Discover Movies

Chris Marker's cat and rat.

Documentary showing one day of work of over 90 actors and filmmakers from French cinema on the same day. On 27 March 2002, 27 teams filmed actors, directors, producers and technicians at work, from Hawaii to Paris and from New York to Lisbon.

Charlotte Gainsbourg looks at her mother Jane Birkin in a way she never did, overcoming a sense of reserve. Using a camera lens, they expose themselves to each other, begin to step back, leaving space for a mother-daughter relationship.

Documentary on the making-of Tati's Playtime (1967)

Between the feelings of the man who believes himself to be deceived and of the surgeon's instinct, it is the latter which triumphs in Doctor Bernon, who saves the man presumed to be his wife's lover. He then realizes that this is not the case and that she is still worthy of him.

All of Pialat's Turkish films are uniquely interested in the country — especially Istanbul — as it was, not just as it is at the precise moment that Pialat is filming it. History informs these films in a big way, with the voiceover narration (which incorporates excerpts from various authors) introducing tension between the images of the modern-day city and the descriptions of incidents from its long and rich history. Istanbul is probably the most conventional documentary of Pialat's Turkish series, providing a general profile of the titular city, its different neighborhoods, and the different cultures and ways of living that coexist within its sprawling borders. As the other films in the series also suggest, Pialat sees Turkey, and Istanbul in particular, as a junction point between Europe and the East, between the old and the new, between history and modernity.

Libreville, Gabon, Africa, 2016. Christ Olsen Mickala, a young boxer, trains tirelessly during the day and earns his living by night as a bouncer in nightclubs. At the same time, the combat of the presidential elections is taking place. As Christ hopes to succeed, a whole country hopes that a democratic transition finally triumphs.

On the Franco-belgian border, there's a unique place that takes in children with mental and social problems. Day after day, the adults try to understand the enigma that each one of them represents and, without ever imposing anything on them, invent the solutions that will help them to live in peace, case by case. Through their stories, 'Like an Open Sky' reveals their singular vision of the world to us.

An intimate portrait of director Peter Brook by his son, Simon Brook.

A featurette on "The Things of Life"

As his fate was decided, Patrice Lumumba decided to write a letter to his wife, as a token of the promise he had made to himself about his country and his people. This letter, although keeping a militant tone, reveals the more private side of Lumumba, yet freer still to express what is deep inside him. This story, mainly told in his own words, gives Lumumba back the humanity he was not afforded throughout his career. It is about understanding the passion that animated his convictions. But above all, it is about seeing the man behind the political emblem, facing a destiny that gradually escapes him.

In the 1950s, a small group of artists monopolized the attention of the cameras and the public. Frank Sinatra, Dean Martin, Sammy Davis Jr., Joey Bishop and Peter Lawford together form the "rat pack": they sing the most popular hits of the moment, star in the most profitable Hollywood films and are already making a splash on television . This documentary, produced by a recognized specialist in the history of Hollywood, recounts the exceptional destiny of this informal group which flirted with the greats of this world, notably through Sinatra, personal friend of American President Kennedy.

The Eye explores silent landscapes where nature and absence coexist. Between the memory of places and resilience in the face of time, the film oscillates between beauty and existential vertigo, capturing what persists and what fades.

Godard constructs a lyrical study of the cinematic and creative process by deconstructing the story of his 1982 film Passion. “I didn’t want to write the script,” he states, “I wanted to see it.” Positioning himself in a video editing suite in front of a white film screen that evokes for him the “famous blank page of Mallarmé,” Godard uses video as a sketchbook with which to reconceive the film. The result is a philosophical, often humorous rumination on the desire and labor that inform the conceptual and image making process of the cinema.

The tale of 15-year-old Claudette Colvin, who campaigned against segregation laws in 1950s America, is told in this augmented reality installation.

A compilation of 30 French filmmakers, Alain Resnais and Jean Luc Godard among them, who use film to make a plea on behalf of a political prisoner. Jean Luc Godard and Anne Marie Mieville's film concerns the plight of Thomas Wanggai, West Papuan activist who has since died in prison. The short films were commissioned by Amnesty International.

From 1954 to 1962, during the Algerian War, French citizens provided concrete assistance to the FLN in France: sheltering refugees, forging documents, facilitating border crossings, and transporting funds. Whether committed to the ideals of the Republic or driven by Third Worldist revolutionaries, they sought to build a bridge of friendship between nations. They paid for their commitment with imprisonment and exile. Four veterans of the Jeanson network recall this period. Today, they are no longer seen as traitors or heroes, but as witnesses recounting "their" war... Silent for 30 years, the "Jeanson network" now bears witness to this history.

