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The gripping story of legendary American actor John Travolta: his rise to stardom in the 1970s; his agonizing fall in disgrace in the 1980s; and his stunning artistic rebirth in the 1990s.

In barely a century, French peasants have seen their world profoundly turned upside down. While they once made up the vast majority of the country, today they are only a tiny minority and are faced with an immense challenge: to continue to feed France. From the figure of the simple tenant farmer described by Emile Guillaumin at the beginning of the 20th century to the heavy toll paid by peasants during the Great War, from the beginnings of mechanization in the inter-war period to the ambivalent figure of the peasant under the Occupation, From the unbridled race to industrialization in post-war France to the realization that it is now necessary to rethink the agricultural model and invent the agriculture of tomorrow, the film looks back at the long march of French peasants.

An immersive dive into the heart of the discomfort felt by anyone struggling to sleep.

One of society’s last taboos is elderly desire, which remains strong for many: half of older adults remain sexual. Advances in medicine and lifestyle mean people in their 70s, 80s, or 90s can still explore and enjoy intimacy. Yet society often ignores this—aged bodies are deemed unattractive, and sexual desire beyond tenderness is stigmatized, sometimes leading to mistreatment in care homes where couples are separated. The documentary Vieillir et jouir sans entraves confronts this taboo. Featuring celebrities and real-life couples—including Francine and Marc (60 years together) and gay couple Jean-Marc and Alain (34 years together)—it explores aging bodies, love, sexuality, and the challenges of libido and illness. The film highlights initiatives supporting sexual expression for older adults, including LGBT-friendly housing and sex-positive care, urging society to rethink its view of aging intimacy.

Her whole childhood, Marguerite Duras spent her time moving. Her house in Neauphle-le-Château is the one she has lived in the most, and the one she says: “All the women in my books have lived in this house. All ... ” Duras tells about her house and her garden closely linked to his work, remembers the forest of her childhood and evokes her fear of music.

Success is inevitable for a musical in which Fred Astaire appears - if it was also written by one of the most talented composers of his time. Irving Berlin, Jerome Kern, George Gershwin - all these brilliant composers knew how to deal with the fact that not only Astaire's legs are like an instrument, but that his whole being is filled with music.

A quietly observed montage of animals in captivity—seals, leopards, gorillas, wolves, monkeys, ostriches, and others—Zoo Piece shifts perspective from spectacle to confinement, reflecting on the boundaries between observation and imprisonment.

Seijun Suzuki became a cinema legend in the 1960s with a handful of pop-art films. So how can you make a portrait of this iconoclastic director without also adopting a 'style to kill' documentary convention, as well as testimonies from a variety of leading figures in contemporary Japanese and international filmmakers.

Jean-Luc Godard is synonymous with cinema. With the release of Breathless in 1960, he established himself overnight as a cinematic rebel and symbol for the era's progressive and anti-war youth. Sixty-two years and 140 films later, Godard is among the most renowned artists of all time, taught in every film school yet still shrouded in mystery. One of the founders of the French New Wave, political agitator, revolutionary misanthrope, film theorist and critic, the list of his descriptors goes on and on. Godard Cinema offers an opportunity for film lovers to look back at his career and the subjects and themes that obsessed him, while paying tribute to the ineffable essence of the most revered French director of all time.

On the death of his mother, a filmmaker makes a film to see how much her disappearance has changed his vision of the world. It is an opportunity for him to look back over his relationship with her: a relationship that made him a free individual, as a man and as a filmmaker. The second night is the final part of a trilogy that began with Letter from a filmmaker to his daughter, which was followed by Dreaming films. The making of this " Cabin Trilogy" is the fruit of fifteen years of work and reflection.

This short documentary records the celebration and ritual surrounding a snowshoe competition in Sherbrooke in the late 1950s. The film marked the beginning of a new approach to reality in documentary and prefigures the trademark style of the NFB's newly formed French Unit. Today, "Les raquetteurs" is considered a precursor to the birth of direct cinema.

Clint Eastwood made his mark on cinema by abandoning violent action films to turn his attention, behind the camera, to more substantial productions that were praised by critics.

Camille Decourtye and Blaï Mateu Trias are heads of Baro d’evel, a celebrated French performing arts company. When the Festival d’Avignon commissions a new piece from them, they feel the need to find a renewed sense to their existence as artists, partners and parents

For two weeks, around twenty young musicians from the northern districts of Marseille come to train every day and rehearse three jazz pieces.

