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78 Revoluciones

Marcel Keoroglian, a public figure in Uruguay thanks to his works in carnival, television, radio and cinema, has at home eighteen records of the 1949 carnival that have never been heard. These records were recorded by José Goglian, an Armenian immigrant, who in the 1940s lived in Villa del Cerro (a Montevidean neighborhood made up of many immigrant groups) and who invited his neighbour carnival musicians to his apartment to record them with a phonograph. This documentary is focused on Marcel's passionate bond with the murga genre, as he writes the lyrics for a group that is preparing for the next carnival, while looking for a way to revive the music of these albums that awaited sixty-eight years to be heard.

78 Revoluciones

NR 2018
Fucking Mine

An audiovisual excavation in the mining area of Gordón (León), in the village of Ciñera, affected by the dismantling of the mining industry and the ways of life associated with it. The project has been conceived as a collective work through local groups, in which the last images of the mine are intermingled with the conversations held between women miners throughout the period 2016-2017. The resulting film adds layers of complexity to an epic reading of the class struggle, while highlighting aspects such as care work or affective components, usually relegated in the conventional narrative about the mine.

Fucking Mine

NR 2019
Manifiesto Horizontal

In 2022, the original negative of the film Javier Aguirre created in 1973 was found. It had never been shown, due to the threat of censorship, which had already targeted his short film Che Che Che. Aguirre himself had written in the label Manifiesto Horizontal. It is the Communist Manifest written horizontally with transparent glue on 35mm film. Aguirre stated that this piece “is born out precision, geometrical thinking (…) and when something happens by chance, that chance has been thoroughly studied.”

Manifiesto Horizontal

NR 1973
My name is Enric Marco

Enric Marco, ex-president of the Spain’s main deportees’ association, embarks on a car trip to Germany, a demythologising journey into his past. Two years earlier, a historian had shown that Enric Marco wasn’t the member of the Resistance he had claimed to be, and that he’d made up the stories of his experiences in a concentration camp that he had been recounting on television for years. Now, Marco retraces the route of his 1941 train journey as part of a convoy of workers sent by Franco to Hitler, in the middle of the Second World War.

My name is Enric Marco

6.0 2009
[Pewen] Araucaria

[PEWEN] ARAUCARIA shows the journey of a young poet after a long grief and loss to the ancestral land of the Pewenche people, in southern Chile. This diptych film reveals in one side as the poet establishes a relationship with the landscape marked by the wounds of the spanish colonization, marginalization by the state and abandonment that the indigenous peoples are subjected in Chile, on the other side, the film let us to glimpse a delicate and profound dialogue with this apparently strange world through the poet’s encounter with images of two Pewenche brothers and their relationship with the trees on which they base their livelihood.

[Pewen] Araucaria

NR 2016
Children of the Wind

In the village of Sabucedo, Spain, the Rapa das Bestas unfolds: a raw ritual where villagers and wild horses collide in a test of strength and memory. Seven years in the making, Fillos do Vento: A RAPA places viewers inside the curro, where dust, breath and tension blur the line between tradition and extinction. A modern-day Quixote story, as wind-farms creep over the surrounding hills, the work challenges audiences to feel the fight for cultural survival in an age of rapid change. This documentary is not meant to be watched but inhabited, a sensorial call to witness what is at stake when culture, nature and modernity collide.

Children of the Wind

NR 2025
Ecotone

Audiovisual essay that focuses on border zones to explore the control practices exerted over different spaces to keep them separate. Structured as a series of “fields” ordered from largest to smallest scale (from vast protected natural areas to tiny bodily spaces), “Ecotone” critiques contemporary forms of capitalism such as surveillance capitalism and biocapitalism. Using a wide variety of visual material, it combines and demonstrates the relationships between economic, political, historical, and environmental aspects.

Ecotone

2.0 2023
Chile, a Galaxy of Problems

In 2008 Patricio Guzmán carried out a survey to find out the "state of historical memory" in Santiago. To do this, it brings together a small number of historians, psychologists, economists, engineers, lawyers and other members of the Chilean elite. It is a documentary in the form of a report that directly shows the opinions of each participant (including Juan Emilio Cheyre, former commander-in-chief of the armed forces). As expected, the result is controversial.

Chile, a Galaxy of Problems

6.0 2010
Una Fabula Muy Trillada: The Legacy Of Dermis Tatú

Two decades ago, Venezuela's power trio Dermis Tatú released their only album, "La violó, la mató y la picó" ("Raped her, killed her and cut her"). The band was an offspring from the separation of Sentimiento Muerto, and was formed by Carlos "Cayayo" Troconis (voice and guitar), Héctor Castillo (bass) and Sebastián Araujo (drums). The record is still considered by many as the most influential in the Venezuelan rock scene. Twenty years later, Castillo and Araujo remember the stories behind the recording, as a group of the current generation of Venezuelan rockers, not only explain its influence and impact, but also play all the songs from the album, making them their own.

Una Fabula Muy Trillada: The Legacy Of Dermis Tatú

8.0 2017