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Julia Katharine, a Japanese-Brazilian trans woman, opens her door to the filmmaker. Before day breaks, she evokes her relationship with her parents, a young love that never was, her sleepless nights and her passion for cinema.

A reflection on the construction of the Brazilian political class, from Getúlio Vargas until the beginning of the 21st century. To the historical facts is added a cunning and ambitious Brizola, but above all passionate about the Brazilian people.

A Brazilian diplomat realises that he has almost unconsciously assembled a unique and important collection of East German art. Concerned about his country's treatment of culture and feeling responsible for this amazing piece of art history, he has to make up his mind what to do with it.

The Prologue focuses on the use of political propaganda shown in the cinema and the television in the 1960's and throws light on the short films cult that were exhibited before the cinema sessions in Brazil.

An experimental ethnographic documentary that criticizes the colonizer view of anthropology.

The African deity that brought in Brazil Together with the blacks, Exu is known as the orixá of communication, the guard of the streets and the human behavior. The short film of black culture and its assimilation by Brazilian art. In its subtext, the film honors one of the greatest activists of the black cause - the actor, the poet, the playwright and the politician - Abdias do Nascimento. The positioning of the documentary seeks to incorporate the fighting spirit, expressive and restless of Abdias: present link between characters, images and children of the film.

What led Davi to become Big Brother Brasil champion? In this documentary, the public will learn the story behind the player and follow the impact of fame on his life.

A film about absence, narrated from the experiences of people who experience feelings of absence and distance, spread across Brazil, Portugal, Angola, Mozambique and Cape Verde. The body, landscape, memory and time. Stories and places built with remembrance, oblivion and invention. A journey through the territories of memory, representation and belonging.

A cinematographic interpretation of a Casimiro de Abreu poem.

Cássio is a young transgender person undergoing hormone therapy and determined to have a conversation with their elderly father about it, when the COVID-19 pandemic derails their plans. Amidst social isolation, a lockdown inside a small apartment, a virtual social life, and a severe political crisis in his country, Cássio tries to build up the courage to follow through with the plan. Living and recording this context becomes an attempt to bring these two people together.

A funny chronicle of the São Paulo middle class in the 1970s, based on a simple but effective premise: a primary school class meeting, 20 years later. Retrato de Classe starts from a photo of the junior class of a private school, in a middle class neighborhood of São Paulo. He searches for and gathers former colleagues and a teacher, in order to recreate the group's trajectories, to draw the profile of the country's metropolitan bourgeoisie. A country in crisis and a middle class that was experiencing the collapse of the economic miracle. Frustrations, desires, prejudice and futility are part of this universe of people and their life trajectories.

A quasi-ordinary day of a young man living in the streets of São Paulo, Brazil.

At the heart of Rio de Janeiro's downtown, an empty square with a dry fountain and an underground parking. There was located the Monroe Palace, that once housed the Senate, and was mysteriously demolished forty years ago. A history of sabers and lions, military and architects, past and future.

Second Skin witnesses 6 artists inhabiting their bodies. Women who go through their own skin to tell us about their existence. In an experimental and poetic way, the film takes a journey from the marked body to the flowing, tentacular and free body.

Questions about celebrating 200 years of independence from Brazil with 300 years of slavery.

In this mockumentary, a crew of ufologists revisits lost UFO footage from 2016 in Brazil. When shocking evidence resurfaces in 2024, they uncover a government conspiracy. Amid awkward encounters and cosmic chaos, they must decide whether to expose the truth or vanish into silence.

Even the most loyal admirer of Tom Jobim, the most documented Brazilian artist throughout the world, cannot imagine the surprises he will encounter in this film. It contains previously unreleased pictures and images captured for 15 years by Ana Jobim, his wife, that show details of the life and work of Tom Jobim. Shot in New York, Rio de Janeiro and the family ranch in Poço Fundo, the film shows his intimacy with his children, the birth of important songs, parties at home with other musicians, and even a unusual Jobim in pajamas, in an “expedition” in the woods. “When someone visits the intimacy of a great artists, possibly the distance between him and the myth is felt to be smaller. For me it is the opposite; the distance becomes greater and I have more conscience of the myth”, says Ana.

Serginho was one of the founding members of the historic Coligay fan club, the first fan club formed exclusively by homosexuals in the history of Brazilian soccer. Here, he tells a bit about his story and also about his relationship with Magia, one of the most recent seven-a-side soccer clubs in Brazil, formed only by homosexuals, who compete in championships and tournaments exclusively for LGBT's with the goal of bringing together a space of respect and welcoming amidst the still sexist and prejudiced scenario in soccer.

Ary Barroso was one of the greatest composers of Brazilian music with his successes for the whole planet. Know its history, reconstructed through Ary's own audio files, interspersed with reports from friends and family.

A homage to Virgin Mary by brazilian women.

Documentary about the team from a small town that played against the big teams from Rio de Janeiro in the 1980s and 1990s and almost qualified to the top level Brazilian Championship, losing the place in a lot.

Documentary about João Nogueira, popular singer and composer from Rio de Janeiro

Inside a socio-educational detention unit, five youths in conflict with the law plan their own film as a way to find meaning in their time behind bars. Through a hybrid process that blends documentary and fiction, TWENTY TWENTY FOUR dissolves the reality of juvenile crime and confinement into a sensory experience—exploring rebellion, boredom, and traces of tenderness within a space defined by abandonment.