Getting married to Enrico Macias' daughter, I didn't know that, 30 years later, I will still be mad at him for turning our wedding into an excessive show. When I watch my wedding's footage, I realize that I started a family at that precise moment : two sons, a break-up, three daughters, another break-up, a loss.

A captivating portrait of French actor Michel Piccoli, who has worked with the greatest filmmakers of his time and has built a dazzling career of remarkable merit and success, focusing on his work during the 1970s and his professional relationship with Claude Sautet, Romy Schneider, Marco Ferreri and Luis Buñuel.

The Blocher Experience tells the story of Switzerland’s most controversial political leader. It also chronicles the face-to-face encounter between a film-maker and a man of power, through a year of exclusive, up-close interviews and access to his private life.

The leading consumers of medicines on the planet, are the French really sicker than the rest of humanity? Or are there other explanations for this bulimia? By mixing in-depth interviews and plasticine animations, this documentary takes viewers on a journey through the drug. Materialized by the setting of a town, Pharmacy, this walk goes through all the stages. From clinical trials to marketing, from therapeutic evaluation to price setting, from marketing hype to the side effects suffered - at the end of the chain - by patients, public authorities and the pharmaceutical industry are questioned without question. detours on their responsibilities.

Born in Ukraine in 2008 in the wake of the "Orange Revolution," the feminist movement Femen fights for democracy, freedom of the press, women's rights, and against corruption, prostitution, sexism, racism, poverty, and religion. The activists quickly caught the attention of the media with their shocking protests. In 2012, at the creation of Femen France, Caroline Fourest followed their actions. They notably affirmed their support for "Marriage for All" by protesting on November 18, 2012, during the demonstration organized by the Civitas Institute against the bill, provoking sharp clashes.

In early 2013, it was announced that choreographer and dancer Benjamin Millepied, known as the man behind the ballet of Black Swan, would take over as director of the Paris Opera Ballet. Reset finds Millepied on the eve of his first gala with the Opera, designing and refining his inaugural choreography for the esteemed institution. As a film, Reset possesses of the same artistic assuredness as its subject as he blocks out the preliminary steps for his choreography. It explores various concepts of space simultaneously: the digital space, the space of the opera house (each scene opens with a declaration of which studio it’s in) and the space of the stage, the distance from stage right to stage left. It’s a portrait of a watershed moment for one of the ballet's oldest institutions and one of its brightest new stars, both on the cusp of great transition.

The human adventure of the Stade Toulousain rugby team, the most successful in France, facing the most ambitious challenge in its history. Despite tenacious adversaries, despite injuries, these determined fighters throw themselves headlong into the arena to win their 5th European champion star and thus become the most successful European club in history.

A thirty-three-minute documentary featuring interviews with director Pier Paolo Pasolini, actor-filmmaker Jean-Claude Biette, and Pasolini friend Ninetto Davoli.

Documentary about director Jean-Luc Godard and Anna Karina. In 1960, Jean-Luc Godard films for the first time Anna Karina and falls in love. His cinema is transformed by it forever. Spanned from "Little Soldier" to "Crazy Pete" through "A Woman is a Woman", "My Life to Live" andd "Alphaville", this documentary tells how, during five years , Godard and Karina consciously mixed cinema and private life, with constant will to film "as in true life" and to live "as in film"

At age 33, Finley Blake lives alone in a remote house in Austin, Texas. Since her divorce, she has been fighting to get back custody of her son, who was removed from her because of the supposedly immoral nature of her work. Finley is a camgirl: she earns her living by performing customized sexual scenes online. Flesh Memory is a document of a few days in her life, which is at once profoundly isolated and populated by virtual presences, a life attuned to screens, to so many distant interfaces connecting her to the outside world. The background to Finley’s performance life is her custody battle for her son.

The prison in Volterra, Tuscany, is home to a unique artistic practice: It is within these walls that Armando Punzo, shut away for three decades with men serving long sentences, has created his plays.

Art professionals hold on to their sense of artistic merit as billionaires dominate the market.

In 1979, the Pacific Club was opened in the basement of La Défense - the business district of Paris. It was the first nightclub for Arabs from the suburbs; a parallel world of dance, sweat, young loves, and one-night utopias. Azedine, 17 years old at the time, tells us the forgotten story of this club and of this generation who dreamed of integrating into France but who soon came face to face with racism, the AIDS epidemic, and heroin.

