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Grandpa Chan, 73 and Grandpa Wong, 82, run into the mist of teargas and try to protect the young protesters from any harm. With all the dangers and hardships they have been through, to them retreat is never an option.

The Umbrella Movement was a wave of street protests that took place in Hong Kong from September to December 2014 as a reaction to oppressive practices of the Chinese government against the citizens of Hong Kong dissatisfied with planned changes in the electoral system. In her feature film debut, To Liu captured the citizens of the western part of Kowloon, Mong Kok, whose protests might not have been as visible as those of the leading activists, but were no less important. The documentary rhythmized by opening entries and darkening of the scene, much like the director’s first film, follows two characters, a master and an apprentice.

The documentary about how Beatles went popular in Japan and did a concert in Budokan back in 1966.

Once praised as “good helpers,” four migrant women from Indonesia and Vietnam face dismissal after pregnancy and struggle to raise children in a foreign land. As both workers and mothers, their pursuit of happiness is filled with hardship and separation.

Singer-songwriter Gen Hoshino takes the stage at the sold out Tokyo Dome in his highly anticipated 2019 Pop Virus dome tour.

In many times, people exist as a part of just background to each other. This desolate scenery brings you a certain feeling. As time overlaps on the cold street, you will get caught in a deeper hole.

December 21, 2015. The image of a fox was captured by a camera inside the unit 2 building at Fukushima No.1 nuclear power plant... A film-essay about contemporary Japan in the aftermath of March 2011 earthquake.

Japanese "mondo" film.

In his Mangwon-dong basement art studio, a media artist Song Hojun dreams of making a satellite and shooting it out to space. He wants to make his dream real through OSSI(Open Source Satellite Initiative) movement. He tries to build a BIY satellite, and to sell 10,000 T-shirts for the 100 million won budget. His seemingly reckless and utterly ambitious project begins. Would his dream become real?

'How to stop being Korean' is a fake documentary. The audio comes from 'The Voice of Opportunity', the pirate radio channel by 'The Opportunist Peninsula Union Central Committee'. It tells the history of opportunitism in Korea, that is just the history of Korea.

85 years old and never married, Shizu has spent the past 3 decades living in one "Danchi" - the Japanese word for public housing - and filling it with the lifetime of souvenirs that have always kept her company. When the danchi is scheduled for demolition, Shizu and neighbors must say goodbye to their homes, and move into newer danchi that are too small to hold all of Shizu's mementos. This intimate documentary captures Shizu's sense of humor, and profound nostalgia, as she sorts through relics of her past, and chooses which memories she must fit into her new home, and which ones she can let go of.

Deng Nan-guang (鄧南光, 1907–1971), Chang Tsai (張才, 1916–1994), and Lee Ming-tiao (李鳴鵰, 1922–2013) are regarded as three of the most important prewar-generation photographers in Taiwanese photographic history, collectively known as the “Three Musketeers of Photography”. Directed by Chang Chao-Tang (張照堂), this documentary revisits their artistic trajectories, photographic styles, historical contexts, and contributions to the development of documentary photography in Taiwan. Particularly valuable are the interview segments featuring Chang Tsai and Lee Ming-tiao themselves, which preserve rare firsthand testimonies from two pivotal figures in early Taiwanese realist photography.

An examination of the art of pottery through the works of two world renowned potters –Bernard Leach and Shoji Hamada. The film traces the entire process of pottery making, beginning with the digging of clay and its preparation, and on through the long sequences of pods being thrown on the wheel.

Sheena Ringo's secret live house tour held from June to July 2000, performed under the band name of "Hatsuiku Status." The band and the songs performed on this tour were named after words relevant to child-care, botany, or gardening. Unlike normal live video works, it was recorded with direct sound quality without stereo processing because Sheena wanted listeners to feel the live atmosphere as it was.

Five young Hong Kongers, equipped with digital camcorders, help filmmaker Ruby Yang create a portrait of a city in transition.

After years of silence, the director and his friends return to fragments of a youth shaped by imprisonment, scars and dreams. Lingering with fading images and fragile memories, they together build a space where unspeakable collective traumas can exist and be held.

A Japanese-Arabic-produced documentary about Tsuburaya Productions' 1978 tokusatsu/anime series Dinosaur Great War Izenborg. It consists of interviews with staff members involved in the series and concludes with a special 10-minute minisode, which showcases the characters in a high-quality, modern visual style.

Beijing: The Third Ring is a document of the two opposite views of traffic flow on 55 bridges along Beijing’s Third Ring. The entire piece is made up of 110 segments.

French-made documentary, "Métro Lumière", which actually does help provide some of the context for Hsiao-hsien's approach to the film. It includes excerpts from Ozu's films, in particular, "Equinox Flower", to show the parallels with this film, the obvious basis for some of the scenes and situation set-ups.

Step into the daily life of Muslims at Longgang Mosque—from the steady rhythm of everyday routines to the solemn rituals of significant religious occasions—and witness how faith shapes and strengthens a community. Through their personal journeys and spiritual practices, the film offers insight into how Islamic cultural traditions are preserved or tested in contemporary society, and how different generations navigate questions of identity, faith, and family in their search for belonging.

