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Our National Parks: A Seasonal Tour

Our National Parks takes you on a journey through the four seasons and the many faces of our scenic national parks. Experience an array of lands and waters from Alaska's glacier-clad Denali to the turquoise coves and coral reefs of the Virgin Islands; from the fire of Hawaii Volcanoes to the coolness of Kentucky's Mammoth Cave; from the moonscapes of South Dakota's Badlands to the granite shores of Maine's Acadia. With award-winning filmmaker Wolfgang Bayer you get an in-depth tour of nine of the most popular national parks plus a seasonal overview of many more.

Our National Parks: A Seasonal Tour

NR 1989
The Road to Patriation

This feature documentary retraces the century of haggling by successive federal and provincial governments to agree on a formula to bring home the Canadian Constitution from England. This film concentrates on the politicking and lobbying that finally led to its patriation in 1982. Five prime ministers had failed before Prime Minister Pierre Elliott Trudeau took up the challenge in the early 1970s. Principal players in this documentary are federal Minister of Justice Jean Chrétien, Prime Minister Trudeau, 10 provincial premiers and a host of journalists, politicians, lawyers, and diplomats on both sides of the Atlantic.

The Road to Patriation

9.0 1982
Falkenau, the Impossible

Documentary stems from 1945, when infantryman Sam Fuller, member of the U.S. Army's "Big Red One," helped liberate the Nazis' Falkenau death camp. Fuller shot footage of his commanding officer's marching Czech locals, who denied knowing of the genocide, out from town to view the horrors of the death house. 40 years later, French documentary filmmaker Emil Weiss brought Fuller, who became a famous film director after World War II, back to the death camp to tell the story of the camp's liberation. Fuller's original footage is incorporated in the film.

Falkenau, the Impossible

7.3 1988
Algunos cantantes, algunas canciones

An exploration of the Latin American protest song through performances and interventions by some of its most prominent figures: Pablo Milanés, Lilia Vera, Mercedes Sosa, Joan Manuel Serrat, Daniel Viglietti, Carlos Puebla, Sara González, and Gloria Martín. Filmed on the occasion of a concert organized by the University of the Andes at the Mérida Bullring, the documentary constitutes an essential record of the Nueva Canción movement as a continental cultural force within the broader context of the political struggles of its time.

Algunos cantantes, algunas canciones

5.0 1981
Postcards I; Potter's Bull

Potter's Bull is the first part of the "Over-Paintings" Trilogy (Uebermalungen) by painter and director STRAWALDE (Juergen Boettcher). Paulus Potter's simple postcard scene entitled "The Young Bull" ("den jungen Stier") is artistically alienated in an imposing fashion. By using assorted means of "painting over" and/or front projections, the figure of the bull in the center of the card is placed in a state of constant flux. A viewer may also choose to follow the shifting background behind the bull, which continues to recontextualize the bull in shifting worlds. Accompanied by a sound collage.

Postcards I; Potter's Bull

7.0 1981
The World beyond the World

'Thinking machines' and 'people thinking as machines' (super-computerprogrammers who have internalized computerese) are perhaps two of a kind. But clashes with the 'real world' are preprogrammed for these machines of flesh and blood. The film traces humankind's striving to discover itself again in its mechanical creations, from the effort to construct automatons in Switzerland some 200 years ago, to a pinnacle display of the 1980ies achievements: a robot playing Haydn's 'Genesis' at the World Expo in Japan.

The World beyond the World

NR 1986
Mark of the Hand

Guyanese painter Aubrey Williams (1926-1990) returns to his homeland on a “journey to the source of his inspiration” in this vivid Arts Council documentary, filmed towards the end of his life. The title comes from the indigenous Arawak word ‘timehri’ - the mark of the hand of man - which Williams equates to art itself. Timehri was also then the name of the international airport at Georgetown, Guyana's capital, where Williams stops off to restore an earlier mural. The film offers a rare insight into life beyond Georgetown, what Williams calls “the real Guyana.” Before moving to England in 1952 he had been sent to work on a sugar plantation in the jungle; this is his first chance to revisit the region and the Warao Indians - formative influences on his work - in four decades. Challenging the ill-treatment of indigenous Guyanese, Williams explored the potential of art to change attitudes. By venturing beyond his British studio, this film puts his work into vibrant context.

Mark of the Hand

NR 1987
Devil Worship: The Rise of Satanism

An epidemic of ritual abuse of children from infants to teenagers is sweeping through the country. According to recent TV and radio broadcasts 2 million children a year are reported missing, many too young to be runaways and 5 thousand unidentifiable bodies of children are found each year in the US alone. "Devil Worship: The Rise of Satanism" takes you behind the scenes into actual black witchcraft and satanic rituals. Former Satanists, practicing witches and law enforcement experts explain the vastness and diversity of the movement. Experts tell why people join and how Satanists recruit their members as well as their victims. Parents are given clues to determine if their children are involved. Most importantly, dangerous doorways into the occult are exposed.

Devil Worship: The Rise of Satanism

5.2 1989
The Good Fight: The Abraham Lincoln Brigade in the Spanish Civil War

This documentary examines the experiences of the Abraham Lincoln Brigade, using interviews with survivors more than 50 years later. First, the film sets the context with the rise of Fascism. Then, in 1936, Spain's military revolts against the elected government, and the U.S. and Europe agree not to intervene. In response, volunteers snuck past border guards into Spain to fight with the Republicans. The men and women veterans describe the perils of reaching Spain, limited training, responsibilities of command thrust on the very young, deprivations of a soldier's life, lack of matériel, horrible rates of casualties, and ultimate vindication at the end of World War II.

The Good Fight: The Abraham Lincoln Brigade in the Spanish Civil War

5.4 1984
Andrea Chenier

Although Domingo was younger and Banackova looked more like the sweet and innocent young Madalena than the one played by Tomowa-Sintow in the ROH production, this production was not as good. It was not as tight and neat. The tempo set was far too slow for the time-period of the story. The stage setting was distracting. The lighting was too dark. Except Domingo, a natural actor who was always into his role and sings and acts with passion, none of the other performers came up with a convincing portrayal of the role he/she played.

Andrea Chenier

7.5 1981
Rencontre avec Assia Djebar

For the France 3 show, Mosaïque, Sarah Maldoror met Assia Djebar on Sunday March 29, 1987 on the occasion of the publication of her book Ombre Sultane. She discusses the status of the traditional woman in the Arab Muslim world: "The woman is always on the move, she is never anchored. To the extent that she is always in the process of repudiation, she is in the process of leaving. With Ombre Sultana, I wanted to make the reader feel that these women from elsewhere are like her, even if the reader is Western.

Rencontre avec Assia Djebar

NR 1987
Im Nikolaiviertel

The Nikolaikirche is the oldest building in Berlin. The reconstruction of this building in 1981 marked the beginning of the reconstruction of the historic heart of Berlin. The film shows the work on the Nikolaikirche, the Ephraim-Palais and the equestrian statue of St. George and describes how the restoration was carried out in painstaking detail, using almost forgotten craftsmanship. In 1987, the reconstructed quarter with its mixture of old and new was handed over to the people of Berlin.

Im Nikolaiviertel

NR 1989