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After the making of my previous film (PLAY DEAD!), some unfinished business remained on my desktop. Home movies and various body horror films from my childhood cluttered my computer screen. Part medical treatise, part self-anamnesis, and a mashup tinged with nostalgia, this video essay returns the images emanating from my computer screen to the everyday gaze of a diabetic.

A documentary film on crocodile fishing

Art and science have worked together to allow cinema to switch to color. Numerous processes have succeeded one another to try to solve this difficulty.

15 years through Le Bois de Vincennes - The "before" and "after" 1999 storm destructions.

Ten years ago, activists wanting to experience a collective way of life besieged a wooded countryside near Nantes in order to block the construction of a new airport.

Activists around the world fight injustice and drive social change in this documentary that follows their participation in the music video "Solidarité."

Where it appears that art and oil are not completely soluble in sea water.

In December 1997, Bertrand Tavernier supported a group of undocumented migrants in Lyon who went on hunger strike to protest against the double penalty. An agreement was reached, but the strike resumed a few months later, for lack of a real solution. The director then decides to take his camera and to give a long speech to these men and women that nobody wants to listen to.

A new exploration of familiar places located in the region of Rhône and Isère throught an reinvention of digital nuances, a study of perceptions and fluidity around the nature of motion in landscapes and human interactions.

The Pinscreen is a tool that was created in the 1930s to make animation films. Although it no longer provides any technical advantages, a handful of animation directors still use it. This film explores why it is so important to create something handmade with constraints, in a time when everything is turning towards instantaneous digital technology.

Martinique Island, 1974. Inspired by the writings of the Martiniquais poet and politician Aimé Césaire (1913-2008), the dreamer Robert Saint-Rose, known as Zétwall (Star in Creole), aspires to be the first Frenchman to step on the lunar surface.

In 1986, during the Paris-Dakar rally, singer Daniel Balavoine, who was leading a humanitarian operation, was killed in a helicopter crash alongside Thierry Sabine. Nicolas Mathieu, his assistant, Léo Missir, his artistic director, HSH Albert of Monaco, and Charles Belvèze discuss the artist's career and his political and humanitarian commitments. Pierre Fauque and Anne Amado retrace the last moments of his life, from his arrival in Tamanrasset on January 6 to the day of his death in the desert, in the midst of a storm.

A documentary about climbing in mythical climbing locations with bouldering in grace (Tinos), in South Africa (Rockland), in Italy (Chiomonte) and in Annot (France), on routes in Fournel and Tournoux, all in a friendly atmosphere with a cast of international climbers including Tony Lamiche, Gérôme Pouvreau, François Lombard, Yann Ghesquier, Ben Semiond, Mat Semiond, Vincent Albrand, Wills Young, Isabelle Carrier, Jérémie Pancol, Lionel Daudet & Véro Daudet.

Mathieu Sapin, a successful comic books author (Gérard, cinq années dans les pattes de Depardieu), creates an album to mark the fortieth anniversary of François Mitterand’s election. He turns to the figures in the shadows of the Socialist Party, in the forefront of which is Julien Dray known as the “Baron Noir”. Through anecdotes and firsthand accounts of those who spent time in the highest spheres of the French state since 1981, Mathieu Sapin attempts to answer the big question: “who killed the French left?”.

The title and subtitle of this French miniseries are “Six Times Two; Over and under the media”. The “six” refers to the fact that there are six episodes; the “two” has a double meaning.

The squeaking of a black felt pen echos to children around the world, who apply themselves to making their self-portraits. Like the method put into placae by Georges Clouzot in Le Mystère Picasso, in which the artist painted on a transparent "canvas", Gilles Porte films children who don't yet know how to read or write busy drawing on "the other side" of a glass pane. Bursts of creativity, thought, inspiration blackouts, tears and laughter: Dessine-toi allows us to share the grace of childhood.

The acclaimed work of photographer Antoine d’Agata has mostly been a journey into the heart of darkness, dealing with random and nightly encounters, sex and prostitution. So it's no surprise that the monumental White Noise leads again to the underworld of sex workers, from Cambodia to Norway, from Ukraine to USA. Built around more than 20 monologues, this film delivers trance-like visions of women in rapture induced by sex or narcotics.

