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Having grown up in the mountains Chiayi, installation artist WANG Wen-chih weaves his memories of mountains and forests into his work. Using natural materials such as bamboo, rattan and wood, WANG creates his art with hands and collective labor. The huge spaces he constructs emit such deep and strong power that surprise and move countless visitors. This film follows WANG on his journey of creation.

The documentary produced in commemoration of the 101st anniversary of the birth of “Vijit Kunawut,” one of the greatest directors in the history of Thai cinema.

Koji Shiraishi documents the filming and production of his short film "Koji Shiraishi's Declaration of World Domination". Included in the "Textbook of Fake Documentary" DVD

Wim Wenders talks with Japanese fashion designer Yohji Yamamoto about the creative process and ponders the relationship between cities, identity and the cinema in the digital age.

A LaserDisc-exclusive sound and image ski fantasy from 1981 by Japanese producers, soundtracked by the pop rock band Talizman.

Stepping closer and closer to his retirement, Hayao Miyazaki has no other means, but to choose up a new director. Ghibli's given some creative freedoms in the past, but they hardly lasted. Maro, an animator of 37 years. has done a good deed of works in his prior days. Thus, Miyazaki-san decides to appoint him as a new director for the upcoming feature of 'Arrietty the Borrower'.

“Magabanashi” (真・狩場噺) is a Japanese collection of chilling tales, notorious for its “true” ghost stories that blend traditional storytelling with the dynamics of social media. Based on this, the drama “Human Story” focuses on the experiences of two members of the FEAR fan community. But is it really just a drama? Or perhaps a documentary? With an eerie intertwining of ghost stories and reality, viewers are taken on the most terrifying experience of their lives.

The fourth episode of Patrick Tam’s anthology series “Seven Women” (1976), which adapted from Swedish play “Miss Julie”

Norifumi "KID" Yamamoto was a national star who led the Japanese martial arts world in the 2000s and was called the “Son of God.” "Yamamoto KID's Love and Dream ~IT WAS ALL A DREAM~", will explore his life and life based on interviews from the time and testimonies of those involved. Follow the legendary matches. In addition, some unreleased footage from over a decade is also included. Among them, his last interview before his death, filmed in 2018, contains the last precious glimpses of KID Yamamoto talking about his family and love for martial arts even while battling illness. The dreams drawn by martial artist KID, the truth that can only be spoken about now, and the intense way of life of a man who influenced many people and is still loved by many, are told by his ally Yosuke Kubozuka.

A personal and subjective video essay series on the Korean cinema, consisting of 9 episodes. Its episodes include fragments of memory about Korean films and their ‘field’, actual moments of what is happening here and now, and images excerpted from Korean films. [Ep 1] My Chungmuro (2002) [Ep 2] For March of Fools (2003) [Ep 3] Smoking Women (2003) [Ep 4] Kino 99 (2003) [Ep 5] Song of Keumsoon (2004) [Ep 6] The Creative Restoration of ‘An Empty Dream’ (2005) [Ep 7] Reflection on Kim Gu (2005) [Ep 8] Garibong, Again (2006) [Ep 9] A Short Film about Pre-1945 Korean Cinema (2006)

A documentary surrounding the ties between Japan and the Korean peninsula, particularly folk rituals of the aforementioned region. Reportedly is the first film acclaimed composer Akira Ifukube wrote for after his hiatus from scoring.

The DNA of Damnation is a documentary short on the making of the 2012 film, Resident Evil: Damnation.

The film deals with the rights of Japanese-Koreans -born in Japan but without Japanese passport or nationality- and the social rejection that they face if they don’t integrate completely, abandoning their Korean identity. The film’s main thread is the story of a Korean man, who in the times of the Japanese occupation of the Korean peninsula, is sent to Japan to fight along with the Japanese in the Philippines, but after the war and fearing discrimination, creates a Japanese identity for himself and manages to get married and have children without his family ever knowing about his origins for 50 years until he is arrested in 1985 for forging official documents and in suspicion of being a spy from North Korea. (…) © timegoesbyin.wordpress.com/tag/i-wanted-to-be-japanese

A history of the Pacific War comprising of American combat footage with Japanese wartime newsreels

For over 70 years, Kai has lived in a military dependents’ house frequented by monkeys. He has spent years maintaining the almost 90-year-old house. In facing monkeys’ intrusions, typhoons and the unpredictable nature of life, can he weather the trials of nature and time?

A documentary about Hideaki Anno's project, Japan Animator Expo.

This documentary records a South Vietnamese Marine battalion conducting village-to-village search-and-destroy missions during the Vietnam War. Originally produced in three parts by Japanese television producer Junichi Ushiyama, the footage documents interactions with villagers and includes scenes of interrogations and executions that provoked official controversy.

As the novel 『LimGeojeong』 becomes a great success, the publisher and the writer's bereaved family in North Korea meet to solve the copyright problem. Their exchanges between South and North Korea create another novel-like story that condenses issues in various fields including politics, economy, and culture together with concerns and hospitality.

