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Oslofilm: Gass har framtiden for seg - Oslo Gassverk

In the mid-1950s, Oslo imported 27,000 tons of coal annually, which was converted into coke, gas, and tar. This production took place at the Oslo Gasworks at Ankertorget. The gas was used both in private households and by industry. ***** Oslofilm was a series of public information films about life in and around Oslo, produced between 1940 and 1980. Funded by the state, the films offer valuable insight into postwar Norwegian society. A wide range of Norwegian filmmakers contributed to the productions, resulting in a rich variety of styles and expressions. Several of the films also possess notable cinematic qualities, standing out as more than just informational material. The Oslofilms represent a unique and important chapter in Norwegian film history.

Oslofilm: Gass har framtiden for seg - Oslo Gassverk

NR 1956
Yankee Go Home: Communist Propaganda

In this film, George V. Allen, the first director of the United States Information Agency (USIA), explains the purpose of his organization and the ways he hopes to counter anti- American propaganda in the popular media, particularly in motion pictures. Segments from various Soviet documentary and feature films are examined, and highlights include footage of an international youth festival in Moscow Stadium and scenes from Grigori Alexandrov's film "Meeting on the Elbe," which depicts American troops meeting their Soviet counterparts at the Elbe River bridge. Also included are segments from the Soviet feature film "The Partisan" and the Cannes Festival award-winning film "The Forty First."

Yankee Go Home: Communist Propaganda

NR 1958
Oslofilm: From Ekely. The city and the artists

Ekely was painter Edvard Munch's property in Oslo, where the Oslo municipality established a colony for artists. Norwegian artists, such as sculptor Hilt, are seen at work. ***** Oslofilm was a series of public information films about life in and around Oslo, produced between 1940 and 1980. Funded by the state, the films offer valuable insight into postwar Norwegian society. A wide range of Norwegian filmmakers contributed to the productions, resulting in a rich variety of styles and expressions. Several of the films also possess notable cinematic qualities, standing out as more than just informational material. The Oslofilms represent a unique and important chapter in Norwegian film history.

Oslofilm: From Ekely. The city and the artists

NR 1953