51 films to date, a unique body of work whose common thread is the search for love: this is the cinema of Claude Lelouch. As a Jewish child hunted during the war, the filmmaker offers his very personal vision of betrayal, scoundrels, good people, travel, parent-child relationships, and the ghosts of his deceased friends whom he will always love.

In October 2014, Steve Wakeford, a sports broadcast editor, fell 70 metres whilst climbing a mountain known as Les Petites Jorasses in the French Alps. It was a fall that required him to be airlifted out of the mountains suffering from a number of serious injuries and resulted in him being temporarily left in a wheelchair - he is lucky to be alive. At the start of a long journey of rehabilitation, he began to ask himself some serious questions - 'Regardless of injury or trauma, why are we drawn to the mountains in the first place? Is risk an essential part of what we do? Perhaps most importantly, why is it that I am planning to climb the same route from which I fell?'

Early short showing the titular park in around 2 minutes.

After a long time trapped in the glaciers of Patagonia, the ghost of cameraman Lucien Le Saint breaks free. He follows the same navigation route he took a century ago, observing the new inhabitants of the places where he filmed the Fuegian people.

Maniac Summer consists of images and sounds recorded in Paris in the summer of 2009. It is a sprawling triptych without a beginning or end and with no specific subject or topic. The camera is positioned in front of a window and left running. It observes movements, registers noises coming from the street or nearby park, captures Chantal Akerman going about her business in her apartment: smoking, working, talking on the telephone. Fragments from the artist’s everyday life are featured in the installation’s central video, while the adjoining panels are more symbolically charged; in them, various images from the former have been isolated, modified and repeated. These abstract afterimages act as a kind of memory, looking back to the images in the installation’s centrepiece as so many shadows of its reality.

From the deserted halls and corridors of the Gaumont-Palace cinema in Paris, memories of the great films that inhabited it before its demolition emerge like ghosts. The voice of Marguerite Duras, who reads texts from “Nathalie Granger” and “Woman of the Ganges”, adds a touch of nostalgia to this complex essay.

A major figure in contemporary feminism and the first Frenchwoman to win the Nobel Prize for Literature, Annie Ernaux is seen by many as a source of individual and collective emancipation, blending the intimate with the universal. Filmmaker Claire Simon has devoted an original portrait to her, giving students and teachers a voice.

All of the time and effort put forth to stage a musical is chronicled here in this bright and funny French outing. The story is set at a shopping mall where people audition for an upcoming show. Afterwards, they are seen going through the grueling routines of learning the music and rehearsing.

The end of World War II brings Europe a new political system, reshapes national and personal identities. Three women from Milan, Paris and Berlin report on the days of liberation in their diaries. Their personal stories expand the historical picture and make LIBERATION DIARIES a chronicle of female self-empowerment, resistance and resilience.

Before they met, they had not found success in the film industry. Michelangelo Antonioni did not direct Italian comedies. Monica Vitti did not have the looks of a Sophia Loren or a Gina Lollobrigida. United in life and on screen, they would become the creators of L'Avventura, La Notte, and L'Eclisse. Three legendary films, three declarations of love.

Jean-Luc Godard's acceptance video for the 2015 'Prix d’honneur'.

The Transantarctic expedition led by the American Will Steger and the Frenchman Dr. Jean-Louis Étienne took place between July 1989 and March 1990. It was the first successful attempt to cross the entire extent of Antarctica without the use of motor power. Six men of various nationalities, including Viktor Boyarksy (Soviet Union), Geoff Somers (Great Britain), Qin Dahe (China) and Keizo Funatsu (Japan), crossed Antarctica from east to west for seven months on dog sleds pulled by 63 sled dogs, covering a total distance of 6,048 kilometers, with temperatures as low as minus 45 degrees Celsius and long-lasting storms. Their aim was to draw global attention to the continent's endangered future and the early signs of climate change. The documentary relives this great human adventure, which took more than three years from the first meeting of the participants to the final success.

A documentary that details the process of restoring 270 of the 520 lost films of pioneering director Georges Méliès, all orchestrated by a Franco-American collaboration between Lobster Films, the National Film Center, and the Library of Congress.

