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The Stranger

For many years, Barcelona has been selling itself to foreign capital, either through tourism or through large-scale real estate speculation. This film, which is set in the case of an emblematic working-class district of the city filmed just some days before its complete demolition, focuses on a rather secondary character, a novice architect of Swiss origin. She will be confronted with the memory of past neighbourhood struggles, as well as the new resistance movements led by the up and coming generations.

The Stranger

NR 2021
Habla Men

Habla Men will enlighten audiences on what it means to be Latino in the United States through the perspective of a diverse group of Hispanic role models whose personal stories are told straight into the camera. Raw, humorous yet sincere, this series will feature the likes of a handsome sensitive man, a "tough guy" actor, a gay championship boxer, a legendary wrestler, a Pulitzer Prize-winning author, and a 6'2 transgendered blond bombshell among others. The personal experiences each of the participants openly disclose will keep viewers not only entertained, but challenge preconceived notions.

Habla Men

5.0 2014
Unzué. L’últim equip del Juancar

The story of Juan Carlos Unzué's daily life during two and a half years, since the former goalkeeper and trainer of Barça went public with his ALS diagnosis in June 2020. Right from day one he decided, on the one hand, to lend visibility to the disease in order to denounce the lack of help for those who suffer from it and, on the other, to organise a big event to raise as much money as possible for research. The documentary exhaustively follows all of the meetings and conversations held with managers of FC Barcelona and Manchester City to arrange a football game that succeeded in raising 4.5 million euros. Meanwhile, Unzué opens the doors to his home and reveals the evolution of his physical degeneration.

Unzué. L’últim equip del Juancar

NR 2023
Everyday Is Like Sunday

Thoughts, sometimes just numbers, reach us from offscreen almost like music, like a mantra or a prayer. What we see are circular fragments from familiar spaces: a mirror, a magnifying glass. A day like any other day: without medication, or perhaps better with? A film like the investigation of an uncertainty principle: do we really see better with a magnifying glass? A face scratched out of the family album: the gap is draped with flowers and cut-out pictures of clothes and finally filled again by a drawing.

Everyday Is Like Sunday

NR 2021
Black Water

Humanity is heading towards a "climate apartheid". The rich will pay to escape global warming, famine and conflict, while the poorest will suffer the worst consequences. By 2050, Bangladesh will have approximately 220 million inhabitants and a large part of its territory will be permanently submerged.This situation could lead to the forced displacement of between 10 and 30 million inhabitants of the country's southern coastline, forcing many Bangladeshis to flee the country as "climate refugees", a human collective that is expected to reach 250 million people worldwide by mid-century.On a planetary scale, we are talking about the largest mass migration in human history. How long will Dhaka be able to cope with the influx of so many people, where will these people go when the cities collapse, who will take them in?We are sitting on a big time bomb.

Black Water

10.0 2025
Piratas y libélulas

In Piratas y Libélulas, Isabel de Ocampo follows the staging of a play by a group of pupils in a high school in Las Tres Mil Viviendas, a conflictive area in Seville. “Raúl y Julia” is the version, adapted to the present day, of Shakespeare´s “Romeo and Juliet” presented by Los Shespirs (in a joking reference to the English author), a group formed by gypsy and non-gypsy pupils in which there are difficulties and conflicts, but also joy and the desire for self-improvement.

Piratas y libélulas

NR 2013
Miralles

The film Miralles tells, as in a novel, the vision of the world of one of the most important Spanish architects of the contemporary international scene. Enric Miralles dies at the age of 45 from a brain tumor. The next day he is buried in his masterpiece, the Igualada Cemetery, an unfinished forest-cemetery. From that moment on, his life and his work are inextricably linked. The film unfolds in variations, following Miralles' own creative method inspired by Giacometti. A search without the possibility of conclusions, as in the extraordinary and complex Scottish Parliament in Edinburgh, one of the architect's last works and also one of his magisterial works.

Miralles

NR 2024