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Three famous climbers, the Frenchman Pierre Mazeaud, the German Winfried Ender and the Italian Roberto Sorgato, meet up at the bottom of the Tre Cime di Lavaredo and decide to join together in a single roped party, climbing the 'Direttissima' on the north face of the Cima Grande di Lavaredo. The beautiful film illustrates with precise sequences the climb of the route, that was opened in 1958 by the filmmaker himself, Lother Brandler. The film wants to highlight the idea of frienship, cooperation, fraternity and peace showing three men from historically-confronted nationalities roped and working together as a single team. The film won the Grand Prix at the Trento Film Festival in 1964.

Eric Rohmer directs this short documentary that narrates the presence of women in French universities as of the time of its release -- 1966. During the film's short run, the narrator continues to point out that during the advent of World War II, only 21,000 women attended college and made only a 30 % of the student body, a number that by the 1964-1965 school year had passed the 120,000 mark. Instead of opting to live according to what was expected of them, now they were joining the work force, trading in aprons for lab jackets and becoming professionals even after getting married.

A group of physicians sets out on an international expedition to study the causes and spread of sexually transmitted diseases. Through encounters across Europe and Africa, the film examines how modern lifestyles, social change, and human behavior intersect with public health. Presented as a semi-documentary drama, it delivers a stark warning about a global medical and moral challenge.

This 13-minute short subject, marketed as an educational film, records a slice of life in the Watts neighborhood of Los Angeles prior to the rebellions of 1965. Filmmakers Trevor Greenwood, Robert Dickson and Alan Gorg were UCLA film students when they crafted a documentary from the perspective of the unassuming-yet-articulate teenager Felicia Bragg, a high-school student of African-American and Hispanic descent. Felicia’s first-person narrative reflects her hopes and frustrations as she annotates footage of her family, school and neighborhood, creating a time capsule that’s both historically and culturally significant. Its provenance as an educational film continues today as university courses use "Felicia" to teach documentary filmmaking techniques and cite it as an example of how non-traditional sources, as well as mainstream television news, reflect and influence public opinion.

The Colegio de Arquitectos de Catalunya commissioned Pere Portabella to make this film for the Joan Miró retrospective exhibit in 1969. There were heated discussions on whether it would be prudent to screen the film during the exhibit. Portabella took the following stance: "either both films are screened or they don't screen any" and, finally, both Miro l'Altre and Aidez l'Espagne were shown. The film was made by combining newsreels and film material from the Spanish Civil War with prints by Miró from the series "Barcelona" (1939-1944). The film ends with the painter's "pochoir" known as Aidez l'Espagne.

Documentary about Brazilian music circa 1969, with extremely rare scenes, such as the only color footage of Pixinguinha, images of João da Baiana, one of the fathers of Samba, Maria Bethânia rehearsing at Barroco nightclub, Baden Powell playing his acoustic guitar, Paulinho da Viola showing his masterpiece "Coisas do Mundo, Minha Nega", that he had just finished, and Márcia, a singer from São Paulo.

On the first hot day of summer, an old farmer goes fishing just as he has done for many years on the West Branch of the Delaware River. A young boy, his frequent fishing companion, eagerly takes him to see the first giant bulldozers, which are to begin construction on the Cannonsville Reservoir. In order to provide more water for the cities, the vast project will flood the valley. The old man goes to the general store and walks the length of the valley to talk about his concerns, but most people do not support him. The young people of the valley celebrate at a barn dance. The old man resists eviction with his unloaded flintlock. The next day, he watches as the houses and farms are burned to clear the way. His friend, the fiddler, picks him up and takes him and his few belongings away.

Bay Area filmmakers and Canyon Cinema co-founders Ben Van Meter and Bruce Conner were invited to L.A. to talk about Underground Film on the Art Linkletter Show.

A BAFTA award winning documentary looking the River Indus during the dry and monsoon seasons, and about how it's resources are utilised.

