Serbs, Macedonians, Bulgarians, Albanians, Bosnians...). This is the first film that deals with the way these people are, not who they are or who they belong to. The film observes their everyday life, diverse culture, rich herds of cows, sheep and shepherd dogs. They work, talk, dance, play music, discuss, preach, pray, walk and sing as the mountains above remind them how ephemeral their existence is.

Gora

6.0 2017
Girl in Wheelchair

In Yuncheng County, Shandong, there is a girl born in the 90s named Han Wenjing who was paraplegic in a car accident in her childhood. As Han Wenjing gets older and older, she is worried about her future life. Marriage has become the biggest concern of parents. Han Wenjing got acquainted with a soldier online, but finally broke up under his father's opposition. The younger sister-in-law also had a dispute between the two over her marriage. When Han Wenjing was depressed, her father proposed to carry her to Liangshan. First, fulfilling Han Wenjing's wish was also compensation for Han Wenjing. Later, Han Wenjing met a dumb while studying e-commerce sales. The dumb liked her very much. Both parents were satisfied when they met. However, Han Wenjing felt that she still couldn't accept the disabled and wanted to try to combine healthy people, even if it failed. Under the pressure of her parents and sister-in-law on Han Wenjing, Han Wenjing still insists on her choice

Girl in Wheelchair

NR 2017
Teach Us All

On the eve of the 60th anniversary of the 1957 Little Rock school desegregation crisis, educational inequality remains among the most urgent civil rights issues of our time. With its school district hanging in the balance following a state takeover in January 2015, Little Rock today presents a microcosm of the inequities and challenges manifesting in classrooms all across America. Through case studies in Little Rock, New York City, and Los Angeles, Teach Us All seeks to bring the critical lessons of history to bear on the current state of U.S. education and investigate: 60 years later, how far have we come-or not come-and how do we catalyze action from here?

Teach Us All

7.0 2017
DIALOGUES AT THE FACTORY. The 6th meeting. Evgeny Gindper

Born in 1949 in Leningrad. In 1968 he graduated from the Art College.Serova. In 1977, an exhibition of film engineers was held in the Recreation Center. Until 1981, he participated in numerous "apartment" exhibitions. In 1981– an exhibition at the Kirov Recreation Center (Experimental Art Association); In 1987 – Montreal, Paris; In 1992– Finland, and in 1999— an exhibition at the Luxembourg Consulate. Thematic solo exhibitions of the artist are constantly held in St. Petersburg. Participant of exhibitions since 1977. Member of the Board (1981), TSPH (2002). He worked as a decorative artist at the V. F. Komissarzhevskaya Theater (1974-1976); as a locksmith in the Emergency Recovery Service of the Technical Technical University (1976-1980); as a production designer at the Experiment Theater (1983). Lives and works in Saint Petersburg‑St. Petersburg.

DIALOGUES AT THE FACTORY. The 6th meeting. Evgeny Gindper

NR 2017
Andreas Hofer. Held wider Willen

During the Napoleonic Wars at the beginning of the 19th century, Andreas Hofer became a Tyrolean folk hero. As the head of a resistance movement, he became caught up in a dangerous political game of interests between the French and Austrians, Napoleon and the Habsburgs. After the defeat at Austerlitz, the Habsburgs had to cede Tyrol to the Bavarian kings in 1805. The liberal Bavarians implemented numerous reforms in Tyrol, including religious reforms, which met with resistance from the rural population. The young Archduke Johann wanted to take advantage of their discontent. In Andreas Hofer, the commander-in-chief of the Tyrolean troops, the brother of Emperor Franz I finds a loyal patriot whom he can use for his political moves. The Tyrolean revolt against the French and Bavarians puts Napoleon in a tight spot. In several battles, the rebels succeed in defeating the Bavarian and French troops, but not in defeating them for good.

Andreas Hofer. Held wider Willen

7.0 2017
Codelli

Codelli is a feature-length docudrama about a little-known film project by Slovenian inventor Baron Anton Codelli. Together with filmmaker and adventurer Hans Schomburgk he filmed in Togo in 1914 the first live-action film in Africa, which possibly inspired James Rice Burroughs for his novel on Tarzan. In the company of three Codelli’s descendants and actor Primož Bezjak, we traced the fate of Codelli’s film, brought the remains from Togo and Berlin to Ljubljana and used the Green Screen technology to bring to life 15 live-action scenes based on 600 Codelli’s museum photographs.

Codelli

NR 2017