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Dürer

He was a pop star of his time: with his paintings, copperplate engravings and woodcuts, Albrecht Dürer is one of the most important artists of the Renaissance. An obsessive, hedonist, visionary, networker and self-promoter, an eternal doubter and admonisher, a lover and seeker, in short: a modern man who was far ahead of his time. In a sensitive blend of fiction and documentary, the film Dürer tells of the life of the eccentric artist and of the stories behind his famous works.

Dürer

6.0 2021
Free Renty: Lanier v. Harvard

FREE RENTY tells the story of Tamara Lanier, an African American woman determined to force Harvard University to cede possession of daguerreotypes of her great-great-great grandfather, an enslaved man named Renty. The daguerreotypes were commissioned in 1850 by a Harvard professor to "prove" the superiority of the white race. The images remain emblematic of America’s failure to acknowledge the cruelty of slavery, the racist science that supported it and the white supremacy that continues to infect our society today. The film focuses on Lanier and tracks her lawsuit against Harvard, and features attorney Benjamin Crump, author Ta-Nehisi Coates and scholars Ariella Azoulay and Tina Campt.

Free Renty: Lanier v. Harvard

NR 2021
Algren

Algren will spotlight the hard-knock life and authentic creative legacy of one of the most underrated writers of the twentieth century, Nelson Algren. Algren's brutally honest portrayal of the American underclass and his hard-nosed lifestyle became his pathway to compassion. Through interviews with Algren contemporaries, experts, and "literary soulmates," as well as through the photography of Algren's friends, Art Shay and Stephen Deutch, the film will tell his story. It will celebrate his tremendous contribution to and influence on American letters, and push Algren, champion of the marginalized, out from the margins.

Algren

6.0 2021
Gjama

“Gjama” is a rarely practiced mourning ritual that was performed by Albanian men throughout the centuries. By shouting specific phrases and acting out a strict choreography, it is a way of paying respect to the deceased but also overcoming grief and pain over the loss of a loved one. Through the documentation of the re-enactment of the ritual, Zgjim Elshani seeks to recover fragments of the practice in the communities where this form of collective grieving is still a way of overcoming loss. By doing so, the project intends to rethink collective grieving and what it means to publicly display emotions in a male-headed society.

Gjama

4.0 2021
Lost Airmen of Buchenwald

Chronicles the little-known story of Allied airmen imprisoned at the Buchenwald Concentration Camp in the waning months of World War II. In the summer of 1944, 168 airmen from the US, England, Canada and other Allied countries were captured in Paris by the German Gestapo and sent to the infamous "Koncentration Lager Buchenwald" in Germany. Falsely accused of being "terrorists and saboteurs," the airmen faced a terrifying fight for survival and a race against time to escape their execution. A controversial moment in history that their home countries tried to hush-up, Lost Airmen of Buchenwald tells this harrowing story through interviews with seven surviving members of the group, including their heroic commanding officer. The film follows them from their days hiding with the French Resistance to the darkest corners of the Holocaust, where they struggled to survive as Germany collapsed under the weight of the advancing Russian and Allied armies

Lost Airmen of Buchenwald

8.0 2021
Letters from Europe

"Letters from Europe" brings to light the words of men and women who gave their lives resisting the Nazi and fascist conquest from 1939 to '45 across the European continent. The moving goodbyes penned by a few of those sentenced to death are sometimes true spiritual testaments that explore the meaning of civic responsibility, human existence, fraternity, and life and death. Their words, which the film mingles with footage of the present day, can perhaps restore meaning to a humanist ideal and to the ever-changing idea of a united Europe.

Letters from Europe

10.0 2021
Our Beds Are Burning

The film presents fascist ideologies since the beginning of the 20th Century. The actor/presenter of Maurice Barrés argues against foreign labor on the Tel Aviv beach. Mussolini in a gym. Jose Antonio Primo de Rivera in a bookshop. Carl Schmitt at court. Abba Ahimeir and Itamar Ben-Avi in a public library. Gudrun Streiter recalls her love affair with an SA Stormtrooper with Hitler and Himmler on a bench in a park. Three Rabbis from the Yitzhar Settlement on the West Bank: Shapira, Ginzburg and Elitzur have recently ruled that “there is a reason to kill a child if it is clear that it will grow to harm us” (Torat Hamelekh, 2009, pg. 207). They too appear and discuss their interpretation of Divine commands on a park bench.

Our Beds Are Burning

NR 2021
Pozzis, Samarkand

Cocco and Stefano are two unlikely friends bonded by a mutual goal: reach Samarkand from the mountains of Northeast Italy. Cocco is an old biker with a troubled past whose dream is to depart towards the East with his Harley-Davidson from ’39. Stefano is a young director who wants to make a film about the adventure and the story of his friend. Between the highs and lows of a quixotic trip, the challenge will reveal bigger than the two expected. Only through friendship, Cocco and Stefano will be able to reach their dreams.

Pozzis, Samarkand

9.0 2021
Everyday Is Like Sunday

Thoughts, sometimes just numbers, reach us from offscreen almost like music, like a mantra or a prayer. What we see are circular fragments from familiar spaces: a mirror, a magnifying glass. A day like any other day: without medication, or perhaps better with? A film like the investigation of an uncertainty principle: do we really see better with a magnifying glass? A face scratched out of the family album: the gap is draped with flowers and cut-out pictures of clothes and finally filled again by a drawing.

Everyday Is Like Sunday

NR 2021
Nadia

Nadia Nadim, whose dad was killed by the Taliban in 2000, has embarked on this quest. The young Afghan woman, her 4 sisters, and their mother fled Kabul in the wake of the violence. Today, the Taliban have returned to rule. Football passion is what saved Nadia. She became a striker on the national team of her adoptive land, Denmark, then for the Paris-Saint-Germain women's team. Nadia, having achieved football stardom, wants to return to Afghanistan, to find out more about her father's fate. But the country is torn by terrorism as the Taliban and ISIS sow chaos daily. Giving up the trip, Nadia must grieve for another loss. However, she is unsinkable, and has plans for the future: graduate as a reconstructive surgeon and heal her people.

Nadia

5.0 2021
Rico: The Richard DeMarco Story

Over six decades, Richard Demarco CBE, the Scottish artist and iconic promoter has brought 1000s of artists to the Edinburgh Festival and launched the careers of some of the most famous names in contemporary art. Yet today, Demarco struggles to make ends meet and is out of favour with the modern art wold. The film discusses how art has been commodified in society by dominant forces. How can society remedy the absence of art in the lives of those who feel excluded? Demarco wants to put this right before his final breath!

Rico: The Richard DeMarco Story

NR 2021
PAN MUN JOM, You have never seen

In July 1951, all the sides to the Korean War sought a ceasefire. For a ceasefire, the Allied and Communist forces began to hold talks at Naebongjang, located northeast of Kaesong. However, they only sharply opposed each other and didn't make progress in the negotiation. In October 1951, the two sides met again in the small village of Neolmun-ri below Gaeseong. They set up tents there to negotiate and named the place Panmunjom. The name Panmunjeom is a combination word of Panmun, meaning Neulmun-ri, and “Jom,” of an inn.

PAN MUN JOM, You have never seen

NR 2021