Leo Beuerman is a 1969 American short documentary film directed by Gene Boomer. It tells the story of Leo Beuerman (1902–1974), a diminutive, disabled man who sold pencils and became a fixture on the downtown sidewalks of Lawrence, Kansas in the 1950s and 1960s thanks to his determination. It was nominated for an Academy Award for Best Documentary Short.

East German documentary about the 20 July plot.

Documentary showing perverse and aberrant behavior from around the globe, including such things as sex slavery, dwarf love, Asian brothels and lesbians.

A documentary about the building and commissioning of VAK Kahl, the first commercial nuclear power plant in the FRG – gleaming images of a bright future. Oscar nominated documentary short from West Germany, 1961.

A quiet scene in the snow, a black child in an anorak runs mumbling towards the camera. The pictures are underpinned with a powerful monologue by the co-founder of the Black Panther Party Bobby Seale.

Italian mondo movie exploring themes of love, sex, eroticism, and perversion.

Examines the work and contributions of the French photographer Henri Cartier-Bresson, considered to be the father of modern film journalism.

In a valley on the North Shore of the St. Lawrence, the seasons unfold with their chores and pleasures: children gathering roses for honey, an old uncle's wine, pressing apple cider, three brothers shelling broads beans, their flails beating time, grandmother's spinning wheel, the old stone mill, the rushing rivulets of spring, a silvery catch of capelin washed up on shore by the May Moon.

Young Dutch people talk frankly to director Kees Brusse about love, faith, sex and society.

A film that presents the method of cultivating the poppy, a plant from which, with further processing are obtained opium and numerous medicines necessary for health therapy.

1963 Christmas show of the short-lived The Judy Garland Show

The first revolutionary film produced by the Palestine Film Unit. Filmed in Jordan, the film documents Palestinian protest against the Rogers Plan.

Filmmaker Jonas Mekas follows the surrealist artist around the streets of New York documenting staged public art events.

The art of theater is a complex craft. In 19 minutes, you can’t convey everything that is taught over five years. Our film is only a short walk through the Lunacharsky State Institute of Theatre Arts, a cinematic panorama of three directing classes. The classes of M. O. Knebel, A. A. Goncharov, and A. V. Efros.

The film is about the creation of a new element in the Periodic Table — Nobelium — by Soviet scientists, and about the global significance of this discovery.

This documentary is one of the earliest film enquiries on women's condition in Italy, seen in its different aspects: social, economic, psychological. Starting from an analysis of the feminine role models proposed by the cultural industry, the film finds its protagonists among all kinds of women.

This Cold War film "Information Within Public Shelters" (1953) takes place in a fallout shelter, showing how a well-trained staff that provides information to shelter occupants, can keep them busy and calm during nuclear armageddon. This film was produced as the U.S. Government began to shift from promoting privately-owned "family" fallout shelters to the concept of large, public shelters.

A 1967 pseudo-documentary film chronicling the travel experiences of The Young Americans choir. It was given an Academy Award in 1969, though it was revoked because it was released in 1967 and was thus ineligible, the only film in history to have done so.

An observation of life, people, and surroundings in the towns of Kurzeme — Talsi, Kandava, and Sabile.

Six-part documentary on the making of Jacques Demy's 'Le demoiselles de Rochefort'

Documentary on the former border patrol sergeant Klein. Klein deserted in 1961, defected to the enemy and betrayed state and military secrets. He was caught by the security forces.

In "Char Shaher Ek Kahani" (1968), K.A. Abbas contrasts official images of India’s industrial progress with stark footage of urban poverty and Bombay’s red-light district. The 16-minute documentary became a landmark censorship case after the Central Board of Film Certification objected to its depiction of prostitution, leading Abbas to successfully challenge the decision in the Supreme Court.

Shows the complete process of sense perception, from physical or chemical stimulus, to its conversion into a nerve impulse, its transmission to the brain and its perception there.

