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In this short documentary from the Canada Vignettes series, a Saskatchewan grain elevator is moved across the snow-covered prairie to a new home after nearly a half-century of use. The film follows the lifting and transporting of the 9-storey, 200-ton structure, and examines the feelings of the people as they witness the final passing of their town's one and only grain elevator.

The film is set to bring forward once again the well-worn images of the summit talks between Reagan and Gorbachev in Geneva. It is a reproduction of the days during the summit. On the one hand, pictures are gathered from the perspective as an onlooker in Geneva, on the other hand, the old television footage is processed.

In 1980, Frank Sinatra performed a two-week engagement at Carnegie Hall, which at the time, set a record for the venue by selling out each show in just one day. The performances followed the release of 1980's Trilogy, Sinatra's ambitious triple-album comeback that featured "The Theme from New York, New York." Sinatra mixes "Summer Me, Winter Me" from that album with his hits "I've Got the World on a String" and "I've Got You Under My Skin." Foreshadowing the follow-up to Trilogy is "The Gal That Got Away"/"It Never Entered My Mind," a medley that would appear on She Shot Me Down in 1981.

The Six Day War was a decisive victory for Israel. But many Israelis feel that something has gone wrong. On the war’s twentieth anniversary, Frontline finds a nation struggling with its image and its role as a democracy and reveals what has happened to the dream.

TV Special with a variety of comedians.

Laila Paattinen is a working woman. Tired of low-paying jobs, she completed a five-month course in dry-wall installation. Because she had chosen a non-traditional job for women, she ran into resistance in the marketplace. She finally solved her problems by opening her own dry-wall application business. A useful film for women seeking non-traditional jobs.

Documentary about Adoniran Barbosa, in which any resemblance to reality will be mere coincidence.

This short film is Godard’s message to the people of Lausanne, specifically journalist and critic Freddy Buache, addressing his reasons why he will not make a film about their town’s 500th anniversary. Rather than cynical or defensive, Godard's bemused narration of the footage of Lausanne is imaginative and even playful, a rumination on cinema's possibilities.

The 1980s Poland was a country of empty stores and long lines of people, standing all night and day to buy virtually anything. This film takes a look at such a gigantic queue and recreates its surreal dialogues and atmosphere.

Interviews with personalities including John Mellencamp, Spike Lee, Lou Reed, Roseanne Barr, David Byrne, George Michael and more, as they reflect on the 1980s.

Inspired by a poem by William Blake: a short experimental film about the perception of vision.

Moving with astonishing assurance through time and space, Russell recreates his life in a series of unconventional interconnected episodes – his thirties childhood in Southampton; his first sexual experience (watching Disney’s Pinocchio); his schooldays at the Nautical College, Pangbourne; early careers in the Merchant Marine and the Royal Air Force; dancing days at the Shepherds Bush Ballet Club; and of course his career as a filmmaker, beginning with an extraordinary interview with Huw Weldon for a job on Monitor.

Manuel is only 11 years old, but he already works on a sugar cane plantation located in northeastern Brazil. His father and older brother are also employed here. Manuel works on a huge roller that is used to press out the sugar cane. His friends transport the squeezed sugar cane away, dry the remains on the farm or help transport the cut cane to the mill. The film shows Manuel's daily work and describes the different steps of sugar production on the plantation. Manuel hopes that his younger siblings will soon be able to help, because although Manuel contributes to the family income, it is often not enough to feed the family of nine.

On Jan. 5, 1931, Mexican-American students were barred from attending their local elementary school. The parents took the school district to court.

Playwright Arthur Miller, director Volker Schlöndorff and actor Dustin Hoffman are seen creating the Roxbury Productions and Punch Productions teleplay Death of a Salesman (1985).

Harry Anderson, Richard Belzer, Howie Mandel, Robin Williams and Steven Wright host this hilarious 1986 special in which they introduce stand-up sets from up-and-coming comedians at five of North America's top comedy clubs.

In the film about "the land of eternal light and eternal darkness" we meet some women who talk about their lives. The women have all grown up in reindeer herding families and as children they lived in kotas, moved with reindeer and lived a life in nature. Their own children, on the other hand, have grown up in "normal" Swedish society. None of them have lived like their parents. The film addresses Sami culture, language, school. How modern technology has affected the lives of the Sami.

From Henry Chalfant, the director genre defining documentary Style Wars, comes what was intended to be the first installment in a regular television series on New York's bludgeoning hip-hop culture, with a specific focus on graffiti. Funding fell through but the material was just to good be left to languish. Chalfant put together what he had and, like Style Wars, it continues to stand as a document of a culture in blossom.

In her three-part series VALIE EXPORT takes a look at the themes of "staged space - staged time", "real movement - movable reality", and "structural film", a genre which no longer exists on public-service television. Using numerous examples from films prepared for the specific media, for example by Wojciek Bruszewski, Malcolm LeGrice, Sergey Eisenstein, Maya Deren, Kurt Kren, Yvonne Rainer, Anne Severson, Alfred Hitchcock, Linda Christanell, Gary Beydler and Marc Adrian, narrative and non-narrative forms of story-telling are examined and compared. Adrian appears in a live interview, and he attempts to explain the conditions of production, methods and Zeitgeist through his own work, including his first computer film, Random (1963). The advanced level of this film is also indicated by the high density of theoretical quotes from Christian Metz, Charles S. Peirce, Vsevolod I. Pudovkin and Ferdinand de Saussure.