A poetic immersion into the life and work of Marina Colasanti, seen through her daughter's eyes. Intimate archives and the author's own words weave a delicate portrait of memory, art, and heartfelt legacy.

Using photos taken on a dominoes game and one music by the artist Pepe Moreno, the short film is an observational and ironic documentary that shows the transformation of the participants and the chaos that ensues when there is excessive alcohol consumption. A comical and realistic reflection on the excesses and affections that mark the encounters of Brazilian male youth, all to the sound of the electronic forró genre.

Haílton Corrêa de Arruda, better known as Manga, maintained his residence in Ecuador. His and his wife's dream was Maria Cecília Cisneros to return to live in Brazil. At the beginning of the announcement of the pandemic, Manga arrived in Brazil to be honored by the players of Botafogo, to meet his only son who has not been there for years and to come across the transforming invitation of actor Stepan Nercessian.

This documentary investigates the aesthetic, political and existential trajectory of emblematic Black Brazilian actor Antônio Pitanga. His career spans over five decades, and he has worked with iconic Brazilian filmmakers Glauber Rocha, Cacá Diegues and Walter Lima Jr. He was a prominent figurehead and outspoken activist during the Brazilian dictatorship, a period of unrest in Brazilian cinema. "Pitanga" deep dives into the world of Antônio and the history of Brazil. The documentary was directed by his daughter Camila Pitanga, one of widely recognised faces in Brazilian television and cinema right now. The film is also a poem, and a tender ode to fatherhood.

Between captured images, animations and scientific descriptions, the puraquê electric fish is presented through the eyes of Humberto Mauro and Carlos Chagas Filho.

The directors take five old VHS tapes documenting the Ãwas customs back to the tribe.

A film about the universe of Clementina de Jesus, singer revealed at the age of 63 as one of the greatest voices in the history of Samba.

A Brazilian development project, initiated during the military dictatorship in the 1970s, encouraged the “exploration” of northern Brazil by settlers from Paraná, Santa Catarina, and Rio Grande do Sul. Based on a German-inspired festival held in Sinop, Mato Grosso, where an anonymous, fictional, and suspicious character wanders through forests and plantations, the narrative offers a free-form account of an immigration process that caused, and continues to cause, cultural, environmental, and political changes in a region once inhabited by diverse Indigenous peoples.

In his film Rua Aperana 52 Júlio Bressane describes the invention of a landscape, the topology of a corner of Rio de Janeiro. The film consists of a series of photographs taken between 1909 and 1955 by, among others, Bressane's parents at and around the address used as a title. These are interlarded with scenes from films made between 1957 and 2005, bringing the total fictional time the film covers to almost a century; one hundred years in which the winding road featured in almost every shot structures the new landscape behind the Aperana, which means 'wrong road'. Rua Aperana 52 is autobiographical, as it is a landscape from Bressane's youth, but it is also not so; it is more a multi-subjective mythology of a place seen through all those films and photographs. Bressane refers to his editing as an intuitive form of thinking aimed at evoking moods which make the viewer the new witness of the fictional landscape. A fiction about a fiction,

Through the eyes and voice of biologist Janine Benyus, the non-fiction feature “Biocentrics” takes the viewer through different corners of the planet to reveal the birth and the principles that guide biomimicry, a methodology of innovation inspired by nature. As a hub connecting ancestral knowledge, diverse cultures, natural technologies and initiatives that choose the continuity of life as their premise, the charismatic activist proposes a common agenda, a new posture and a tool, which is the vanguard of contemporary science, to face the global challenges that lie ahead and putting life back at the center of decision-making.

One of the most important events in Brazilian history, the Búzios Revolt of 1798 was led by dozens of black men who rose up to overthrow the colonial government, proclaim independence and establish a democratic Republic, free from slavery. The boldness of these men called on the people to make the Revolution and the conspiracy spread to the city of Bahia. The seizure of power is near. But the movement is denounced, the government sets up a Devassa against hundreds of people and four of them are hanged and quartered.

Avenida Brasília Formosa provides a sensorial insight into the contemporary reality of a neighbourhood that was tranformed following the removal of families to make way for the construction of a coastal highway. This is about film of encounters, memories and desires.

The behind-the-scenes film of Fernando Diniz in the long-awaited 2023 Copa Libertadores title with Fluminense. Exclusive interview and images of the coach during and after the victory, including the celebration party. All through art - from start to finish, which explains who Fernando Diniz is and what he wants to achieve.

A cosmic-semantic coincidence. Ze, Theater, Workshop. Zé Celso Martinez Corrêa, director of Teat (r) o Oficina Uzyna Uzona, from São Paulo. Zé Perdiz, a mechanic from Brasília whose workshop is transformed into a theater. Parallel lives. Cinematic encounter.

Documentary about São Paulo samba musician Germano Mathias.

In Anamnese, we follow the memories of a young filmmaker, who recalls her trip to a village in northeastern China. In this village, which wants to preserve the folk culture of the Korean ethnic group in China, she learns more about connections, preservation, harmony and bonding.