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Some Aspects of Cape Verdean Culture

"Some Aspects Of Cape Verdean Culture" is a re-discovered and restored documentary shot in 1975 in cape verde at the time of independence by pioneering video artist Anthony D. Ramos. This was some of the earliest video work by ramos, who received a 1975 grant from the Rhode Island Council for the Humanities for travel to Cape Verde and a sony color 1/2" reel to reel video camera . Ramos , a cape verdean american, traveled to the islands of Sao Tiago, Fogo and Sao Vicente , and was the only american camera to capture the historic end of 500 years of Portuguese colonial rule. Over eighty hours of video were shot, and efforts are currently underway to raise funds to restore and transfer the rest of videos in this valuable archive.

Some Aspects of Cape Verdean Culture

NR 1975
Inside San Quentin

San Quentin State Prison (SQ) is a California Department of Corrections and Rehabilitation state prison for men, located north of San Francisco in the unincorporated town of San Quentin in Marin County. San Quentin opened in July 1852, it is the oldest prison in California. The state's only death row for male inmates, the largest in the United States, is located at the prison. It has a gas chamber, but since 1996, executions at the prison have been carried out by lethal injection, though the prison has not performed an execution since 2006.

Inside San Quentin

NR 1976
Desnutrición

This documentary, filmed at Christmas 1973, "searches" for the causes of malnutrition in the slums, in the unemployed population, in the living conditions that someone defined as "extreme misery." This approach, novel for the time, produced controversies since the trend then was to define child malnutrition solely as a medical and health problem. However, the inquisitorial camera discovered the malnourished child under the bridge, in the poor neighborhoods... in the arms of the marginalized woman. And the documentary tells us something else: as long as these living conditions persist... the cry of the malnourished child will persist.

Desnutrición

NR 1974
Lovely Is the Blue Sky

In the lead-up to Christmas 1974, an army of about seventy Santa Clauses, male and female, paraded through the city of Copenhagen, singing carols, handing out sweets and hot chocolate, and asking everyone what they wanted for Christmas. After spending a few days cementing the good image of Santa Claus, their generosity became increasingly radical. Among other things, the Santas climbed a barbed wire fence surrounding the recently shutte red General Motors assembly plant with the purpose of giving jobs back to “their rightful owners.” The week-long performance reached its crescendo inside one of Copenhagen’s biggest department stores when the Santas started handing out presents to customers directly off the shelves. The performance exposed the radical implications of the myth of Santa Claus’ boundless generosity, demonstrating that true generosity is impossible within the narrow terms of capitalist society.

Lovely Is the Blue Sky

7.0 1975
Inhabitants

Inhabitants depicts animals in panic: the film is mostly filled with shots of mass migrations and stampedes (some, surprisingly, filmed from a helicopter). The title equalizes the species of the earth. Artavazd Peleshian merely alludes to the presence of human beings—a few silhouettes that seem to be the cause of these vast, anxious movements of animal fear. In many ways, this film is an ode to the animal world that moves toward formal abstraction, with clouds of silver birds pulverizing light. Peleshian said, “It’s hard to give a verbal synopsis of these films. Such films exist only on the screen, you have to see them.”

Inhabitants

6.2 1970
Animal Language

Kingdom of animals is an unknown territory. We are like foreigners in here. We don’t understand the language of this country. They say, once lived a person who could talk to the animals, King Solomon. All peoples have fairytales with animals speaking with each other and with humans. In amazement, we’re looking at the world which considered long discovered. Animal language. It’s not human language, but special, sometimes completely unexpected ways of communication between animals…

Animal Language

NR 1970
Reparaturbrigade Zementwerk

A documentary crew follows the December 1978 “big repair” at the Bernburg (Saale) cement works, normally shut only for maintenance, where management has cut the planned 16-day turnaround to 14, with a 15 000 M bonus (rising to 20 000 M if finished a day early). As cameras roll through cement dust, crew and workers discuss the twice-yearly overhaul, familiar crews, and gritty camaraderie. They learn that chronic spare-parts shortages force constant improvisation, and that bureaucratic red tape weighs heavier than the hardest labor. Amid pride in their long-running plant, workers confess simple hopes for health, peace, and family. By film’s end, the crew realizes the true “core” of the factory lies not in its machinery, but in its people’s hands and minds.

Reparaturbrigade Zementwerk

NR 1979
Ali in Wonderland

Ali in Wonderland unveils the condition of immigrant workers in Paris in the 1970s. It is a cry of anger against exploitation and racism, uncompromisingly raising the role of the French state, the media, capitalism, and colonization in this system of domination that crushes those who suffer it. In this experimental essay on the condition of Algerian migrants in Giscard's France in the mid-1970s, every aesthetic choice has a precise and legible political motivation and gives body and voice to a figure completely absent from the experimental cinema of the time: that of the immigrant worker. Abouda is one of the children of immigrants seen in the film, and not a simple activist serving a cause, which is why the emotion of her experimental gesture, which she throws in the viewer's face, springs from a ferocity inscribed in her body, from an insatiable anger that inhabits her gaze.

Ali in Wonderland

7.1 1975
Artpark People

Encouraging visitors to engage and connect with on site artist's, Artpark provides a unique environment for those craving culture away from the whirring city. Located in Lewiston, New York the outdoor venue opens itself to artists, musicians and performers seeking a spot to reflect and create. During the summer seasons Artpark serves as an immersive experience, inviting the public to observe the artists as they work. Artpark People observes the vibrant scene and captures candid interactions between artist and onlookers. With a heavy emphasis on outdoor space and environmental influence, Artpark asserts itself as a cultural and communal haven for creatives.

Artpark People

NR 1976