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A film from 1970, directed by Ferd Sebastian.

Heroin anti-drug educational film

Writer and filmmaker Assia Djebar explores Algerian history, the psychological impact of war, and post-colonial female identity in this 1979 classic of film literature. Named for (and taking its structure from) a traditional song with five distinct movements, the film combines documentary-style observation with loose narrative form to tell the story of Lila, an Algerian expatriate returning to her country 15 years after independence has been won. In comparing her life with the lives and experiences of rural Algeriennes, Lila is able to put her childhood demons to rest and discover a new history -- one written in the ongoing strength of generations of women. Like much of Djebar's writing, the film has a strong subtext dealing with resistance to patriarchy and women's desire to appropriate the means of power and expression -- one of which, of course, is the filmmaker's camera.

The time was 1938. The place, Hollywood. This is the story of one of the 456 films made that year, how it was made, and why it has endured.

With a focus on the everyday life of a gay couple, and featuring interviews with a number of gay people, the film gives an account of the difficulties faced by this minority.

“In Search of Unreturned Soldiers was about former soldiers of the Japanese army who chose not to return to Japan after the war. I found several of them who had remained in Thailand. Two years later, I invited one of them to make his first return visit to Japan and documented it in Outlaw-Matsu Returns Home. During the filming, my subject Fujita asked me to buy him a cleaver so that he could kill his ‘vicious brother.’ I was shocked, and asked him to wait a day so that I could plan how to film the scene. By the next morning, to my relief, Fujita had calmed down and changed his mind about killing his brother. But I couldn’t have had a sharper insight into the ethical questions provoked by this kind of documentary filmmaking.” —Shôhei Imamura

Documentary about a steelworker strike on New Year's Eve 1978/79.

Captures a moment in 1970s Britain's immigration debate, focusing on new arrivals at Heathrow as they wrestle with immigration law.

Documentry of Abu Rayhan Biruni (973-ca. 1050) the Great Persian Scientist.

This documentary is a must have for "old school" wrestling fans! It's loosely focused on the career of 23 year old Vivian Vachon during her first professional tour, and the wrestling legends she shares the ring with. Through interviews with wrestling superstars, the promoters, the fans, and the critics, Wrestling Queen will give you a snapshot of a rarely seen part of 70’s culture, along with a healthy dose of wrestling nostalgia!

A concise and poetic story of a man whose model airplane vanishes over the sea.

An actor pretends to be a writer. He sits in his office, reflects and puts words to paper, which are then performed by Jan Decorte. The text influences the situations shown and vice versa [Avila].

Television documentary about German-born American director Douglas Sirk.

Arrowplane is the multiplication of a one-directional, horizontal 180-degree-panning shot with itself, applied to three landscapes – mound, city and beach.

Testimony by instrumentalist Osvaldinho da Cuíca with historical explanation of the presence of cuíca in several countries around the world and its popularization in Brazil based on samba. Osvaldinho gives tips on how to extract the sound from the instrument and makes a presentation at the Casa Verde Samba School Mocidade Alegre.

In 2022, the original negative of the film Javier Aguirre created in 1973 was found. It had never been shown, due to the threat of censorship, which had already targeted his short film Che Che Che. Aguirre himself had written in the label Manifiesto Horizontal. It is the Communist Manifest written horizontally with transparent glue on 35mm film. Aguirre stated that this piece “is born out precision, geometrical thinking (…) and when something happens by chance, that chance has been thoroughly studied.”

‘Freeing the Memory’ is the second of three significant performances enacted in 1976 in which Marina Abramović attempted to achieve a mental cleaning through the exhaustion of the three main faculties of expression, voice, language and body. In this piece, Abramović said every individual word she could recall until she could no longer continue without repetition. The mental strain of this act, which lasted ninety minutes, allowed the artist to exhaust her consciousness into a state of complete blankness.

A 1978 episode of the French television program Ciné regards, featuring critics Michel Ciment and Georges Perec, that looks back on Ozu’s career.

The painter Juarez Paraíso describes the assembly of panels at the entrance of the Cinema Tupi, in Salvador, explaining their meaning.

A German Film Award winning short documentary.

One Saturday night at a Rio carnival. Filmed in the famous 'Elite', using direct sound, it faithfully documents all the stages of the party: the preparation of the hall, the bar, the regulars, the orchestra, the music, the dance and the characteristic types, all forming a large panel popular power and poetry.

