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National Liberation Football

In 2009, the Algerian team won their match against Egypt, thus qualifying for the 2010 World Cup, after significant tensions during the first leg, which included the stoning of the Algerian players' bus. The artist Amina Menia recalls that the collective euphoria of these celebrations seemed almost disproportionate and unreal, reminiscent of the popular jubilation surrounding Algeria's independence in 1962. She draws a parallel between political and sporting history through the use of archival footage and two interviews, one with Rachid Mekhloufi, star of AS Saint-Étienne and an emblematic figure of Algerian football. In the second interview, Slimane Zeghidour, a writer and journalist, offers a detached and critical perspective on the impact of football on the masses. By tracing these links, she examines the relationships between national representation, sense of belonging, fervor and the destiny of a community.

National Liberation Football

10.0 2020
Valley of the Rulers

A poetic and metaphysical view on a daily life routine in a distant nursing home, on a top of the mountain in Uzice, Serbia – the closest place to heaven. This is the last station on earth for old people that called “clients”. While they’re waiting for the end of their lives, prisoned in a desolate nursing home and their old-dying body, they are fighting for the freedom of their soul, the only place they can feel young and alive. A fight between light and darkness, suffering and acceptance, life and death.

Valley of the Rulers

NR 2019
OHO Film

OHO is considered one of the most interesting, complex and important examples of post-war avant-garde art in Central and Eastern Europe. After achieving major success as one of the first from Eastern Europe to exhibit at New York's MoMA, the group disbanded in 1971. OHO was not just an art collective but a unique cultural phenomenon that explored the visible and the immaterial through art, philosophy, sociology, science and coexistence with the earth and nature. Already in the 1960s, the group was raising relevant questions about anthropocentrism, ecology and the economics of the art. This documentary about OHO by Damjan Kozole is rich in never-before-seen archival material and, for the first time, comprehensively presents this inspiring phenomenon of intertwining art and life. - Slovenian Film Database

OHO Film

NR 2025
El Father Plays Himself

A young film director returns to Venezuela, inspired to make a film based on his father's life in the Amazon jungle (La Fortaleza, Jorge Thielen Armand). He casts Father to play himself. What starts as an act of love and ambition — filmmaking to more deeply understand the self, and the other — spirals into a process which confronts Father’s struggles with addiction and his life devoid of his son. EL FATHER PLAYS HIMSELF holds a steady lens to the way the act of cinema unearths, binds, heals and destroys.

El Father Plays Himself

7.0 2020
Viva Varda!

A pioneering post-war female film director, an instigator of the New Wave who was honored by Hollywood in her own lifetime, Agnès Varda has become a source of inspiration for a whole new generation of young filmmakers. With movies like Cléo de 5 à 7, Le Bonheur, Sans toit ni loi, Les Glaneurs et la glaneuse, she created a quirky, open to the world, sensitive to the disenfranchised, often silly body of work. Always one finger on the pulse, she shook everything up, including cinema itself which she refused to constrict to pure fiction or long-form films.

Viva Varda!

8.1 2023
Young Man, Young Man

Young Man, Young Man unfolds in a fragmented structure, reconstructing Yang Fudong’s recollections of his 1980s adolescence in a Beijing military compound, along with scattered memories of collective life in the post-socialist era. In the film, young boys run, practice martial arts, wait for the bus, splash in water, and play in cornfields. There is no fixed narrative; instead, the boys seem to drift through an endless summer. Yet an undercurrent of distance and estrangement suggests that childhood has already quietly slipped away. These moments of adolescent innocence and loneliness, crystalized within the film, form a dreamlike allegory.

Young Man, Young Man

NR 2025
The Term. Beginning of a Big Story

The documentary project The Term was conceived in May 2012. When the directing trio commenced mapping the Russian sociopolitical landscape, Vladimir Putin had just settled into the Kremlin for his third term. The original experimental format of “documentary bulletins,” which were published daily online, allowed for wide-ranging content; in the feature film version, however, the filmmakers focused solely on the members of various opposition groups. Nevertheless, the work’s neutral position remains and viewers have to interpret the objectively presented situations for themselves. The main characteristics of this strongly authentic movie include close contact with the protagonists, precise editing, and an effectively controlled release of information.

The Term. Beginning of a Big Story

4.2 2014
Under the Sea 3D

Imagine a world of incredible color and beauty. Of crabs wearing jellyfish for hats. Of fish disguised as frogs, stones and shag carpets. Of a kaleidoscope of life dancing and weaving, floating and darting in an underwater wonderland. Now, go explore it! Howard Hall and his filmmaking team, who brought you Deep Sea and Into the Deep, take you into tropical waters alive with adventure: the Great Barrier Reef and other South Pacific realms. Narrated by Jim Carrey and featuring astonishing camerawork, this amazing film brings you face to fin with Nature's marvels, from the terrible grandeur (and terrible teeth) of a Great White to the comic antics of a lovestruck cuttlefish. Excitement and fun run deep Under the Sea!

Under the Sea 3D

6.9 2009
Phantasia

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.

Phantasia

8.0 2024