A young aristocrat is seduced by a young man who appeared to her in a dream one spring afternoon. Captive of this impossible love, the young girl is dying of melancholy. But the constancy of her love is stronger than death; she wins the pity of the judge of the underworld, manages to find her lover and come back to life. The opera "The Peony Pavilion" was composed in 1598 by the poet Tang Xianzu (1550-1617), one of the greatest playwrights of the Ming period. Of all the forms of Chinese opera that have followed one another since the 12th century, the kunqu is the one that best preserves the image of a classical art highly appreciated in educated circles for its musical, literary and gestural refinement.

In Pica Pica Kristersson invites the viewer to be enthralled for an hour and a half by the vicissitudes of magpie life. Opposing himself to the current nature films that tend to highly compress time in order to end up with a concentrated sequence of action-elements Kristersson leaves rhythm and tempo almost completely up to the magpies themselves. With great integrity he filmed the daily, social and emotional life of a species of birds that has many points of contact with human life. Thus, the movie offers us the oppurtunity to view our own everyday existence through other eyes, from a world right above our heads, but yet so far away.

Sarah Maldoror interviews women of different nationalities who serve as “public” writers, linking French administrative bodies with people who cannot speak or write French.

A short personal filmed journal about the director's nervousness in presenting a script and awaiting the decision about whether it can be made.

This is the follow up documentray to 1978's Speed Fever.

Djibril Diop Mambéty followed and filmed the shooting of Yaaba, Idrissa Ouédraogo's second feature film. A documentary full of humorous anecdotes regarding the dangers of shooting in Burkina Faso.

A three-member team of the Films Division of the Government of India visited Mongolia during July 1986 to produce a documentary on the People's Republic of Mongolia.

In 1977, Robertas Verba followed Jonas Mekas in Lithuania, his second trip there after he left the country in 1944.

Documentary about Alfonz Medve, who was president of the Domaháza co-operative for eight years from 1963.

Through a series of interviews with leading British AIDS activists and cultural theorists, this documentary investigates the way in which AIDS has been used by the media and by the government to increase state harassment of gay men and lesbians, black people and women. Framing the problem in terms of a left politic, the tape reveals how both homophobia and puritanism have been responsible for the slow government response to AIDS.

A witty, feature-length drama-documentary in which Marcel Duchamp, who once compared his own mind to that of a master criminal, is investigated by Sherlock Holmes. Holmes comes out of retirement, and with the assistance of Dr. Watson, proceeds to delve into the mystery of Duchamp’s major work, the once-notorious Large Glass (The Bride Stripped Bare by the Bachelors, even) 1915-23.

Episode of the French television series "Cinéma Cinémas" which documents the discovery of the negatives that led to the completion of the color version of Jacques Tati’s 1949 film "Jour de fête".

A documentary depicting the activities of Śmierć Kliniczna, one of the most famous rock bands of the 1980s in Poland.

Citations from love letters and poems written between Karl Marx and his fiancée Jenny von Westphalen during their teenage years are combined with images, paintings, and beautiful, atmospheric landscapes of places connected to Marx.

A onetime documentary directed by Moti Kirschenbaum who follows the history and the problems of living in the holy land. Following writer Amos Kenan and songwriter Naomi Shemer, the two discuss the meaning to live in the land of Israel.

The work related to the liquidation of the ‘Bogoslovec’ asbestos mine, in the village of Bogoslovec, has been entrusted to a man who has been doing the job for seventeen years. The mine's facilities and the crumbling machinery themselves speak for the absurdity of the entire procedure.

This documentary takes us on a journey of discovery through the words of young girls, members of the work team at Wuchang station, who spontaneously answer the filmmaker's questions. In these words and confidences, a concern emerges: to be first and foremost at the service of the Chinese people. Collective life takes priority over individual or family life. And when you get married, you agree to see your spouse only when their respective workplaces and schedules coincide...

Jean-Claude Rousseau's Jeune femme à sa fenêtre lisant une lettre is not only his first medium-length film, but a chance to discover this filmmaker whom Jean-Marie Straub has called, along with Frans Van de Staak and Peter Nestler, the greatest working in Europe. With this newly restored print there is also a possibility to discover the relationship between Rousseau's art of filming and Jan Vermeer's famous painting. As Prosper Hillairet wrote in 1988, four years after Rousseau had finished Jeune femme ... (for the first time as we know today): «Without adopting the usual systematic spirit and form of cinéma structurel, Rousseau presents us with simple images and leaves it at that. Keeps the image in hand. A minimalist and ascetic expression of cinema: a shot that lasts.»

Teen pregnancy short drama, mixed with a real Planned Parenthood group session of women, and excerpts from a lecture by Reverend Jesse Jackson.