Untangling the web of cultural and historical ties underlying Japan's deep fascination with insects.

Junji Sakamoto's documentary follows legendary boxing champ Joichiro over 20 years, from the ages 25 to 44. In a series of meetings, like the 7 Up series, Sakamoto conducts intimate interviews with Tatsuyoshi. Narrated by actor Etsushi Toyokawa.

Sexual abuse has been characterized as a “murder of the spirit.” But is this a suffering that one person must bear alone? Beyond despair, there is hope, a faint ray of light from the spirit. A friend of the filmmaker suffers from PTSD, having flashbacks of sexual abuse. Having witnessed this, the filmmaker meets a photographer who is also a survivor and decides to make a film. The long production process lasted eight years. What is the nature of the despair, and the hope, that reside deep within these people suffering from PTSD conditions including regret, murderous impulses, depression, insomnia, detachment, and suicidal thoughts? The director appears on screen, questioning the very meaning of making this film. He tries to see light in how they live, looking upward from the depths of suffering.

Portrait of Japanese youth. Produced for the Japan Foundation.

30 years after 1989, how do witnesses to the June 4th Tiananmen massacre come to terms with their own memories, and how do their memories affect their lives today? At the same time, Hong Kong gradually confronts the explosion of the Anti-Extradition Law Amendment Bill Movement.

Kawaei Rina Graduation Concert

At the turn of the century, China experienced drastic transformations in its socioeconomic structure and political system, which brought forth the acceptance of many concepts that had previously been opposed. These included making quick money, "selling" your body, and accepting hidden pornography. Using an inconspicuous hidden camera over the course of several days, Cui Xiuwen artfully captures how nightclub women act during this time – including dressing up, counting money, speaking to family members, and negotiating deals inside the ladies' room at one of the most popular nightclubs in Beijing.

This documentary is about the 3rd and 4th generation Korean residents of Japan who are students of Chosen elementary, middle, and high school in Hokkaido. It follows the students through one year of the eventual 11 years` national education. Rather than focusing on special occasions or issues, it reveals what it is like to live in Japan as Korean-Japanese by describing their everyday lives.

Once essential on rainy days in Taiwan, the handcrafted oil-paper umbrella from Meinung,was not only a symbol of local craftsmanship but also a major source of livelihood. However, as Taiwan rapidly shifted toward an industrial and commercial economy in the 1980s, mass-produced plastic umbrellas replaced these meticulously made paper ones. What was once a daily necessity gradually became a nostalgic cultural artifact. Today, a handful of long-established artisans continue to follow traditional methods. With patience and precision, they craft each umbrella by hand. Though its original function has faded, their emotional bond with the craft remains unchanged. Their dedication and skilled workmanship reflect a deep-rooted respect for materials and tradition, preserving a vanishing heritage one umbrella at a time.

A document of Tatsumi Hijikata's Butoh dance with Kazuo Ohno as the guest dancer shot in Hijikata's early period when he was emerging as the originator of Butoh. All of the male dancers are dressed up with evening suits and move gracefully, yet an intruder breaks up the whole scene abruptly. The film is worth seeing, even if just to see a memorable gay duet of Hijikata and Ohno. Overexposed, washed out images are sandwiched among normal ones.

Official making-of documentary for Daigo Matsui's 2021 film Just Remembering.

Fumi and Kazu have a lot to teach us about love. When they decide to stick their necks out and create the first LGBTQ+ law firm in Japan, they are drawn into the lives of people searching for protection and support. Despite their own relationship having no legal status, they work pro-bono for long hours, all the while foster-parenting a teenager. We meet with a colourful cast of misfits, dissidents and artists – from a delightful eccentric being prosecuted for her kitschy vagina sculptures, to a troubled outsider who, as the child of an ‘immoral woman’, has no legal identity. A saying is repeated throughout the film, that one must ‘read the air’ – conform to the tacit conservatism that forbids sexual diversity. With love, humour and serious legal chops, Fumi and Kazu do exactly the opposite.

With a large number of factories in the area, the hosiery industry forms the backbone and economic mainstay of a small rural town. One in two of the population makes their living from the production of socks. “Brother Black Dog” is of one of them and has been toiling day and night. However, one day in spring, his overseas orders suddenly disappear. He gets stuck in a midlife crisis.

A story of children dreaming of being professional soccer players someday.

A live concert film documenting Schadaraparr's nationwide tour held in support of the album 11. In addition to capturing the excitement of the performances on stage, the film adopts a documentary-style approach, featuring backstage mishaps and candid glimpses of the band members offstage. It also includes interactions with guest artists such as bird and HALCALI.

The film "Safe and Sound" starts with a weekly piano class at the ward school, telling the story of several little assistant teachers with different personalities and their families' different life experiences and changes in fate. After a few years of bone marrow transplantation, the protagonists Haoxin and Qinxin choose to leave Yanjiao, where they have lived for many years, return to their unfamiliar hometown to start a new life, and return to campus.The film focuses on the daily life of themselves and their fellow leukemia patients before they left Yanjiao."Returning to Hometown for School" often means "Pressure" and "Confusion" for them. After experiencing multiple "Separations", the"Future"seemed so uncertain to them.

