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Verzeiht, daß ich ein Mensch bin

At the end of the 1980s, a film team is about to visit Lukas Wolf, Friedrich Wolf's eldest son, who lives in the state of New York, USA. They carry with them a letter from his half-brother Markus Wolf the Stasi chief from GDR. The brothers have not seen each other since 1933; on the other hand, Lukas met his other half-brother Konrad Wolf once in New York City, where they got along very well, after many years of separation. Johanna and Lukas come from Friedrich Wolf's first marriage with Käthe Gumpold, Markus and Konrad, from the second wife Else Dreibholz.

Verzeiht, daß ich ein Mensch bin

10.0 1988
The Social Life of Small Urban Spaces

This witty and original film is about the open spaces of cities and why some of them work for people while others don't. Beginning at New York's Seagram Plaza, one of the most used open areas in the city, the film proceeds to analyze why this space is so popular and how other urban oases, both in New York and elsewhere, measure up. Based on direct observation of what people actually do, the film presents a remarkably engaging and informative tour of the urban landscape and looks at how it can be made more hospitable to those who live in it.

The Social Life of Small Urban Spaces

10.0 1980
Love Those Trains

Enjoy the romance of railroads as you ride on the Orient Express, climb the Andes, cross the U.S. on the Salad Bowl Express, and meet the Hobo King, who calls himself "Steamboat." From steam engines to sleek diesels, experience the majesty and adventure of trains past and present. Remember the days when thundering trains bridged the world's continents, nourished the pioneer spirit, ferried our troops to war, and provided politicians with mobile campaign platforms. Then settle into a first-class seat aboard the luxurious Orient Express, and glide through storybook cities from Paris to Istanbul. Celebrate a slice of history and ride the rails of the world. A National Geographic Production.

Love Those Trains

8.0 1984
La Rebelión de las Tapadas

In commemoration of International Women's Day, a short film set in 19th-century Lima tells the story of the "tapadas," women who, hidden beneath their skirts and shawls, defied social norms by finding freedom and independence in anonymity. Admired by artists and chroniclers for their audacity and charm, these women transformed the city into a space of female liberation, despite condemnation from the Church, authorities, and the medical establishment, which attempted to prohibit their clothing and behavior. Through their own voices, the film reconstructs their resistance against these impositions, revealing a silent struggle where identity, desire, and rebellion intertwine in the streets of Lima.

La Rebelión de las Tapadas

NR 1981
Just Like That!

Just Like That! is a celebration of the comic genius of Tommy Cooper - just like that! But nobody could do it just like that apart from the unique Mr Cooper himself, and despite his claim never to have used those words. Was Tommy really Henry Coper's brother? Can Tommy's performance as Hamlet, clown prince, compare with the greats? Was Tommy a ventriloquist at heart? Rare and classic routines and contributions from famous fans help solve the mystery. The friends and fans who take part (many of them confirming that imitation is the sincerest form of flattery) include Adrian Edmondson, Lenny Henry, Henry Cooper, former Goons Harry Secombe and Spike Milligan, writer Dick Hills, Tommy's brother David Cooper (who has himself sadly since died), alternative comedian Steve Murray, The Wow Show and magician Paul Scott. A title montage sequence features further impersonations of the great man from Alexei Sayle, Bob Todd, Patricia Hayes, and Jess Conrad.

Just Like That!

NR 1989
Puccini

In Torre del Lago, by Lake Massaciuccoli, Puccini is writing "The Girl of the Golden West" when his wife Elvira accuses him of a dalliance with their maid, Doria Manfredi, a young women from town. Although the maestro is frequently unfaithful, he denies the affair; Elvira insists she's right and publicly hounds Doria. Between scenes in this domestic drama that turns tragic, we watch a Scottish company rehearse and stage "Turandot," Puccini's last opera. The film finds parallels between the two stories and suggests that in the opera, Puccini expresses love for his wife and guilt in Doria's fate. Three local gentlemen provide a spoken chorus as Puccini's score plays throughout.

Puccini

3.7 1984
A Jumpin' Night in the Garden of Eden

A Jumpin' Night in the Garden of Eden was the first film to document the klezmer revival, tracing the efforts of two founding groups, Kapelye and Boston's Klezmer Conservatory Band, to recover the lost history of klezmer music. For nearly a millennium, this vigorous and soulful music was part of the celebration of Jewish life in Eastern Europe. In the early decades of this century, the music took root in America. Klezmer musicians learned hundreds of tunes by ear and their ears were open to Gypsy, Ukrainian and Greek melodies of the old world, as well as to the new sounds of American jazz. Music born in Eastern Europe lived on in the imaginations of composers for New York's Yiddish theater, men whose tunes entered the mainstream through such unlikely adapters as the Andrew Sisters. Eventually Klezmer went underground as its audience assimilated into mainstream American culture.

A Jumpin' Night in the Garden of Eden

9.0 1987
Valie Export: Portrait of a Filmmaker

Katja Raganelli’s sole excursion into the realm of avant-garde cinema was this focus on Austrian experimental film axiom Valie Export. This portrayal of the filmmaker is quite special as it presents Export at a very particular moment in her career, during the shooting of a fiction feature, Menschenfrauen (1980), with which she was able to break into the avant-garde mainstream, shedding the skin of her path-breaking, often performance-based early works.

Valie Export: Portrait of a Filmmaker

NR 1981
Magino Village: A Tale

The movie compiles footage taken by Ogawa Production for a period of more than ten years after the collective moved to Magino village. Unique to this film are fictional reenactments of the history of the village in the sections titled "The Tale of Horikiri Goddess" and "The Origins of Itsutsudomoe Shrine". Ogawa combines all the techniques that were developed in his previous films to simultaneously express multiple layers of time—the temporality of rice growing and of human life, personal life histories, the history of the village, the time of the Gods, and new time created through theatrical reenactment—bring them into a unified whole. The faces of the Magino villagers appear in numerous roles transcending time and space—sometimes as individuals, sometimes as people who carry the history of the village in their memories, sometimes as storytellers reciting myths, and even as members of the crowd in the fictional sequences.

Magino Village: A Tale

6.8 1987
Dead People

Filmed in 1974 and edited and released in 1983 (and then rereleased by its director in 2005), DEAD PEOPLE purports to document the final years of Frank Butler, a local fixture in the depressed burg of Ellicot City with a particular fondness for drink and tales of the dead. Over hazy 16mm footage two decades later, Deutsch adopted a painfully unsentimental view of his early approach, colored as it was by notions of ethnographic film and an undercurrent of fetishism for a man he considered somehow more "alive" than himself. While it chafes against notions of authenticity in documentary and incisively hints at the complicity of the subject in inventing his own history, DEAD PEOPLE simultaneously oozes nostalgia, transcending its own judgment as a gauzy memorial for the man Deutsch once called a friend.

Dead People

9.0 1983