This short documentary, with its aim of exposing the festival from the perspective of Andalusian culture and anthropology, delves into the complexities of this celebration. Understanding how difficult it is for outsiders to grasp that a saint could be a member of the UGT (General Union of Workers) during the Civil War and possess a membership card, we gradually decipher the festival while simultaneously revealing features common to many other celebrations deeply rooted in the culture and popular religiosity of the Andalusian people, such as the presence of a communist mayor presiding over the saint's procession and offering cheers.

A program originally produced for the BBC, and aired on television several times in 1986. Originally conceived as a long-form promotional piece for «Press to Play», the BBC staffer (Richard Skinner) persuades Macca to talk about much more, including one of the more in-depth interviews about Wings. All of the interview bits were done at Abbey Road studio 2, leading to some reminiscing on Paul's part. Scattered among the interview are some nice McCartney film rarities (including rarely seen promo clips/videos, concert footage from both the 1973 and 1976 tours, and even a bit of the never released "One Hand Clapping" film).

Filmed clandestinely, Zauberman’s extraordinary documentary exposes South Africa’s insidious apartheid policy of “race classification” by focusing on the love affair of Robert and Doris, and unresolvable, moral fissure with Robert’s children and the country. Winner of the Paris Film Festival Grand Prize.

The star of TV's Kojak takes a look at the history and attractions of the city of Aberdeen, Scotland.

In 1949, at the height of the Cold War, the British and American Governments decided to fight back at the growing Soviet Empire with a secret plan, the Albanian Subversion, in which the CIA and MI6 attempted to overthrow the Albanian government and to weaken the Soviet Union and the role of double agent Kim Philby.

A series of philosophical dialogues on friendship, architecture, electricity, cannibalism and human rights.

A stop-motion adaptation of the 1981 novel by geologist Dougal Dixon of the same name, which explores the speculative paths of evolution of modern animals into the far future.

Filmed account of the five MUSE (Musicians United for Safe Energy) concerts at Madison Square Garden and an outdoor rally at Battery Park in New York protesting the dangers of nuclear power. Performers include Bruce Springsteen, Jackson Browne, Carly Simon, and the Doobie Brothers.

Report on the traditions of the department of Ayacucho.

A touching documentary about artist Franz Krajcberg who moved from his home country to Brazil and started a life of environment activist.

Women workers stand up to the toxic flower industry in Colombia.

A documentary about the inner, unknown world of the brotherhoods, a universe of its own with its own laws, rules, and philosophy far removed from religion, which were (and in many ways still are) foreign to most people, especially the non-Andalusian majority in Spain. It is the only audiovisual document that captures the pivotal moment for the "people at the bottom" when professional bearers (dockworkers, day laborers, and various other wage earners) are being "pushed out" of the brotherhoods and replaced by fellow bearers. From an anthropological perspective, "Costaleros" projects peculiarities of Andalusian culture that are often misinterpreted and misunderstood from the outside.

È Pericoloso Sporgersi is Robert Nicod's first short film, shot in 1985, featuring four young climbers, two women, Catherine Destivelle and Monique Dalmasso, and two men, Alain Bultel and Marc Lecomte-Durouil, in the Verdon Gorges. In a natural setting of cliffs, rivers, sinkholes and vertical waterfalls, Catherine Destivelle and Monique Dalmasso climb the Bombé de Pichenibule. This progression, filmed as a female climbing adventure, represents a successful first 7b+ ascent for the French champion. The film received the Genziana D'Argento for best sports film at the Trento Film Festival in 1986.

Narrated by Phil Harris, a longtime friend of Fountain's, "Pete!" uses performance film, interviews, behind-the-scenes footage and a home videos to offer an intimate portrait of Fountain, the walking, talking embodiment of his hometown. Produced and directed by by John Beyer, the film originally aired on PBS stations nationwide. When it aired locally as part of a PBS membership drive, "Pete!" was credited with raising "more than had ever been raised by a single program in the history of WYES," according to a story published in The Times-Picayune in August 1980.

With lovers and violinists hovering overhead and unique colour compositions, Chagall advanced to the greatest art legend of the 20th century. Raised in a Jewish family in White Russia, painting took him out of the poverty-stricken, provincial limitations of his youth and brought him to the Parisian art world. Formed by the Jewish-Russian culture and the influence of the avant-garde in France, he was able to discover his own individual style. The film follows Chagall’s tracks from the viewpoint of an English artist. Starting in the Parisian artist colony “La Ruche”, he takes us on a voyage of discovery to Chagall’s fantastic and mysterious world.

Friends, contemporaries and even enemies of Alexander the Great gather in a tent to tell his tale through their eyes.

This documentary feature film is set in a two-storey villa, where three generations live together representing four different scales of values and views of life.

In 1970, Melek Tez came to Berlin as a young worker from Turkey. A confident woman, she first countered racist resentments and remarks with irony and wit. Jokingly, she even referred to herself as a "Kümmeltürkin", a derogatory German term for Turkish migrants. Yet after fourteen humiliating years, her fighting spirit has given way to resignation: Melek Tez is returning to Turkey. Blending documentary, interviews and re-enacted scenes, director Jeanine Meerapfel chronicles Melek Tez' life experience.