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Last of the Nomads

This Norwegian documentary was released in other countries as Lapland Calendar. In Disneyesque fashion, the film details the day-to-day existence of the Norwegian Laplanders. The "story" concentrates on the annual odyssey wherein the Lapland reindeer are shepherded to snow-free grazing lands. Not surprisingly, director Per Host is more fascinated with the reindeer than with the human characters -- and, by extension, so is the audience. The film was lensed in economical Eastmancolor, meaning that most existing prints have washed out over the past 40 years.

Last of the Nomads

5.2 1957
La Crise du logement

One year after Abbé Pierre's famous call for help on 1-2-1954 exposing the appalling conditions in which millions of French people barely survived, nothing had changed much. In 1955, the housing crisis was rife and entire families were forced to live cramped in dilapidated buildings or in slums. Jean Dewever, outraged like Abbé Pierre by such an infamous situation, took his camera and made this militant short in the hope of alerting not only the average viewer but also the competent authorities.

La Crise du logement

6.5 1955
Flight to the Future ...to the World of Plastics

Marge, a young flight attendant, is offered the chance to work a chartered flight her boyfriend Bill is piloting. On the trip are four members of a company engaged in the manufacturing of various plastics - Messrs. Arnold, Duncan, Harmon, and Casey. Mr. Arnold engages Marge in conversation about many of the ways plastics are used in modern life. Then Mr. Duncan tells her about more uses of plastics. Then Mr. Casey tells her about further uses of plastics. Then Mr. Harmon tells Marge about additional uses of plastics.

Flight to the Future ...to the World of Plastics

NR 1952
Oslofilm: Museenes øy

A short film about the museums at Bygdøy in Oslo. ***** Oslofilm was a series of public information films about life in and around Oslo, produced between 1940 and 1980. Funded by the state, the films offer valuable insight into postwar Norwegian society. A wide range of Norwegian filmmakers contributed to the productions, resulting in a rich variety of styles and expressions. Several of the films also possess notable cinematic qualities, standing out as more than just informational material. The Oslofilms represent a unique and important chapter in Norwegian film history.

Oslofilm: Museenes øy

NR 1951
Cricket

Through the pattern of this film a ‘Test’ at Lord’s runs like a thread and a broadcast commentary on the match is imposed on the background of cricket as a game, a craft, an interest of a people, a piece of history. The craftsmen are shown who make the ball and the bat–that ‘fourth straight stick’ with which the batsmen defend ‘the other three’. The craftsmen are shown who play the game, from W. G. Grace in the ‘nets’ to D. G. Bradman and Denis Compton in the thread of the ‘Test’. The history of the game is epitomized in the Long Room shots at Lord’s and from there the camera moves to the village green; to the London side- street where the urchins play on a ‘bumping pitch’; to South Africa, and India, where in the ‘blinding light’ there is often ‘an hour to play and the last man in.

Cricket

NR 1950
Lied der Wildbahn

Song of the Wild is Heinz Sielmann's first feature film, made in black and white and a valuable contemporary document. Filming took place in 1948 and 1949 in the Deister, at the Meißendorf ponds near Celle, in the Lüneburg Heath, on the Ems between Papenburg and Lingen and in the Harz. At a time when food rations were low and poaching was everywhere, when the British victorious power had large areas of forest cut down, the film was intended to educate people about the value of the nature around them. The film premiered in the fall of 1949 and became a huge box office success.

Lied der Wildbahn

NR 1950