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Stockcar!

A look at NASCAR Grand National stock car racing circa 1976-7. The stars include Richard Petty, David Pearson, Cale Yarborough, Bobby Allison, and Buddy Baker, and includes upstart female racer Janet Guthrie. The sport in the mid-1970s was undergoing a surge of national popularity after Petty and Pearson crashed fighting for the win within sight of the checkered flag of the 1976 Daytona 500, telecast live on ABC Sports, and the surging interest triggered renewed media interest in the sport.

Stockcar!

10.0 1977
The 81st Blow

The film covers the oppression of Jews under the Nazis and features rare historical footage of concentration camps. The title is derived from a comment by a witness at Adolf Eichmann's trial. According to his testimony, he was whipped 80 times by the Nazis, but was not believed by Israelis after the war; this final doubt of his own people was the "81st blow". The 81st Blow is the first film in the Israeli Holocaust Trilogy by Bergman, Ehrlich and Gouri. It was followed by The Last Sea (1980) and Flames in the Ashes (1985).

The 81st Blow

6.0 1974
Karayuki-San, the Making of a Prostitute

Karayuki-san, the Making of a Prostitute is a 1975 Japanese film by director Shohei Imamura. It is a documentary on one of the Japanese "karayuki-san," who were women that were taken from their homes in Japan and used as prostitutes in the post-war period. Many of these women were told that they were doing this to support their families because of the extreme poverty that the war left much of Japan to live in. Imamura focuses on a particular such woman who was sent to Malaysia and never returned to Japan. Joan Mellen, in The Waves at Genji's Door, called this film, "Perhaps the most brilliant and feeling of Imamura's fine documentaries."

Karayuki-San, the Making of a Prostitute

8.3 1973
The Shakers

The Shakers are America's oldest and most successful experiment in communal living. A century ago, nearly 6,000 Shaker brothers and sisters lived together in nineteen communities scattered from Maine to Kentucky. This film (narrated by the filmmaker, Tom Davenport) traces the growth, decline, and continuing survival of this remarkable and influential religious sect through the memories and rich song traditions of Shakers themselves. It includes performances by the late Eldress Marguerite Frost of Canterbury, New Hampshire, and the late Sister R. Mildred Barker, a leading singer and spiritual leader of the Shaker community still active at Sabbathday Lake, Maine when the film was made.

The Shakers

NR 1974
Dokkoi! Songs from the Bottom

After the waning of the protests in Sanrizuka, Ogawa Pro started questioning the future of the collective and looking for other subjects to film. Following the method developed in the previous films, the filmmakers moved to the slum of Kotobuchi in the port city of Yokohama, where more than 6000 people were struggling to get by without any means of survival, exposed to industrial accidents and diseases. The result is one of the most moving films produced by the collective, a series of beautifully filmed portraits, voicing the silenced stories and songs of a group of people living in this community. Credit: ICA London

Dokkoi! Songs from the Bottom

NR 1975
Pickup's Tricks

Pickup's Tricks is a beat documentary of Hibiscus and the Cockettes, who were pioneers of San Francisco’s underground queer theater in the early '70s. It is a multifarious blend of sexual anarchy; a raucous and unscripted mix of liberation and elation as rough and spirited as the lifestyle that created it. The film profiles Hibiscus, founding member of the Cockettes, the psychedelic drag queens that performed midnight musicals at the Palace Theater in San Francisco. The film includes a rare screen appearance of Allen Ginsberg, clean-shaven and costumed in "acute drag" as a Yiddishe Mama with a painted-on third eye. (pickupstricks.com)

Pickup's Tricks

NR 1973
On Tour

Fluxus artist and composer Takehisa Kosugi assembled a crew of young musicians and hit the road in a VW bus from Rotterdam to the Taj Mahal, playing a series of shows along the way in which the band used traditional instruments run through a series of electronic effects to create long sheets of drone both pulsing and timeless. Filmed by Takehisa Kosugi's mentor Matsu Ohno (perhaps best known in the States for his sound effects/score work on the television series Astro-Boy), the film moves at the same pace as the music itself, a pastoral road movie following a band far more likely to play temples than clubs.

On Tour

NR 1972
Matrix II

Matrix II explores the properties of images and sounds in the medium of video. Geometric shapes travel across a ‘matrix’ (grid) of cathode ray tube (CRT) screens. CRT televisions, which use manipulated electron beams to display images on a fluorescent screen, remained in widespread use until the early 2000s. The Vasulkas sought to test the limits of each monitor, creating a fluid motion resembling the behaviour of electronic signals. Matrix II is an early example of video art, which first developed in the late 1960s and 1970s as artists came into contact with new consumer technologies for capturing moving images.

Matrix II

NR 1974
USA: danger from the right. Demoniac from Wisconsin

Professor Valentin Zorin, political observer of the USSR State Television and Radio Broadcasting, talks about Joseph McCarthy, an American politician, a senator from Wisconsin, who held an extremely anti-communist position, who advocated an intensification of the Cold War with the USSR. The name of McCarthy is associated with a reactionary trend in the political life of the United States of the early 1950s, dubbed "McCarthyism" and consisted in the persecution of people only suspected of sympathizing with communism and not committing any crimes.

USA: danger from the right. Demoniac from Wisconsin

8.0 1971
Roger the Dodger

A fascinating and touching portrait of isolation in big cities, Roger the Dodger features an extended interview with a man who was arrested by the police for loitering near a train station. The man shares his discontent with the local government, and American politics at large. An avowed Marxist, he thinks that carrying a picture of Fidel Castro when arrested probably did not endear him to the police. He discusses his thoughts on loneliness, specifically the ways in which big cities such as Chicago and New York contribute to feelings of isolation, particularly for those who do not enjoy popular pastimes such as sports and rock music.

Roger the Dodger

NR 1974
Un jour les témoins disparaîtront

Following the archival horror of the liberation of Nazi concentration camps, this poignant documentary chronicles a study trip organized by the Belgian Auschwitz-Birkenau Association. The film follows 120 young university students and 10 Holocaust survivors as they journey back to Auschwitz and Birkenau. Standing on the historic grounds, the youth confront the devastating past. Through deeply personal dialogues, survivors and students openly debate ethics, institutional racism, and the dangers of dictatorship.

Un jour les témoins disparaîtront

9.0 1979