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Wonderful Wrodow

No Eastern cliché fits the small village of Wrodow in the state of Mecklenburg Vorpommern, about which Rosa von Praunheim filmed a documentary in the fall of 1999. No bitterness, no unemployment and no right-wing radicals, but instead 60 people full of joie de vivre and warmth. The people of Wrodow are proud of their castle, which was bought 6 years ago by a youth judge, his wife and the painter Sylvester Anthony from the West. It is the venue for opera balls, Venetian masked balls, modern exhibitions and concerts.

Wonderful Wrodow

9.0 2000
Simon Rattle: Echoing an era

Sir Simon Rattle was chief conductor of the Berliner Philharmoniker for 16 years, and the length of this time alone gives his tenure the feeling of an “era”. But also in a qualitative sense, this was a special chapter in the history of the orchestra. This is shown in Eric Schulz’s documentary, which traces the many highlights and achievements of Sir Simon’s Berlin years in interviews, concert excerpts and archive material. The relationship between upholding tradition and innovation is just as much a theme of this documentary as the collaboration between the conductor with his creative powers and his self-assured orchestra. And this much is certain: the fact that the British conductor quickly became one of the most recognizable faces of the Berliner Philharmoniker and the city of Berlin itself means that for them, the Rattle era will remain in the memory for many years to come.

Simon Rattle: Echoing an era

NR 2018
Jesus Christ Saviour

Klaus Kinski has perhaps the most ferocious reputation of all screen actors: his volatility was documented to electrifying effect in Werner Herzog’s 1999 portrait My Best Fiend. This documentary provides further fascinating insight into the talent and the tantrums of the great man. Beset by hecklers, Kinski tries to deliver an epic monologue about the life of Christ (with whom he perhaps identifies a little too closely). The performance becomes a stand-off, as Kinski fights for control of the crowd and alters the words to bait his tormentors. Indispensable for Kinski fans, and a riveting introduction for newcomers, this is a unique document, which Variety called ‘a time capsule of societal ideals and personal demons.’

Jesus Christ Saviour

6.9 2008
Knowledge Is the Beginning

Knowledge is the Beginning is the story of the West-Eastern Divan Orchestra, where young Arabs and Jews perform and live side by side. It is a film about what music can do; the way it can transcend cultural barriers, bring people together, defeat prejudice and overcome religious and political differences. It also demonstrates the problems that crop up occasionally and how music can help people from different points of view find common ground. For Daniel Barenboim, founder of the ensemble, the orchestra is a symbol for what could be achieved in the Middle East.

Knowledge Is the Beginning

9.0 2005
Aloha

Tabu, a mythical tale shot in Tahiti, is yet another key to Ottinger’s cinema. Aloha is a dedication to Murnau, as well as Gauguin, Matisse and her other predecessors whose hearts and eyes had been enchanted by foreign cultures. By juxtaposing footage and outtakes from Tabu with scenes from her own films, the director creates a dialogue between fictional universes separated by time and space. A fish is caught by islanders in 1931 and eaten by pirates in Madame X forty years later. What is this film if not an ironic commentary on artistic legacy and succession?

Aloha

NR 2016
Dani, Michi, Renato & Max

A three-part documentary about four young men who were active members of the Zurich youth movement in the early 1980s and died tragically as a result of “accidents” with the involvement of the police. The exuberant Dani and Michi stole a motorbike to go on a joyride; a police car gave chase and caused their fatal crash. Renato, a young junkie raised in orphanages, was shot by the police while driving a stolen car. Max, an innocent bystander at a youth demonstration, was clubbed on the head by a police officer, and later died of complications caused by his head injuries. Taken together, these three incidents reflect the tense and violent atmosphere of the time and the conflict between repressive authority and a young generation desperate for freedom

Dani, Michi, Renato & Max

7.0 1988
Feline Masquerade

The past 70 years in Switzerland as told from the perspective of a hidden minority: the history – and personal accounts – of lesbians, their relationships and international networks, their search for an identity and for meeting places. A narrative of their political struggle, masquerades and subculture in this country. Supplemented by well-known footage from films and television, the film portrays five women from different generations, giving us an insight into their lives and allowing us to see life “on the other side” in a different light.

Feline Masquerade

2.4 2005