A montage of a Nigerian athletics meeting cut to music by Okoli Obazo

A short look back on the legacy of Rudolph Valentino, produced by Castle Films for the home gauge market. Multiple versions of the short film exist- one with spoken narration and music, and one in silent form. Reportedly a big moneymaker for Castle-- and proof of Valentino's lasting appeal.

A rare behind-the-scenes view of the exploding New York “underground” in the late sixities, a turbulent time and place that was to change American culture forever. A German TV crew, led by journalist Gideon Bachmann, explores the epicenter of the sixties revolution in art, music, poetry and film and interviews the main players in the “New American Cinema,” that was born on the streets of New York. Against a backdrop of cultural upheaval in all of the arts and growing political agitation against the Vietnam War, Bachman interviews the most prominent figures in “underground film,” including Jonas Mekas, Shirley Clarke, the Kuchar Brothers and Bruce Connor, and visits the most notorious location in the New York art world of the era - Andy Warhol’s Factory - to conduct an interview with the genius of Pop Art himself.

Between Dorothy Lange and Walker Evans, a realistic and sensitive snapshot of the 1965 rural world in the South of West Germany.

The film follows two young men from the Côte-Nord in Quebec who fall on hard times due to an economic crisis raging in the region. Between staging and song, the movie deals with the importance of work in the construction of identity.

Short film about the exhibition of the works of Mexican painter José Alfaro Siqueiros at the Museo Universitario de Ciencias y Arte de Ciudad Universitaria in 1967.

A day in a little café of Paris.

The Greek mathematician Eratosthenes estimates the circumference of the earth.

Television documentary about Gustave Eiffel.

A documentary on African Zulu tribes narrated by Vincent Price.

The documentary shows the southern face of Zamarła Turnia, considered at the beginning of the 20th century to be the most difficult climbing route in the Tatra Mountains.

Documentary by Wilhelm Roth about the state of affairs of the Young German Cinema.

Episodes from school, family and leisure time show how boys and girls build gender relationships, what influence school and home have on them, how their behavior changes and what conflicts can arise between parents and children. Second part of the "Relationships Between Boys And Girls" series.

A poetic vision of the lives and actions of the people along the Toa River, in the Oriente province of Cuba.

Integration Report 1, Madeline Anderson's trailblazing debut, was the first known documentary by an African American female director. With tenacity, empathy and skill, Anderson assembles a vital record of desegregation efforts around the country in 1959 and 1960, featuring footage by documentary legends Albert Maysles and Richard Leacock and early Black cameraman Robert Puello, singing by Maya Angelou, and narration by playwright Loften Mitchell. Anderson fleetly moves from sit-ins in Montgomery, Alabama to a speech by Martin Luther King Jr. in Washington, D.C. to a protest of the unprosecuted death in police custody of an unarmed Black man in Brooklyn, capturing the incredible reach and scope of the civil rights movement, and working with this diverse of footage, as she would later say, “like an artist with a palette using different colors.”

A Latvian poetic documentary about the town Kuldīga.

An overview of the best methods and techniques for taking nude photographs.

An invitation to experience the thrill of spinning, jumping, skimming, and dancing on winged feet. The film shows how Canada's champions do it. Maria and Otto Jelinek, Don Jackson, Wendy Griner and Don McPherson appear briefly in dazzling exhibition, but the main object of the film is to show that figure skating is for everyone--children, young people, and adults.

Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.

A view from a helicopter of the ten Canadian provinces in 1966. The result is a big, beautiful and engrossing bird's-eye portrait of the country. Nothing here is quite the same as seen before, even Niagara Falls. Canadians will be thrilled by this panoramic view of familiar territory. Made for international distribution for the Canadian centennial.

According to Bernard Cohn's review, the directors "show that the painter of British society at the beginning of the 18th century was not only ahead of his time in his aesthetic theories, but that he carried within him the signs that allow us to recognize a creator." (Positif, no. 70, June 1965, p. 73.)

TV-documentary about the German painter Carl Spitzweg