An immigrant artist in Iowa retreats to frozen prairies, forests, and swamps, trying to find a meaningful story and escape from the anxieties of dislocation. Delivered as a film-letter to the protagonist’s little sister in rural China, the film considers his self-exile as well as mental health struggles that were too shameful to address back home.

This documentary follows two gifted young boys, 12-year-old Park Su‑beom and 10-year-old Park Sung‑yeol, as they pursue their dreams of becoming pansori masters. Raised in contrasting family circumstances, both channel their passion and emotions into their art.

Eric is a young blindman who as always tried to fight for an independent life and better conditions. When the imagination is used as a wonderful tool to create images, we can discover more about us. "How you imagine the world determines how you live in it.”

Mexico─United States border bar, “Trump Wall” is full of displaced migrants’ grief. Gaston who came to America as a teenager, is expelled from the States at his 40s and meets his family at the Wall. Bassam and Rami, becomes a dad who lost their daughter by each other. This film describes the people who lost their family by the wall and includes the views of refugees, human rights. Actor Jung Woo Sung participated in narration of the film.

Despite being deaf Sang-kuk never forgets to smile while he makes furniture. Kyung-hee can't hear either but with her natural beauty and outgoing personality, she enjoys her job at a sign language interpretation center. Between them they have hearing daughter Bora who is a director and a son named Kwang-hee. When, after moving eight times since marriage, Sang-kuk wants to move one more time, Kyung-hee opposes him. In filming the silent world of her parents, the director discovers new stories coming from herself, who grew up moving back and forth between two worlds-one of silence and the other of sound.

In Gansu Province, northwest China, lie the remains of countless prisoners abandoned in the Gobi Desert sixty years ago. Designated as ultra-rightists in the Communist Party’s Anti-Rightist campaign of 1957, they starved to death in the reeducation camps. The film invites us to meet the survivors of the camps to find out firsthand who these persons were, the hardships they were forced to endure and what became their destiny.

When Gina Kim turned twenty-two, she decided to leave her home in Korea and not return. Taking advantage of an opportunity to study abroad, she was anxious to escape her mother’s authority and avoid a similar fate as an overweight, underappreciated housewife. Traumatized by her decision, the filmmaker began to develop symptoms of anorexia and proceeded to document her mental decline and eventual recovery. Combining video performance art with an intimate home-movie diary, this self-documented coming-of-age story demonstrates how video technologies can be used to capture the most intimate, confessional voice of a filmmaker.

First Moon (37 min., 1987) looks at lunar New Year celebrations in the Chinese countryside.

A "documentary" that explores the myth of the Human-Faced Dog. The legend of the Human-Faced Dog goes all the way to Tokugawa era Japan. In stories, the Human-Faced Dog is initially mistaken for a normal, mangy dog, but as the unlucky passerby gets closer the human features become apparent. Sightings are always at night, and the dog, if approached, will morosely tell people, “Leave me alone”. The Human-Faced Dog took on a new life in more recent times, its peak of popularity in the late 80s and early 90s, where it was claimed to have been seen on highways, chasing cars at enormous speeds and causing car crashes.

Tsai Ming-liang designed this short film as a farewell to his friend Simon Field, who was about to leave his position as director of the Rotterdam Festival after eight years in office. The piece follows two dogs roaming the Tamshui River in Taipei, accompanied by the director's voice-over as he reads a written dedication for Field.

After hiding in the mountains for a century, a Miao ethnic village choir is discovered by an outsider and becomes a national sensation. Two young Miaos and all the villagers must reconcile their faith, identity, and love with the real world of China.

A documentary on stop motion animator Tomoyasu Murata and his work.

After 15 years of knowing Chosun people in Japan I met on Mt. Geumgang in 2002, I face the history of colonization and division that I had not known before. They’ve been to North Korea many times, but never to South Korea. They tell us why they want to live as Chosun people despite the discrimination in Japanese society.

An early experimental film by Toshio Matsumoto. Produced as part of the student riots in Japan at the start of the 1960s, Matsumoto uses collage, archival footage, and impassioned narration to create an expressive, visceral criticism of the US-Japan Security Treaty.

Recounts the struggle of the villagers of Taishi against local authorities in 2005.

What makes a mother give away her baby? This is the big question in Sun Hee Engelstoft’s poignant heartbreaker of a film about three Korean women who have become pregnant outside of marriage and are now hiding from the outside world until they give birth. They live in a shelter for unwed mothers on a South Korean island, where beautiful landscapes are in sharp contrast to the fierce dilemma that women go through: should they keep their children or give them up for adoption? Engelstoft has been given unique access to this particular shelter run by the strong-willed Mrs. Im, who fights for the girls’ independence but is up against a social structure and family tradition that leaves women in an impossible situation. Engelstoft’s sensitive portrait brings us close to a forbidden world and through her own experience as a Korean adoptee, she gives a deeply personal and extraordinary insight into a culture in which women can’t choose their own fate.

