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The Unwanted

“They come in search of the American Dream, only to find they have become the unwanted,” begins this groundbreaking television documentary on the troubles faced by Latino immigrants in the United States. Amid calls for broader governmental reform of the immigration process, the film focuses on human roles in the everyday drama, casting immigrants’ plight as powerless political pawns in a game that exploits undocumented migrants’ labor while criminalizing them at the same time. As Pablo, Gabriel and Yolanda Lopez and the Garcia family seek to improve their livelihood in a new country, away from economic troubles at home, they face repeated profiling, raids and deportation by border patrol and immigration enforcement officers, creating a revolving door of frustration for all involved.

The Unwanted

NR 1975
Abîmes

Mountaineers Roberto Sorgato and Ignazio Piussi relive their 1961 adventure: the first winter ascent of the north face of Cima Ovest di Lavaredo, a formidable Dolomite wall reaching 2,973 meters. During this expedition, Sorgato accidentally fell 60 meters while the climbers were preparing their third bivouac and found himself suspended in mid-air by a rope. Through sheer perseverance, ingenuity, and courage, he managed to pull himself back to his partner. The film, shot eleven years later, is a reenactment with the protagonists playing themselves. The difficulties this climb presents, even for the most experienced climbers, are irrefutably highlighted. The film received the Genziana d'Oro award at the Trento Film Festival in 1973.

Abîmes

10.0 1972
Home

Young people living in a children’s home in Mecklenburg talk about their unstable home situations and domestic violence. Many of them have alcoholic parents and some are in danger of going down the same path. They speak openly about the past and their hopes for a better life. The documentary follows the young men and women within the group and in search of personal space. A party to start the summer holidays marks not only the end of the school year – it also means that an entire class will be taking leave of the home forever.

Home

NR 1978
Retrato de Classe

A funny chronicle of the São Paulo middle class in the 1970s, based on a simple but effective premise: a primary school class meeting, 20 years later. Retrato de Classe starts from a photo of the junior class of a private school, in a middle class neighborhood of São Paulo. He searches for and gathers former colleagues and a teacher, in order to recreate the group's trajectories, to draw the profile of the country's metropolitan bourgeoisie. A country in crisis and a middle class that was experiencing the collapse of the economic miracle. Frustrations, desires, prejudice and futility are part of this universe of people and their life trajectories.

Retrato de Classe

NR 1977
The Impossible Hour

The Impossible Hour is a concentrated study of Ole Ritter's attempt in Mexico City in 1974 to set a new record for the hour - described in the film as "the noblest, most difficult record that can be set on a bicycle". A brief retrospective in black and white sets the historical framework, with shots of Ritter and Eddy Merckx' successful record attempts in 1968 and 1972 respectively, and a few words about former record holders such as Fausto Coppi.The film follows Ritter's three record attempts chronologically, which, accompanied by a Mexican marching band on the bandstand, all fail.

The Impossible Hour

6.2 1974
Ragnarock

Dette er den første norskproduserte musikkfilm, tatt opp i Holmenkollen søndag 17. juni 1973. Med.: Aunt Mary, Sigbjørn Berhoft Osa og Saft, Hvalsøespillemendene, Merit Hemmingson och Folkmusikgruppen, Prudence, Splash, Savage Rose, Culpeper's Orchard, Skin Alley, Mungo Jerry, Pretty Things, Burken och Rockfolket og Popol Vuh. Ideen bak Ragnarock er blant annet å vise sammenhengen mellom folkemusikkrytmer og rockerytmer. Derfor er det fortrinnsvis skandinaviske grupper som er med - og i filmens åpningssekvens spilles både norsk, dansk og svensk folkemusikk. Konserten foregikk søndag 17. juni 1973 ved Holmenkollbakken.

Ragnarock

7.5 1973
The Moon and the Sledgehammer

The Page family lives without electricity or running water deep in the Sussex woods. Amidst ever-growing modernity and industrialization, the family carries out chores, hunts pheasants, builds steam engines, and postulates on man's trip to the moon. They demonstrate fine lateral thinking and, through their particular delivery, display fears and concerns about pollution, intensive farming, mechanization, and self-fulfillment during a time of technological advancement.

The Moon and the Sledgehammer

7.1 1971
America of the seventies. Where do Los Angeles roads lead?

In ancient times, when heraldry was in use and every self-respecting city considered it necessary to have its own coat of arms, it was placed on that coat of arms that was symbolic and lily for the city (fortress tower, deer head, scales of justice, sword or something else, something especially revered). To this day, it would not be worthwhile to preserve this custom and wonder what the residents of Los Angeles, the third largest city in the United States, would like to take as a symbol. They surely would - they certainly would be the California Highways. Even Americans accustomed to car herds, coming from other parts of the country to California, finding themselves in Los Angeles and its suburbs, marvel at the empty weaving of concrete and asphalt belts filled to the brim with gasoline carriages...

America of the seventies. Where do Los Angeles roads lead?

8.0 1979
Tally Brown, New York

Tally Brown, New York is a 1979 documentary film directed, written and produced by Rosa von Praunheim. The film is about the singing and acting career of Tally Brown, a classically trained opera and blues singer who was a star of underground films in New York City and a denizen of its underworld in the late 1960s. In this documentary, Praunheim relies on extensive interviews with Brown, as she recounts her collaboration with Andy Warhol, Taylor Mead and others, as well as her friendships with Holly Woodlawn, and Divine. Brown opens the film with a cover of David Bowie’s “Heroes” and concludes with “Rock ’n’ Roll Suicide.” The film captures not only Tally Brown’s career but also a particular New York milieu in the 1970s.

Tally Brown, New York

7.5 1979