Charles Aznavour talks to Jacques Chancel, evoking happy memories such as the pain au chocolat at tea time, or Graziella, his first love at the age of 12. The singer talks about his career, his admiration for Trenet and Brassens, and his marriage, “a happy and definitive stopover”. These confidences are interspersed with excerpts from concerts and rehearsals.

Documentary short film about Enrique Cabrera Barroso, a Mexican university student leader of the 1968 student movement and member of the Mexican Communist Party.

When 20 students decided in the fall of 1976 to leave Gamlebyen county college and create their own alternative county college in Skjeberg, they initiated one of the most interesting school experiments that has ever seen the light of day in Norway. Within a short time, the students themselves established Kvastebyen alternative county college where there was no curriculum, but where all activities, both academic and practical, were part of the program.

The Revolution also put an end to the colonial wars in Guinea Bissau, Mozambique and Angola. Vasconcelos recounts the absurdity of this bitter conflict. - Cinema du réel

Documentary about children and accidents focusing on a family who lost their son who fell down a well.

A lyrical journey through the heart of Chicano culture as reflected in the love songs of the Tex-Mex Norteña music tradition. Performers include, Little Joe & La Familia, Leo Garza, Chavela Ortiz, Andres Berlanga, Ricardo Mejia, Conjunto Tamaulipas, Chavela y Brown Express and more.

A man doing the ironing on the ground floor of a tenement house observes the yard.

Experimental film inspired by Andy Warhol's 'Sleep'.

An examination of the prophecies and predictions of the 16th-century mystic Michel Nostradamus.

Directed by Mira Nair, this documentary records street life in the traditional Muslim community surrounding the Jama Masjid in Old Delhi. Filmed as an observational portrait, it focuses on everyday activities and the responses of residents to the filmmaker’s presence.

An intimate view of the panorama of African wildlife, giving a sense of what it is really like to be there, and in a dramatic climax makes a poignant plea for conservation. Filmed in Zaire, Kenya and Tanzania, the film takes the viewer from deep inside an anthill, to the majestic giraffes suckling their young. African storms, dung beetle ritual dances, duels for supremacy, feeding time, and playtime all end as the animals disappear one by one while the sound of a rifle shatters the existing magic of life. Winner of the Academy Award for Documentary Short Subject, 1976.

Eustache’s grandmother Odette Robert was a key figure in his life, serving as a substitute mother during much of his childhood (My Little Loves was dedicated to her). In 1971, he recorded an interview with her that went largely unseen until 2003—Eustache never screened the complete film publicly, although a radically truncated version was presented on television. In a string of long, stationary takes, the camera watches over Eustache’s shoulder while he pours countless glasses of whiskey and Odette tells the stories of her life. A number of her themes resonate with those of Eustache’s films: cruelty, male philandering, the Rosière festival of Pessac. Number Zero is a return to origins—of cinema and of the self—and an experiment in narration, both restrained and deeply personal.

A television documentary about the Twenties told through the use of Hollywood movies, audio recordings and newsreels of the period. Narrated by Gloria Swanson.

Documentary about the famous Ukrainian philosopher and poet Hryhoriy Skovoroda, which was banned by Soviet censorship. The film only reached the screens 15 years later, during Perestroika era.

Dynamics and order of the bricklayers carrying out a construction job with cement and bricks.

A portrait of the filmmaker’s brother-in-law Steve Jackson with psychedelic photograph animation synchronized to music performed by Chuck Aliamo.

Film produced and directed by Ricky Leacock, Edward Pincus, and MIT Center for Advanced Visual Studies documenting the Centerbeam kinetic sculpture project and its first installation at documenta 6 in Kassel, Germany in 1977

Through the direct testimony of the Indians, the phenomenon of acculturation suffered by the Otomí minority of the Mezquital Valley, one of the poorest rural areas of the state of Hidalgo, in Mexico, is analyzed. It tries to show a broader problem that encompasses a large part of the Continent; how other peoples, other ethnic groups, are exterminated with all kinds of mechanisms, from brutal repression to the most sophisticated cultural penetration.

