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Let's Talk Cinema, Henri Langlois' anti-courses

Henri Langlois, founder and director of the Cinémathèque française, is interviewed in his museum at the Palais de Chaillot and talks about cinema. “Henri Langlois's anti-courses” are made up of a set of short films, or more exactly of chapters. Each chapter is devoted to a filmmaker or to a significant pivotal period of such or such a country and of such or such style, or to a group of men whose action was, at one time, decisive for the course of cinema.

Let's Talk Cinema, Henri Langlois' anti-courses

NR 1976
The Pacification War in the Amazon

This document is the final chapter of the history of Brazil's Amerindian tribes caught up in the trap of modernization. The Parakana Indians undergo the first contact which begins the process of their pacification. They are attracted by presents laid out in the forest, then settled around camps. They are then confined to indigenous reservations before being completely assimilated by our conquering civilization. All such pacification is initiated through strategic or economic pretexts. The Amerindian civilizations of the Brazilian Amazon are either dying or definitely defunct.

The Pacification War in the Amazon

NR 1973
Our Cultural Heritage

Aslani takes us on a mesmerizing journey through Iran’s archaeological sites of Chogha Zanbil, Kerman, Damghan, Yazd, and Kerman, narrating the tale of the Sufi mystic Daghoughi through a 13th-century poem by Rumi. The Pahlavi Ministry of Culture, expecting a far more conventional documentary, kept the film from being shown. It was only in 2024, when Aslani set out to digitize the film, that he discovered two reels had been lost. MoMA presents the world-premiere of Aslani’s re-edited version, which seeks to recapture the meditative flow of his original work despite its missing sequences.

Our Cultural Heritage

NR 1972
The Fifth Facade: The Making of the Sydney Opera House

On 20 October 1973, the Sydney Opera House was officially opened by Queen Elizabeth II. From conception to completion, it had taken more than 15 years and over $100 million dollars. In the years since its completion, the Sydney Opera House has become one of the most identifiable of Australia’s icons - ranking with the Sydney Harbour Bridge, Uluru, the koala and kangaroo - and is considered by many to be among the world's great architectural masterpieces.

The Fifth Facade: The Making of the Sydney Opera House

NR 1973
Come and Work

The story of a Serer village in the groundnut basin of Senegal. Using the words of their ancestors passed on by oral folklore, the villagers trace the history of their village and their difficulties in working their land and living off their produce. Fad'jal is an extraordinary boundary defying film that interweaves ethnographic footage, intimate observation of everyday village life and fictionalised historical scenes. With it, Faye carefully encourages the viewers to reflect both on African history and storytelling, and on the intersection of fiction and documentary.

Come and Work

5.9 1979
Pavarotti: King of the High C's

Luciano Pavarotti’s sang some of opera’s most demanding roles – Manrico in Il trovatore, Rodolfo in La bohème and Cavaradossi in Tosca – winning him the highest critical acclaim. He was acknowledged a true successor to two of the greatest opera singers to have ever lived, Enrico Caruso and Beniamino Gigli. In this fascinating introspective, filmed in Modena, Pesaro and Verona, Pavarotti talks about his life and performs arias by Verdi, Puccini and Leoncavallo, accompanied by the Orchestra Stabile Romagna, conducted by Leone Magiera.

Pavarotti: King of the High C's

NR 1979
Super Woman

In the form of an investigative report, Super Woman offers a dive into the world of transvestites and transsexuals who, in 1975, brightened up certain Parisian cabarets such as the Carrousel, the Etrier, the Alcazar or Chez Michou... The latter introduces us to two of its stars, Duduche and Fifi, who evokes his encounters with Sylvie Vartan, whom he imitates to perfection. Then an investigator goes to the Carrousel and meets Claudie, Laurence, Peggy, Albane, Griselleda, Maryline and Kristel.

Super Woman

3.3 1976
A Look Into the 23rd Century

The movie Logan's Run (1976) depicts a supposedly Utopian society in the 23rd century, but one where, as producer Saul David puts it, "there is a worm in the apple". The filmmakers use current technology and ideals of pleasure to depict this perfect future. Director Michael Anderson finds meshing these two worlds an exciting challenge, especially in trying to create something that has never been seen before in the movies. The studio's technology department plays a key role in creating Anderson and David's vision. The movie's stars, Michael York and Jenny Agutter, provide their take on the movie, their roles and working with each other and with fellow co-star Richard Jordan. The filmmakers also need to create the antithesis of the modern Utopian world for the scenes taking place outside of the domed world.

A Look Into the 23rd Century

7.0 1976
Video: The New Wave

The New Wave is the seminal compendium of independent video work in the early 1970s. Written and narrated by Brian O'Doherty, this overview of the emerging video field includes examples of guerrilla television and "street" documentaries, early explorations with image-processing and synthesis, and performance video. This historical anthology includes excerpts of tapes by the following video pioneers: Stephen Beck and Warner Jepson, Peter Campus, Douglas Davis, Ed Emshwiller, Bill Etra, Frank Gillette, Don Hallock, Joan Jonas, Richard Serra, Paul Kos, Nam June Paik, Otto Piene, Willard Rosenquist, Dan Sandin, James Seawright, Steina Vasulka, TVTV, Stan Vanderbeek and William Wegman.

Video: The New Wave

NR 1975
Chantons sous l'occupation

This investigative documentary examines life in Nazi-occupied France, and features interviews with civilians who lived through World War II as well as stock footage of French entertainers performing for German soldiers. The filmmakers investigate the distinctions between collaboration, resistance and self-preservation by speaking with citizens who interacted closely with Nazis, who discuss their personal views about the ethical dilemmas they faced under occupation.

Chantons sous l'occupation

8.3 1976
Boston Fire

BOSTON FIRE finds grandeur in smoke rising eloquently from a city blaze. Billowing puffs of darkness blend with fountains of water streaming in from offscreen to orchestrate a play of primal elements. The beautiful texture of the smoke coupled with the isolation from the source of the fire erases the destructive impact of the event. The camera, lost in the immense dark clouds, produces images for meditation removed from the causes or consequences of the scene. The tiny firemen, seen as distant silhouettes, gaze in awe, helpless before nature’s power.

Boston Fire

6.7 1979