Documentary tracing the filmmaker’s work in Poland, from his days as a student through The Double Life of Véronique.

On November 13, 2015, the attacks in Paris and Saint-Denis, carried out by three Islamist commandos and claimed by ISIS, were the deadliest in France since the end of World War II. In the months that followed, the November 13 Program was launched by the CNRS and Inserm to study the construction of individual and collective memory around an event that profoundly marked French society. Today, the testimonies of 27 volunteers—among some 1,000 people—who participated in the study form a mosaic of experiences that shows how trauma extends beyond the immediate circle to permeate the national collective memory.

Essay on the influence of arts at the end of the 20th century produced by the Museum of Modern Art.

Delphine Seyrig reads passages from a Valerie Solanas’s SCUM manifesto.

On the age of 51, a father leaves his family to live as a carpenter. Away from the family and house burdens, he spends his last 15 years living alone. From the point of view of his child, the idealistic father then changes his mind to let go of everything and lives his dream of traveling.

A thrilling high seas adventure feature documentary where two marine conservation captains from Sea Shepherd go on a hundred day chase of the illegal poacher and pirate fishing vessel, the Thunder.

Since his debut in 1914, Charles Chaplin has never ceased to amaze. But surely, Charles would have never reached such heights if it weren't for his big brother Sydney, an improbable character of the shadows with a fiction-like destiny.

In the spring of 2010, Julian Assange published classified documents that shed a harsh light on the war crimes committed by the United States in Afghanistan and Iraq.

Long before the arrival of Homo Sapiens, the Neanderthals wandered the vast European plains, and regularly drowned into the Ice Ages. Several discoveries, in France and England, and especially on the island of Jersey, now allow archaeologists to understand the lifestyle of those first great nomads of Europe, that lasted 300.000 years.

Laser lights, thumping bass and blades on ice. Inside a Montpellier rink, teens gather each week, forging friendships, dissecting crushes and dreaming. With big life changes on the horizon, this kaleidoscopic coming-of-age portrait captures the joy, intensity and fragile magic of youth.

Oversand is one of the first films about free climbing, the third film in a series of three with "Overdon" and "Over-Ice". Directed by Jean-Paul Janssen, the film was shot in 35mm in Algeria, in the Sahara Desert, in the Tamanrasset region, on the walls of the majestic peaks of the Atakor massif, central sub-region of Hoggar, mountainous heart of Hoggar, a volcanic plateau of almost circular shape, whose average altitude is 2000 meters, and which culminates at Mount Tahat (2918m), the highest point in Algeria. The Atakor is distinguished by its spectacular volcanic peaks, its needles, and its rugged landscapes, resulting from the erosion of ancient volcanic chimneys, which make it the most emblematic summits of the Hoggar, such as the Assekrem, the Ilamane, or the Tizouyag, where climbers Patrick Edlinger, Patrick Bérhault, Bernard Gorgeon, Hugues Jaillet, Jacques Perrier, Stéphane Troussier and Odette Schoënleb evolve under the watchful eye of the Tuareg caravans.

In the late 1990s, in a dilapidated theater in the heart of Palermo, Carlo Cecchi is working on a production of A Midsummer Night’s Dream, the second play in his Shakespearean trilogy, translated by the poet Patrizia Cavalli. Director Francesca Comencini – who sees Cecchi as the last representative of an Italy not subservient to the media and Berlusconi’s power – decides to follow him and is allowed to film the show’s rehearsals, on the condition that she does it all on her own and with discretion.

Sasha is a Ukrainian sculptor living in Paris who is haunted by absence and the war. Inspired by the death of her grandmother, she creates a sculpture and travels home to honour her memory. Margaux, a Belgian friend, accompanies her, carrying an old Bolex camera. Throughout the journey, dreams and reality collide as Sasha shares diary pages revealing her innermost feelings.

An ode to rural France and the simple joys of life, Dominique Benicheti's glorious masterpiece Cousin Jules captures the daily routine and rituals of Jules, a blacksmith, living with his wife, Felice, on a small farm in the French countryside.

Who remembers Mohamed Zinet? In the eyes of French spectators who reserve his face and his frail silhouette, he is simply the “Arab actor” of French films of the 1970s, from Yves Boisset to Claude Lelouch. In Algeria, he's a completely different character... A child of the Casbah, he is the brilliant author of a film shot in the streets of Algiers in 1970, Tahya Ya Didou. Through this unique work, Zinet invents a new cinema, tells another story, shows the Algerians like never before. In the footsteps of his elder, in the alleys of the Casbah or on the port of Algiers, Mohammed Latrèche will retrace the story of Tahya Ya Didou and its director.