In this witty documentary monologue, Glenn Gould reflects on his complex relationship with Toronto — praising its quietude, poking fun at its reputation, and weighing its cultural mosaic, urban resilience, and rivalry with Montreal. With his trademark mix of clarity, irony, and personal reminiscence, Gould reveals a bond with the city that is neither boosterish nor dismissive, but as nuanced and singular as the man himself.

Portraits of single farmers and farming families whose children have left to work in the city.

A film-détournement biography of Mao Tse-tung in which the life of the recently deceased Great Helmsman is told in his own words, using quotes culled from various Red Guard publications. The rise to power of the film's namesake appears as the inevitable outcome of a dialectical logical. Or so the voice-over might lead one to believe. If the usual practice of détourned films is for the soundtrack to undermine the image, here the reverse occasionally takes place. The images critique Mao's words. They show that which, even in the official visual record of the times, the narrative elides. The film is dedicated to Li Yhi Zhe, the nominal author of a famous Democracy Wall critique of the Maoist state.

A documentary exploring the legends of vampires, using books, paintings and early films on the subject.

From many distinguished American poets comes the connecting narrative for this gorgeously photographed treatise on America the Beautiful and America the Increasingly Ugly.

A Latin palindrome is the title of Guy Debord's last film, in which he, as narrator, explains that he will make neither concessions to the tastes of his viewers nor to the dominant ideas of his day. After extensively insulting the audience that goes to the cinema to forget its heteronomous life, the film becomes autobiographical, using images from the world of spectacle: advertising brochures, clips from feature films (Les enfants du paradis), comics, aerial footage of Paris, tracking shots through Venice, photographs of friends – all commented on by Debord, with an at times melancholy undertone: "This Paris no longer exists." His assessment is that one of the great pleasures of his life has been the sensation of the passage of time, and as a witness to the disintegration of social order, he has loved his epoch.

Documentary about Cambodia featuring a long interview with Pol Pot

"I believe that every artist needs to be reborn", declares Marcel Janco, one of the co-founders of the Dada movement. Janco, 82 during filming, tells in this film about his various periods as an artist: from the first sketches on a school notebook, to the foundation of the Dada in Zurich, ending with foundation of the artists' village Ein Hod in Israel

A particular reading of the hard years of famine, repression and censorship after the massacre of the Spanish Civil War (1936-39), through popular culture: songs, newspapers and magazines, movies and newsreels.

In this two-part documentary, Eberhard Fechner reconstructs the story of a class of pupils who passed their A-levels at Berlin's Lessing-Gymnasium in 1937. The starting point for the research is the class photo that gives the film its title. The conversations with the men, which revolve around their lives, bring back memories. However, it becomes clear how many of them have repressed the events of the Nazi era. Apologies, excuses and trivialization of the violence and crimes come out of many mouths.

A documentary depicting the dangers of PCP use. Shows how both animals' and humans' behavior is affected by the drug and describes its physical, psychological, and emotional aftereffects.

A documentary exploring the childhood of filmmaker Sergei Eisenstein in Riga, examining how the multicultural city and his early encounters with art shaped the future pioneer of Soviet cinema.

A 1974 documentary in which comedian Dave Allen meets a variety of eccentrics including Alexander Stuart Wortley who lives in a box on wheels, a cowboy vicar and the artist/filmmaker Bruce Lacey showing his set-up where he pretends to fly a Lancaster bomber in his garage.

Chucuito, city of the Royal Boxes described by an important authority of that town in Puno.

A 1978 French documentary film directed by Albert Lamorisse about the landscape of Iran. Lamorisse was killed in a helicopter crash while filming the documentary, during a helicopter-tour of Iran. His widow completed the film, based on his production notes, and released the film eight years later in 1978.

This documentary takes us on a ride through Marginal Tietê, an important avenue in São Paulo, Brazil, then recently opened to the public. The places it crosses and the people living nearby force the viewer to think about the core of this big city.

This short film -one of the last made by the Afro-Cuban filmmaker before his definitive expulsion from ICAIC in 1972- alternates shots of the assembly of a vehicle designed for workers' transportation with the exploration of the conditions of workers' representation and political participation in an assembly held in the workshop. The radical disjunction between image and sound interrupts the logic (and etymology) in which the agglutinating force of the "assembly" and the operation of the "assembly" of the parts converge in the dissonant structure of this documentary.