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bubble skin

A disorienting realm where reality itself flickers and fragments. Through a visceral exploration of digital distortion and failing verification processes, this challenges your perception and dares you to question what lies beneath the surface. Are we truly awake to the genocides and wars raging beyond our privileged bubbles, or are we content to remain ensnared by manipulated realities? This is a personal call to shatter the illusions, to seek deeper truths, and to recognize the profound fortune of our existence amidst global turmoil.

bubble skin

NR 2025
Not Made for Politics

For Estonian-based filmmaker Volia Chaikouskaya, the 2020 Belarus uprising was not just news – it was personal. While thousands in Minsk rose up against the brutal regime of Alexander Lukashenko and rallied behind opposition leader Sviatlana Tsikhanouskaya, Volia felt the same pulse across borders. Unable to return home, she became both observer and participant, organising solidarity actions in Tallinn and gradually stepping into her own film as a subject. At the heart of the story are three women – Sviatlana, Nadzeya, and Masha – whose husbands were jailed as political prisoners and who themselves emerged as central figures of the movement. Their fearless defiance against dictatorship mirrored Volia’s own struggle to break free from the inherited fear of silencing, repression, and exile.

Not Made for Politics

NR 2025
Bravo Bene!

Filming on Franco Maresco's film about Carmelo Bene is abruptly halted after yet another on-set accident. Producer Andrea Occhipinti pulls the plug, exasperated by the endless takes and repeated delays. Angered, the director simply disappears. Maresco's friend, Umberto Cantone, attempts to mend the rift by calling witnesses from all those involved in the project, in an investigation that offers an opportunity to retrace the personality and ideas of the most corrosive and apocalyptic auteur in Italian cinema.

Bravo Bene!

7.5 2025
Thabyay: Creative Resistance in Myanmar

What happens when non-violent leaders are pushed to support armed struggle against a brutal regime in a forgotten war? Thabyay: Creative Resistance in Myanmar follows four democracy revolutionaries who are finding creative means to fight against the military junta. Some take up arms while struggling to stay true to their commitment to non-violence, while others engage in “artivism,” using music, poetry and art to bring about a peaceful, free, democratic and truly inclusive future for all people in Myanmar.

Thabyay: Creative Resistance in Myanmar

NR 2025
Girati di Anna – Presentrazione a Venezia, settembre 1975

After its premiere at the Berlinale Forum in February '75, Anna was also presented in Venice, the film was followed by a very well-participated debate, alongside Alberto Grifi there was Adriano Aprà, and among those present was Tatti Sanguineti, the author of a very articulate critical speech. The footage of this meeting is part of the 30 cassettes containing the video footage from which the film was edited, thanks to the work of Anna Maria Licciardello, the Cineteca Nazionale with the Fondazione Grifi and the La camera ottica laboratory in Gorizia.

Girati di Anna – Presentrazione a Venezia, settembre 1975

9.0 2025
Seven days in May

David Riondino, an Italian film director, is coming to Spain to document the Atocha massacre of 1977, to make a film on its 50th anniversary. He will be helped by Alejandra, a young documentary filmmaker who urges him to contextualise the past with the current rise of the far right. By investigating the Atocha attack, David will recover a part of that recent past and at the same time will witness a reality that encourages reflection on some burning issues such as the advance of the far right, problems of access to housing and job insecurity.

Seven days in May

NR 2025
Cartas para...

Paulina Chiziane in Mozambique, Elisa Lucinda in Brazil, and Raquel Lima in Portugal have their daily lives revealed and altered in the exchange of nine letters that cross the Atlantic and its colonial history. Desires, anxieties, and struggles to continue as writers in the diaspora are presented in a poetic narrative of sounds, spiritualities, and bodies, in which their existence challenges racism, sexism, and xenophobia, looking towards the future of the Portuguese language and its speakers.

Cartas para...

NR 2025