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Multiple Man

A many-faced view of humanity, of global man in all his forms and interests. Produced originally in 70 mm (with stereophonic sound) for showing at Man and His World, the Montréal fair that succeeded Expo 67, this film employs the multi-image technique. People of all places, origins, cultures, secular and religious, are here united and seen side by side, creating an impressive, inspiring and challenging portrait. The film's title appears in seven languages. Film without words.

Multiple Man

10.0 1969
Wealth of a Nation

"This film explores how freedom of speech — including dissent — is afforded to all Americans, and shows freedom of expression in art, music, dance, architecture, and science. The film also emphasizes the importance of the individual’s contribution to the whole of society and demonstrates how a productive and creative society is formed by the open and respectful exchange of ideas. The film was written, produced, and directed by William Greaves" (National Archives).

Wealth of a Nation

NR 1964
Before Launching into Space

This popular science documentary offers insights into a physiology laboratory conducting intensive investigations into the possibility of humans living in a space. Gravity experiments demonstrate how the human body might react in various conditions or using a centrifuge to test the effects of acceleration force on human tissue. In addition to presenting investigations into the psychology of loneliness, the film also shows how weightlessness is simulated aboard an airplane in free fall.

Before Launching into Space

NR 1960
Oslofilm: Kontraster i en by

The film highlights the city’s many contrasts. // Oslofilm was a series of public information films about life in and around Oslo, produced between 1940 and 1980. Funded by the state, the films offer valuable insight into postwar Norwegian society. A wide range of Norwegian filmmakers contributed to the productions, resulting in a rich variety of styles and expressions. Several of the films also possess notable cinematic qualities, standing out as more than just informational material. The Oslofilms represent a unique and important chapter in Norwegian film history.

Oslofilm: Kontraster i en by

NR 1963
La Pampa Gringa

“My life was the same as that of thousands of gringos: I plowed and sowed the land, and went to the bar on Sunday.” Such is the refrain throughout LA PAMPA GRINGA, which endeavors to relate the sense of community built by the European settlers who in 1865 first colonized the town of Esperanza, located in Birri’s native province of Santa Fe. Largely consisting of juxtaposed daguerreotypes from the period and newspaper printings, LA PAMPA GRINGA exhibits Birri’s ability to weave narratives out of historical documentation in deft, admirable form.

La Pampa Gringa

8.0 1963
Montréal un jour d'été

From dawn to night, Montreal is a living reality, with many faces, many occupations, and the uncertain and blurred colors of industrial cities. The film illustrates different aspects of this reality: the cosmopolitan Montreal, the anthropological Montreal and the plastic Montreal. Images: Electric wires; poles; view of houses and cars; airplane; bridge; men working on construction; mechanical crane pulley; mechanical crane in the street; men walking on constructions (scaffolding); skyscraper; park; lovers lying in the grass; canoe; children in a park; children on a boat; sailboats; bathers; factory chimney; quarry; CN locomotive; public market; traffic of cars and pedestrians; lights shining in the evening; fireworks

Montréal un jour d'été

5.5 1965
Sky Above and Mud Beneath

In September, 1959, six Europeans leave Cook's Bay on the southern coast of Dutch New Guinea, now West Papua or Irian Jaya, to trek north to the far side of the island. The journey (450 miles, as a crow flies) across unmapped territory took seven months; three Muyu porters died. Near both coasts, the expedition met villagers who invited them to observe rituals and live with them. In the interior, all villagers kept them at bay, and they depended on air lifts from Hollandia for food and supplies. They climbed above 10,000 feet, built 14 bridges, and fought leeches and malaria. The narrator focuses on describing Stone Age savages, headhunters, and cannibals.

Sky Above and Mud Beneath

5.7 1961
Nippon '69: Sexual Curiosity Seeking Zone

"Orgy Party" A secret apartment in Kansai. Everyone is naked, and while some drink alcohol calmly, five women and seven men intertwine silently or loudly. "Sexual Perverts" A perverted man is chained and whipped. A man and woman, dressed as dogs, drink a woman's urine and indulge in abnormal sex. "Vagabond Gathering" A group of vagabonds suddenly gather at Hanazono Shrine while under police surveillance. The group of vagabonds dance, sing, and light fires in a frenzy. "Bizarre Ritual" Men try to express the pain of childbirth by getting on a gynecological examination table, spreading their legs, screaming, and writhing in agony. "Kansai Striptease" Miyako Masumi, a popular figure in the Kansai nude scene, works as a nude model for magazines and chats with other strippers backstage. "Summer Night Park" Summer night parks are a paradise for couples. As the excitement builds with kissing and petting, they tumble onto the grass. They are oblivious to the sounds and sights around them.

Nippon '69: Sexual Curiosity Seeking Zone

4.6 1969
The Voice of the Water

The Netherlands and water, they are inseparable from one another. Water in its soothing form, as a place of work and pleasure and as a source of threat and misery. Bert Haanstra thought it a great subject for a big cinema documentary and made The Voice of the Water. At the start, while the credits are still running, it is already apparent how remarkable and original he portrays the beauty of the landscape of the Dutch coastline. In the following ninety minutes we see numerous people that live, work and recreate on, by and in the water. Often they are being observed in a gentle humorous way that reminds us of The Human Dutch. Some people prefer to stay far away from all the wetness: the little boy having a swimming lesson, but who doesn’t dare to put his head under water, is forever imprinted on the memory of many of the viewers.

The Voice of the Water

6.9 1966