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Nokia Mobile: We Were Connecting People

Once upon a time there was a large Finnish company called Nokia that manufactured the world’s best and most innovative mobile phones. Nokia’s annual budget was larger than that of the Government of Finland and their phones spread everywhere and changed the whole culture of communication. But then something changed. Film portrays the rise and fall of Nokia and the Finnish mobile phone industry. Nokia engineers, designers and managers tell their story about the creation, success and downfall of the Finnish mobile phone.

Nokia Mobile: We Were Connecting People

6.5 2017
Wrong Elements

Uganda, 1989. A young Acholi rebel guided by spirits, Joseph Kony, forms a new rebel movement against the government: the LRA, The Lord’s Resistance Army. An “army” that grew by abducting teenagers – more than 60 000 over 25 years – of which less than half came out of the bush alive. Geofrey, Nighty and Mike, a group of friends, as well as Lapisa, were among these youths, abducted at 12 or 13. Today, in their effort to rebuild their lives and go back to normal, they revisit the places that marked their stolen childhood. At the same time victims and murderers, witnesses and perpetrators of horrific acts that they did not fully understand, they are forever the "Wrong Elements" that society struggles to accept. Meanwhile, in the immensity of the Central African jungle, the Ugandan army still continues to hunt the last scattered LRA rebels. But Joseph Kony is still out there, on the run.

Wrong Elements

5.6 2017
My Name is Hungry Buffalo

Jan calls himself Buffalo. He loves cowboys, he’s blind, and may lose his hearing. The documentary follows his journey to America to visit the chief of the Navajo tribe, who wants to perform a ritual to help his hearing. The film is full of unpretentious humor thanks to Jan’s charisma. In the USA, he’s like the Don Quixote of the Wild West - a naive adventurer in a world that is much more ordinary than his imagination. This observational, but not standoffish, film is also an example of how the medium of film can relate to blind people by constantly showing the difference between what Jan perceives and what we actually see.

My Name is Hungry Buffalo

3.0 2017
A Concrete Cinema

A Concrete Cinema draws close to the intangible spell that is implied by the need to somehow belong to film, to give something back to it, even if we feel it is impossible. The film tells the story of Omar, a construction worker from Villa Elisa, a small town in the province of Entre Ríos, Argentina, who rejects the idea that big screens may disappear. He will do anything he can to preserve that which he has held on to since he was a child, even though he has to build it with the remnants of what was.

A Concrete Cinema

10.0 2017
Nos hommes dans l'Ouest

A different perspective on the exile and social impact of major projects such as oil sands mining in Alberta, Canada. These large-scale projects, based on economic growth, also have human costs that change the cultural face of the regions on a small or large scale. Over a six-month period, three families from the Acadian Peninsula in New Brunswick opened their doors and hearts to director Renée Blanchar and her team. A film about exile, choice of life, values, but especially absence; absence being probably the highest price to pay for each member of these families.

Nos hommes dans l'Ouest

NR 2017
Wij Willen Leven! - 40 Jaar na de Molukse Kaping

On Monday, May 23, 1977, South Moluccan youths hijacked a passenger train near the village of De Punt. At the same moment, another group held 105 children and 5 teachers from the primary school in Bovensmilde hostage. Images of the children shouting 'Van Agt, we want to live' went around the world. After a few days, the Moluccans released the children, but the teachers had to stay behind. What followed was a nail-biting game of cat and mouse that would last for more than two weeks.

Wij Willen Leven! - 40 Jaar na de Molukse Kaping

NR 2017
Moments of Silence

The simplicity of countryside people and the magical atmosphere of the rural space merge into a mysterious journey. Elderly people and children living magical moments, captivate us to read between the lines of their psychological state. These people expose the way they live, the genuine sparks of happiness blended with tragic strive for survival and a wait for death. With moments of silence, happiness and sadness, the film makes us feel the raw emotions of human life.

Moments of Silence

NR 2017
Bute: The Scot Who Spent a Welsh Fortune

John Patrick Crichton Stuart, the 3rd Marquess of Bute, was one of the richest men in the British Empire in the late 19th century. With an annual income in excess of £150,000 - around £15 million in contemporary currency - he pursued his passion for architecture with a vengeance. The programme delves into the extraordinary world of Lord Bute and reveals what connects the small Scottish island of Bute to modern Cardiff, and the start of a lifetime's collaboration with artists and architects which would pour Bute's original mind into fabulous buildings in an astonishing variety of styles.

Bute: The Scot Who Spent a Welsh Fortune

NR 2017
The Trial: The State of Russia vs Oleg Sentsov

August 2015, a courtroom in Rostov-on-Don. A man is peering through the bars of his cage, his eyes reveal that his nerves are about to snap. Today he will be handed down a sentence to which he must submit: 20 years’ imprisonment in Siberia for terrorism. The man is Oleg Sentsov, a film director and Maidan activist born in Simferopol in the Ukraine. He is charged with leading an anti-Russian terrorist movement and having planned attacks on bridges, power lines and a monument of Lenin. Sentsov defends himself, courageously and without flinching. He responds to the verdict with an emphatic denial of his crimes and instead accuses the accusers themselves ...

The Trial: The State of Russia vs Oleg Sentsov

3.4 2017
Tupac Assassination: Battle For Compton

The unsolved murders of Tupac Shakur and Christopher "Biggie Smalls" Wallace still stir the public's imagination after 20 years. Yet law enforcement has been at a standstill to produce results. The producers of "American Federale" and the first two "Assassination" films, finally unravel the tangled cases and expose not only who may have done it, but also why these cases have never seen justice. Battle For Compton" is the story of "The Machine"; a group of high powered individuals with a very dark secret they killed to keep, and have spent the last 20 years hiding- hoping one day it will all go away- before they do.

Tupac Assassination: Battle For Compton

6.3 2017
Jack & Pete Tell It All

Jack & Pete Tell it All is a documentary about how creativity, family, faith, and risk took a small cave in the Ozarks from a regional anomaly to one of America's largest family owned entertainment companies, known today as Herschend Enterprises. Shot on location at both Dollywood and Silver Dollar City in the fall and spring of 2016 and 2017, the film follows the stories as told by the brothers Jack and Pete Herschend; their wives, Sherry and JoDee; and the many others who were there in the early days of the company's inception. It's a celebration of the American spirit, Ozark ingenuity, love and humble beginnings...and serves as an inspiration even today.

Jack & Pete Tell It All

NR 2017
Maria: Don't Forget I Come From the Tropics

An examination of the relationship between the life and art of Maria Martins, now recognized as one of the greatest Brazilian sculptors, in addition to her engravings and texts. The film reveals the greatness of her work and her boldness when dealing directly with the feminine perspective of sexuality, a transgression that led to attacks by Brazilian critics. In parallel, her life as the wife of an important diplomat and her connection to Marcel Duchamp, in a relationship of mutual collaboration between the two artists.

Maria: Don't Forget I Come From the Tropics

10.0 2017
Cut: Exposing FGM Worldwide

Taking more than six years to complete, The Cut is a feature-length documentary that conclusively proves that female genital mutilation or cutting (FGM) can be found as a native practice on all inhabitable continents. From war zones in the Middle-East to bucolic Middle America, the film visits 14 countries and features key interviews with FGM survivors, activists, cutters, doctors and researchers to uncover an often secret practice shrouded in centuries of traditions, mysticisms and irrationalities.

Cut: Exposing FGM Worldwide

5.9 2017