Works commemorating the 70th anniversary of the founding of Japan mapping Supervision Association

Hong Sangsoo's short film made for the 59th edition of the New York Film Festival.

Political engagement spawned the wildest of wonderlands for Hong Kong’s creativity – but as a new law annihilates freedom of expression overnight, underground artists and creatives find themselves targets, and their works disappeared. Together we race to preserve the creative uprising amid China’s crackdown.

Documentary on the Mosuo people in Lake Lugu region.

The riverbanks are dotted with food stalls and buzzing with the parasol-holding crowd. Everyone is here to watch the exciting dragon boat race. Voice-over narration in melodic Taiwanese describes pre-festival preparation, and the celebrations and rituals in various parts of Taiwan. Through carefully-crafted script and well-executed camerawork, this documentary gives a vibrant portrait of ordinary people’s lives in a festive atmosphere.

In the aftermath of the 3.11 Fukushima Daiichi Nuclear Power Plant accident, the Japanese government began implementing a large-scale decontamination effort to clean up the radioactive materials. A mother, a farmer, a community leader, an evacuee - hear how the clean-up effort has been carried out around their lives and what their hopes are for the reconstruction of Fukushima.

A group of documentary filmmakers and independent reporters accidentally find out something Hong Kongers do not know, but which affects them in important ways. They investigate the matter using their cameras, and as they approach the truth, danger beckons.

Shot over the course of ten years on both film and video, the film consists of a series of carefully composed tableaux of people and environments. Pedestrians shuffle across a bustling Beijing street, steelworkers linger outside a deserted factory, tourists laugh and scamper across a crowded beach, worshippers kneel to pray in a remote village. With a painterly eye for composition, Wang captures China as he sees it, calling to a temporary halt a land in a constant state of change.

Where you are born is called “hometown”. What do you call where you are buried? A story about 8 North Koreans who went to Moscow Film School in 1952, and sought political asylum in 1958 after denouncing KIM Ilsung. Their lives as Koreans and as filmmakers are captured through images from Moscow to Kazakhstan.

Following Karen, a Malaysian teenage boy of Indian origin, this film documents his youth in a period of six years. Through Karen, we explore the hardship his people have endured and the eventual breakdown of his family both caused by the racial discrimination and education inequality in Malaysia.

On October 28, 2019, director Sunao Katabuchi walks the red carpet of the Tokyo International Film Festival with the lead actress of "In This Corner of the World". About three years have passed since the release of the movie "In This Corner of the World" which started in November 2016. There were many stage greetings held all over Japan, participation in overseas film festivals, and animation production with thorough research and overwhelming commitment to the completion of "and Other Corners".

Wang Shin-hong is suffering from insomnia. A fortune teller advises the Mandalay businessman, whose car and bulging wallet suggest that business is going pretty well, to spend 14 days in a monastery, living life as a monk and eating an apple a day. Such a thing is possible in Burma today. Wang Shin-hong arrives at the rural monastery, has his head shaved and dons a red robe, in which he instantly becomes an authority. During the welcome procession, the village women, their poverty clear from their clothing and the huts in the background, put more than they have in his alms bowl. During his fleeting role as their advisor, Wang Shin-hong soon learns of the villagers’ attempts to survive and make a living as legal or illegal migrants in China, Thailand or Malaysia. He also finds out how the other monks try to generate profit and additional income.

A documentary about Haruomi Hosono, a musician respected around the world and the music composer of Cannes Palme d'Or winner Shoplifters. The footage traces his encounter with music in early childhood to his days in bands Happy End and YMO to his solo activities. It also includes in-depth coverage from recent years of his first overseas performances in London, New York and Los Angeles. In London, he was joined by Yukihiro Takahashi, and when Ryuichi Sakamoto made a surprise appearance onstage, the YMO members were reunited for the first time in five years, a must-see spectacle captured on film. Written by Nikkatsu

Documentary focuses on Sona, the daughter of the director’s brother who moved to North Korea from Japan in the early 1970s. Through Sona, the film shows the generation that migrated from Japan to North Korea and their offspring who were born and raised in North Korea.

"Orgy Party" A secret apartment in Kansai. Everyone is naked, and while some drink alcohol calmly, five women and seven men intertwine silently or loudly. "Sexual Perverts" A perverted man is chained and whipped. A man and woman, dressed as dogs, drink a woman's urine and indulge in abnormal sex. "Vagabond Gathering" A group of vagabonds suddenly gather at Hanazono Shrine while under police surveillance. The group of vagabonds dance, sing, and light fires in a frenzy. "Bizarre Ritual" Men try to express the pain of childbirth by getting on a gynecological examination table, spreading their legs, screaming, and writhing in agony. "Kansai Striptease" Miyako Masumi, a popular figure in the Kansai nude scene, works as a nude model for magazines and chats with other strippers backstage. "Summer Night Park" Summer night parks are a paradise for couples. As the excitement builds with kissing and petting, they tumble onto the grass. They are oblivious to the sounds and sights around them.