At age 25, Olivier Rousteing was named the creative director of the French luxury fashion house, Balmain. At the time, Rousteing was a relatively unknown designer, but in the decade since, he’s proven his business prowess and artistic instinct by leading Balmain to new heights. Wonderboy gives the viewer the rare opportunity to experience the inner sanctum of the fashion world, as we stand shoulder-to-shoulder with this extraordinary individual while he works.

This documentary consists mainly of archive interviews of Jean Cocteau, and it features interesting contributions by Jean Marais and especially Jean-Luc Godard, who discusses Cocteau's foray into cinema. The film documents all the artistic media explored by a man who defined himself, first and foremost, as a poet.

Bastien is twenty years old and has been an activist for five years in the main extreme right party. When the presidential campaign begins, he's invited by his superior to commit even further. Initiated into the art of decking himself out like a politician, he starts to dream of a career, but old demons surge forth...

A documentary road-movie about 7 young women's artists on tour on a bus, all over Europe this summer, who create on stage a manifesto on feminism, sex, art and education.

"I was interested by the fact that some old guy, after the Parthenon’s glamour, devoted himself in a much smaller temple, where there was no white marble, no nothing. All Greek temples are dedicated to Apollo etc, and this particular one was not dedicated to anyone and is in a place where there never was a city nearby, in a kind of wasteland, in a ditch. But, just by going up a bit –you are in the centre of Peloponissos- on a clear day, you can see the sea on both your left and right. I went back there, at least six, seven or eight times, as if I wanted to think or find myself. So, at the temple in Bassae, I made a short 10 minute film and I was lucky enough to encounter two days of clouds and mist between the columns."

Michel Vaujour, former thief and mobster, always chose making a break for freedom over a life behind bars, adventure over a life of submission. He has spent 27 years in prison, 17 of those in solitary confinement. He succeeded in carrying out amazing escapes with toy guns, worthy of a Hollywood script, including a daring helicopter breakout from the roof of a jail. He was finally released on parole in 2003. This documentary is an uplifting and universal story of a remarkable transformation. Michel Vaujour's greatest escape was not from jail but from himself. The liberation of the mind and ultimately, the soul. His isolation forced him to continuously confront himself. The reward has been self-enlightenment.

What starts off as a conventional travelogue turns into a satirical portrait of the town of Nice on the French Côte d'Azur, especially its wealthy inhabitants.

A young man finds in an old abandoned farmhouse in Vans in Ardèche some fifty letters and a notebook forgotten there. Back in Paris, he discovers that it is a romantic correspondence between a young peasant girl and a captain during the 14-18 war. The film recreates this love story.

Marusya is 16 and, like many Russian teenagers, is determined to end her life. Then she meets her soulmate in another millennial, Kimi. They spend a decade filming the euphoria and anxiety, the happiness and misery of their youth, muzzled by a violent and autocratic regime in the midst of a “depressed Russia”. This film is a cry from the heart, a tribute to an entire silenced generation.

For the first time in a documentary feature, the prestigious House of Dior opened its doors to show the wonders of perfume creation. Travelers at heart, Arthur de Kersauson and Clément Beauvais followed François Demachy for two years and over 14 countries, from Grasse to the other side of the world, in his search for inspiration and the most precious raw materials.

A documentary about the making the infamous art-house film 'Vase De Noces' ('Wedding Trough').

"110 Years ago, i received a call that brought me into the Real World. Today, I am trying to get out of it."

Director Jean-Luc Godard reflects in this movie about his place in film history, the interaction of film industry and film as art, as well as the act of creating art.

Between 1931 and 1933, 4 million Ukrainians were to die of hunger. This famine was not preceded by any cataclysmic weather event, nor by a war. This was an ideological crime: decided by Stalin and approved by the Politburo, with the aim of punishing Ukrainian peasants who refused the collectivization of the countryside, cultivated a strong form of nationalism and showed resistance to communist ideology. Drawing on previously unpublished material, on many Soviet films and on a number of particular points of view, including that of Welsh journalist and whistleblower Gareth Jones, this film retraces the story of that famine.

A handheld video camera explores image-surfaces as a visual collective unconscious: a TV screen, Polaroids, photos. A conceptually and formally compelling film about the idea of change, the loss of a revolution, the defying memory of the 70s decade.

Woody Allen's interview with France Roche.

In the 2014 municipal elections, at Saillans in the Drôme department, a citizen electoral list carried the day based on the project for participatory democracy. Great hopes are kindled by this “Republic of Saillans”. Five years later, as the next elections draw near, the village meets to make a first assessment of this political experiment.