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The T.A.M.I. Show

Hailed by one music reviewer as "the grooviest, wildest, slickest hit ever to pound the screen," "The T.A.M.I. Show" is an unrelenting rock spectacular starring some of the greatest pop performers of the 60s. These top recording idols – representing the musical moods of London, Liverpool, Hollywood and Detroit – packed the Santa Monica Civic Auditorium with 2,600 screaming fans and virtually brought down the house. This is the cinematic record of that electrifying event.

The T.A.M.I. Show

7.9 1964
Wages of Sin

Documentary that analyzes sexuality during it's so-called "revolution", the late sixties. The film shows some sexual "oddities" brought on by the fall of sexual taboos: a German woman who founded an billion dollar industry by selling erotic material; young and beautiful girls who are rented by large complexes to entertain and "persuade" customers; women young and old going to school to learn the art of awakening the interest of their husbands; couples in unscrupulous act as models to abstract painters; single women looking for a mate for the weekend, taking advantage of the "pink train" set up by the German Federal Railways.

Wages of Sin

6.0 1969
Istanbul

All of Pialat's Turkish films are uniquely interested in the country — especially Istanbul — as it was, not just as it is at the precise moment that Pialat is filming it. History informs these films in a big way, with the voiceover narration (which incorporates excerpts from various authors) introducing tension between the images of the modern-day city and the descriptions of incidents from its long and rich history. Istanbul is probably the most conventional documentary of Pialat's Turkish series, providing a general profile of the titular city, its different neighborhoods, and the different cultures and ways of living that coexist within its sprawling borders. As the other films in the series also suggest, Pialat sees Turkey, and Istanbul in particular, as a junction point between Europe and the East, between the old and the new, between history and modernity.

Istanbul

7.0 1964
The Hour of the Furnaces

An impassioned three-part documentary of the liberation struggle waged throughout Latin America, using Argentina as a historical example of the imperialist exploitation of the continent. Part I: Neo-Colonialism and Violence is a historical, geographic, and economic analysis of Argentina. Part II: An Act For Liberation examines the ten-year reign of Juan Perón (1945-55) and the activities of the Peronist movement after his fall from power. Part III: Violence and Liberation studies the role of violence in the national liberation process and constitutes a call for action.

The Hour of the Furnaces

6.9 1968
CBS Reports: Biography of a Bookie Joint

An undercover investigative documentary on illegal bookmaking in Boston, using concealed-camera footage to expose institutional corruption and regulatory failure, and triggering major political and law-enforcement reforms following broadcast. (Note: Originally produced and broadcast as part of CBS Reports, but widely cited, archived, and treated as an independent investigative documentary due to production method, cultural impact, and historical significance.)

CBS Reports: Biography of a Bookie Joint

NR 1961
Monterey Pop

Featuring performances by popular artists of the 1960s, this concert film highlights the music of the 1967 California festival. Although not all musicians who performed at the Monterey Pop Festival are on film, some of the notable acts include the Mamas and the Papas, Simon & Garfunkel, Jefferson Airplane, the Who, Otis Redding, and the Jimi Hendrix Experience. Hendrix's post-performance antics -- lighting a guitar on fire, breaking it and tossing a part into the audience -- are captured.

Monterey Pop

7.3 1968