[Here] Pollet made a work that is the very definition of what French critics like to call an ovni or ufo (as in ‘unidentified filmic object’). [It] has been described as being ‘like a comet in the sky of French cinema,’ an ‘unknown masterpiece,’ and an ‘unprecedented’ work that refuses interpretation even as it has provoked reams of critical writing. Its rhythmic collage of images – a girl on a gurney, a fisherman, Greek ruins, a Sicilian garden, a Spanish corrida – is accompanied by an abstract commentary written by Sollers, and only the somber lyricism of Antoine Duhamel’s score holds the film’s elements together. At first viewing, you fear that [it] might fly apart into incoherent fragments. Instead, over the course of its 45 minutes it invents its own rules, and you realize you’re watching something like the filmic channeling of an ancient ritual.

The story was born from the pen of debutante Callie Khouri: Thelma, married to a macho man, and Louise, an independent waitress, go on a girls' getaway that turns into a runaway when the latter, during a stopover in a bar, shoots a man who was trying to rape her friend. But at the dawn of the 1990s, screens were dominated by testosterone-fueled opuses, and Hollywood studios were reluctant to entrust the steering wheel to a female duo. Seduced by the script, forwarded by his associate Mimi Polk, Ridley Scott agreed to produce the film and decided, against all odds, to direct it himself. Under the British director's watch, the two accidental outlaws, fabulously portrayed by Susan Sarandon and Geena Davis, flee across the vastness of the Far West on an emancipatory epic that sees them defy male oppression and reveal themselves to themselves.

An interview with film composer Ennio Morricone discussing his music for Elio Petri's 1970 film INVESTIGATION OF A CITIZEN ABOVE SUSPICION.

How’s the Big Everything? Garba asks Nicole. For them, the “Big Everything” encompasses family, politics, History, daily life, the stars, small things, and time passing like the wind. By delving into their memories, at the time of Niger’s independence, we come face to face with the complexity of the present.

This is the story of a lyrical singer and an Afghan refugee. With songs and introspection, hope and disappointment.

The San Francisco Diggers was a radical community-action group of activists and Improvisational actors operating from 1967 to 1968, based in the Haight-Ashbury neighborhood of San Francisco.

Ida, Olympe, Jeanne and Marie dance to the music of pianos, symphonies, contemporary pieces… in ballet school studios, in the streets, even in their bedrooms. They are between 6 and 11 years old. Very fond of each other, they film themselves, comparing and giving one another support. They also tend to annoy one another, are at times envious, even rejecting each other. What is it like for a little girl to grow up in a world of intense professional and competitive dancing? Closely following the emotions and dilemmas experienced by our young characters, this film explores and probes into a territory that we’ve all navigated, though many of us have forgotten: childhood.

Everyday life of fishermen on Brittany's Ile de Sein.

Journeying from the Pyrenees to the Alps, all around the mainland to Corsica, this is the story of the 'wild side' of France.

Investigative documentation in the four major nuclear energy-using countries Belgium, Germany, France and the USA: everything that touches on nuclear safety is a military secret. And therefore closely guarded. Whoever provides information about this could even give terrorists "evil thoughts". But how safe are citizens in the event of a nuclear terrorist attack?

At the end of WWI, the treaty of Versailles established the conditions for peace in Europe. The aim for the victorious powers was to make Germany pay reparations, and to guarantee a future without war. Yet a decade later, the denunciation of 'Versailles' became a powerful lever for the nazis to obtain power as these reparations would mark the beginning of the humiliation of the German people, and nurture a feeling of having been bestowed a hopeless future. In the 20 years that follow the end of WWI, the issue of reparations and responsibility will effectively poison international relationship. The treaty negative impact goes well beyond WWII as the new European borders it implemented led to many conflicts during the twentieth century. This documentary shines a light on the causality between the decisions taken with the treaty of Versailles, and the ensuing events of the century.

In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”

Filmed along the Emeryville Mudflats near San Francisco, Junkopia captures a landscape of sculptural installations made from driftwood and discarded materials. Chris Marker, John Chapman, and Frank Simeone transform these ephemeral artworks—set against highways and the distant city—into a quiet meditation on art, decay, and the modern environment.

Star at 17 years with the series of Sissi, Romy Schneider leaves Austria and glory for the love of Alain Delon. From Luchino Visconti to Otto Preminger, through Zulawski and Costa Gravas, she turned with the greatest. The directors interview those who knew her, who loved her, go back to the filming locations, make archive images speak for themselves... and try to detect the part of mystery that Romy Schneider conceals for ever.