“I Remember” tells the story of sister writers Chu Tien-wen and Chu Tien-xin, from co-founding the San-san magazine to their respective creative and political efforts up to the present.

Noriaki has been a ski jumper as long as he can remember and has no plans of retiring. In the world's biggest ski jumping hill, all his skills and experience will be tested.

"In 2001, I used my camera to document the experiences of two friends of mone. As I looked through the lens, I realized that their life had been slipping away, entering isolation and alienation, and we couldn't do anything about it." Two idle teenagers. How do they live their lives? Making phone calls. fixing bikes, listening to music and what else? As an objective observer, the film uses simple language to document slices of the two teenagers' lives. The teenagers' world is wild, glorious and totally bizarre...

Perfect Life, the second feature by Emily Tang (Tang Xiaobai), at first revolves around Li Yueying, a young woman in the cold north-east of China. In a world where no one is waiting for an untrained, inexperienced woman, she knows that in order to fulfil her dreams she will have to resort to her own stubbornness and selfishness. Her father deserted her mother and the money saved by the family is destined for her younger brother's studies. When she stops working for a shop making artificial limbs in order to take a job as a chambermaid, she attracts the attention of a mysterious criminal, Mongol. Then in the editing, the documentary story of Jenny from Hong Kong starts to emerge. She thought she had her life perfectly worked out, but when her marriage breaks down, she also finds herself in financial problems and has to fight for the custody of her children.

A documentary about the eponymous Puerto Rican boxer

Anma (The Masseurs) is a representative and historical work by the creator of Butoh dance, Tatsumi Hijikata in his early period in the 1960s. The film is realized not only as a dance document but also as a Cine-Dance, a term made by Iimura, that is meant to be a choreography of film. The filmmaker "performed" with a camera on the stage in front of the audience. With the main performers: Tatsumi Hijikata and Kazuo Ohno, the film has the highlights such as Butohs of a soldier by Hijikata & a mad woman by Ohno. There is a story of the mad woman, first outcast and ignored, at the end joins to the community through her dance. Inserted descriptions of Anma (The Masseurs) are made for the film by the filmmaker, but were not in the original Butoh. The film, the only document taken of the performance, must be seen for the understanding of Hijikata Butoh and the foundation of Butoh.

Korea's past was whale worship; its present is industry. Is the future whales AND industry?

A girl loses her sense of smell at a very young age. In a distant land, she meets an elderly woman who sells gardenia bracelets. In that faraway place, the girl recovers her ability to smell.

A witty and sensitive observation of people visiting Central Park of Tokyo – YoyoGi. We all live in a world of online communication and rush, but there are places where one can still come to him/herself in offline. Following Japanese tradition of contemplation and harmony, an Estonian director explores Eastern way of finding the balance through nature and solitude. Hauki poetry, written especially by a well-known Japan-researcher from Tallinn Rein Raud add a new angle to the whole picture, turning the film into an endless meditation flow.

On August 15, 1945, Japan announced its unconditional surrender. Allied senior generals held at the Advanced Prisoner of War Camp in Liaoyuan were successfully rescued, including U.S. Lieutenant General Jonathan M. Wainwright, who had been captured by the Japanese army. Narrated mainly through Wainwright’s recollections, this film faithfully reproduces that period of history as well as the horrific Bataan Death March.

Directed by Shinji Aoyama, this NHK documentary follows avant-garde jazz trumpeter Toshinori Kondo as he traces the footsteps of the poet Matsuo Bashō. Blending music, landscape, and literature, the film captures Kondo’s improvisational soundscapes against the spiritual terrain of Kumano, evoking a dialogue between past and present, poetry and performance.

A year after he made Bumming in Beijing, Wu Wenguang visited his main figures in Austria, France, Italy and the USA. The desire to escape everything, which was the most compelling feeling while they were still living in Beijing, has meanwhile faded and they are now confronted with the dynamics of emigration. Wu asks what it means to feels deserted by one's own country and how it is when one reacts by deserting it in turn.

A companion piece to The Wages of Resistance: Narita Stories, which dealt with the protests against the construction of Narita Airport. Depicts the lives of youth who fought alongside farmers against the nation state. Farmers launched a protest movement after the government decided to build a giant airport on the farming land of Sanrizuka in Narita City. Youth who believed in their ability to change the world supported the farmers' protests. Fifty years have gone by. The camera examines what used to be there and brings to light the past era buried beneath Narita Airport.

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Sanshiro Sugata, Part Two" (1945).

Yin Honqiang, a master carpenter from Jiangyin, has been working with wood for over 50 years. Along with his son and his grandson, they create handcrafted pieces of furniture of the highest level, what lead them to be one of the most important furniture makers in all of China. Take a seat is a close look at their way of working while keeping the tradition alive throughout generations.

The history of THNG Tek-chiong family not only reflects the confusion and the pursuit of Taiwanese identity over generations, but also serves as a cautionary tale for the people living in Taiwan.