Paris, summer 1960. Anthropologist and filmmaker Jean Rouch and sociologist and film critic Edgar Morin wander through the crowded streets asking passersby how they cope with life's misfortunes.

An early example of ultra-realism, this movie contrasts the quiet, bucolic life in the outskirts of Paris with the harsh, gory conditions inside the nearby slaughterhouses. Describes the fate of the animals and that of the workers in graphic detail.

Abdelkader ibn Muhieddine (Arabic: عبد القادر بن محي الدين (ʿAbd al-Qādir ibn Muḥyiddīn), also known as Emir Abdelkader, or Abdelkader El Djezairi (Abdelkader the Algerian), born September 6, 1808 in El Guettana, in the regency of Algiers, and died on May 26, 1883 in Damascus, then in the Ottoman Empire and in present-day Syria, is an Algerian emir, religious and military leader. Barely 20 years old, he federates the tribes and led a struggle against the conquest of Algeria by France in the middle of the 19th century.After his surrender, he was held captive in France before going into exile in Syria where he devoted himself to poetry and established great relations friendship with Paris, which showered him with honors after having intervened in favor of the persecuted Christians in Syria, he intervened by force to protect the Christian families who came to take refuge in large numbers in the Algerian district. of certain death.

This is the story of a cinema adventurer, but also that of a free man with convictions. The entertainer Jacques Perrin is constantly driven by a thirst for knowledge, sharing, and encounters, and he constantly challenges himself. In doing so, he reveals his unwavering zest for life...

“Le Pont du Trieur”, co-written by de Meaux and Philippe Parreno, with an original score by Dave Stewart, is set in Pamir, a region situated in the highest part of Tajikistan, at the border between Afghanistan and China. This is a strategic zone controlled by various armies in the midst of a region that awaits reconstruction. The film stems from the simple question of how to tell the story of a country of which the West is deprived of images. Both fiction and documentary, it is about reality and the means of telling it.

Winter 2012 - Committed against her will in a psychiatric hospital in Tehran, Iranian psychoanalyst Mitra Kadivar begins a correspondence by email with Jacques-Alain Miller, founder of the World Association of Psychoanalysis. Summer 2017 - An artistic team creates an opera inspired by these exchanges while absorbing the reality of the Montperrin psychiatric hospital in Aix-en-Provence.

A short film that offers a rich and nuanced dive into the world of François Sagat, a global icon of the gay porn industry, highlighting his quest for artistic expression and resilience in the face of stereotypes. François Sagat shares with authenticity and sincerity the challenges he faces as a sex worker, often confronted with disputed legitimacy when expressing himself outside this industry despite a very positive public and professional image. He discusses his struggles, his homosexuality in his youth, and the transformation of his body to please others.

Lace up your boots, stock up on beans, and practice your slap-fighting skills: the most popular duo in “popcorn” cinema from the 1970s through the early 1980s is back in Julien Doubois’ documentary “Terence Hill, Bud Spencer… and Me”, written by Philippe Lombard. To recount the cinematic saga of the two friends and pay them a sincere and passionate tribute, Philippe went all out, setting out himself in the duo’s footsteps across Europe, even going so far as to eat beans on camera, all while bringing together a circle of knowledgeable and enthusiastic contributors. Snubbed by critics, mocked by the know-it-alls, absent from anthologies and retrospectives, yet adored by the general public. The smart, handsome guy and the clumsy oaf. A brand of cinema whose pace, gags, stunts, good cheer, audience, and humor are reminiscent of the circus.

Mudos testigos is a cinematographic collage made from all the surviving material of Colombian silent films, re-editing the images in such a way as to create a single imaginary film: the impossible love story of Efraín and Alicia that traces the convulsive first half of the twentieth century in Colombia. Compiled by the late Luis Ospina and finished posthumously by Jeronimo Atehortúa.

Documentary about Marcel Camus' 1959 film Black Orpheus, its cultural and musical roots, and its resonance in Brazil today.

Filmmaker Werner Herzog combs through the film archives of volcanologists Katia and Maurice Krafft to create a film that celebrates their legacy.