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The fourth episode of Patrick Tam’s anthology series “Seven Women” (1976), which adapted from Swedish play “Miss Julie”

The story follows the journey of a transgender woman who navigates the complexities of her identity and the societal prejudices that come with it. It explores her relationships, particularly focusing on her romantic entanglements and the emotional turmoil she experiences due to her gender identity. The film delves into the difficulties she faces in finding acceptance from society, her family, and even herself.

The film charts the origins of the Umbrella Movement through the eyes of the activists and ordinary people who made it happen. From the June 4th Candlelit Vigil until September 28th, this documentary puts us at the heart of the action, allowing us to experiencing the highs and lows of that remarkable summer, when Hong Kong witnessed a "blossoming of democracy."

"Shocking Asia 3" isn't too outrageous considering its subject matter. This shockumentary is set mostly in Japan

“Dare Ya!” explores what has made the members of Hong Kong’s most controversial band, LMF (LazyMuthaFuckaz), the new “voice of Hong Kong youth”. Their music may raise eyebrows with the older generation, but to their hardcore fan base, LMF’s point of view is their “voice” and their music is the heartbeat–and their hopes, dreams, nightmares, concerns, problems, and solutions for their future. As the title of this raw, different, relevant, and timely film suggests, “Dare Ya!” is a challenge to Hong Kong to take a good look at itself, warts and all, because only by facing up to our flaws can we become the “World City” that we aspire to. “Dare Ya!” is not just a documentary about the exploits and growth of ten ordinary young men from the Estates who just happen to be members of a rap band, but a wake-up call for Hong Kong.

Fox spirits, mysterious deaths and curses are the main points of interest in this pseudo-documentary. It was a surprise hit and is followed by a sequel.

Different groups of people wander in a rainy, windy, dark world. They spend time together, trying to get away from their depressing jobs, meandering constantly towards a disturbing surreal queer fantasy.

Made for German TV documentary about the early craze of Hong Kong Martial Arts Cinema. While critical on the subject and not too well informed, it nevertheless offers some interesting insights into the Hong Kong film industry of that days.

Johnnie got his gun is a mix of interview snippets with To, these are taken from various sources and are cobbled together with clips from including Breaking news, P.T.U and The Mission amongst others. It seems Montmayeur did do an interview but it's so chopped up and mixed in it feels insignificant. Prominent members of casts and crew also feature in interview form but again from many different times and sources.

Observations of three varied corners of China’s garment industry: workers in a large-scale production line factory; a designer who rallies against the mass-machine-production of clothes and has created the eponymous hand-made collection called ‘Useless’ (Wuyong) for Paris Fashion Week; and finally the simple life of increasingly out-of-work tailors in small town Fengdang.

In February 2019, the Hong Kong government proposed a bill that would have allowed the extradition of criminal suspects from Hong Kong to face trial in mainland China. The controversial bill sparked immediate outrage over widespread fear of arbitrary detention and politically motivated trials that would decimate Hong Kong’s autonomy under ‘one country, two systems.’ Protests escalated into epic pro-democracy demonstrations, in part led by young people connected via social media. COCKROACH, filmed during the height of the protests, captures the extraordinary intensity of an unprecedented era in Hong Kong’s history.

M+, Hong Kong's museum for visual culture, presents a video on the making of neon signs. Get to know how neon signs are made as the masters go through the production processes from design, tube bending, gas filling and more. A documentary covering the current situation and challenges of the industry in Hong Kong behind the glowing neon signs. Produced by M+, WestK as part of "NEONSIGNS.HK" — an online exhibition on Hong Kong's neon signs.

Revolutionary at 21. Lawmaker at 23. Most Wanted at 26. With intimate access to the leaders of Hong Kong’s Umbrella Revolution, Who is Afraid of Nathan Law? chronicles one of the world’s most famous dissidents in his fight for democracy against a superpower.

A personal memoir reflecting upon director Stanley Kwan's career and identity, set upon the backdrop of the 1997 handover of Hong Kong. Kwan adopts a complicated cinematic structure which includes excerpts from his previous films, his '97 stage play, and the soundtrack to Wong Kar-wai's "Days of Being Wild."

This anthology film, whose Chinese title begins with a romantic name for human excrement, premiered internationally at Rotterdam and won Best Screenplay from the Hong Kong Film Critics Society. A variety of Hong Kong people wrestle with nostalgia when facing an uncertain future. Their stories give way to a documentary featuring a young barista turned political candidate.

This is Hong Kong. This is Malaysia. This could be any corner of the world. Perhaps we’ve met; perhaps never. Sometimes life glows; sometimes, nothing happens. On the journey of life, we endure, we refuse. Most of the time, we only want to do a bit more, to bring modest changes to the status quo. “Me, my city or somewhere else” documents the thoughts, inner conflicts and choices of five Hong Kong and Malaysian activists at some stages of their lives.

Screened perennially at Hong Kong Heritage Museum, The Brilliant Life of Bruce Lee is a documentary film about Bruce Lee’s life as part of an exhibition entitled "Bruce Lee: Kung Fu ‧ Art ‧ Life"

Promotional film on the making of 'Enter the Dragon.'

Via Dolorosa captures director’s journey in reconnecting with Vietnamese homeless persons whom she filmed for another short film two years ago. While she accompanied a man in his final days, Jo searched within herself to resolve the original sin of the documentary filmmaker as a bystander to the suffering of others.

Sangwoodgoon was founded in the Anti-High Speed Rail Movement and Tsoi Yuen Village Movement in 2009. In 2012, Sangwoodgoon tries cultivating rice for the second time. This film records the rice planting process in spring and Dragon Boat Festival. Not only did the director experience the unpredictable nature of weather, questions for his companion are raised at the same time: How is the life as a farmer in Hong Kong when there is shortage of land and labour? Apart from documenting the non-traditional rice cultivating techniques, the film also wants to discuss about the relationship between farmer and nature, and the changing state of mind of protestors all the way through.

An average of 60,000 people emigrated from Hong Kong each year in early 1990s. An absolutely personal and biased sampling of this diaspora from an insider/outsider perspective just before the 1997 handover. Based on the personal experiences of individuals from Hong Kong in 1990s, Diasporama is an experimental documentary that addresses issues of the diasporic condition. In a series of intimate interviews that explore the relationship of the personal and the political, Yau Ching confronts notions of nationhood, identity, and post-colonialism. Inserting her own face and voice as a form of mediation, the artist herself becomes one of the subjects.

Resignation, frustration and helplessness is what we all face as humans living on this planet. In a place like Hong Kong these conditions are intensified and magnified by the densely populated living conditions. The pressures of just trying to survive in the big city are already enough to drive people into extreme physical, emotional and mental conditions. These extreme conditions can cause humans to lock-up in every way. In this documentary, "Finding Bliss: Fire and Ice", we get a group of well-known but reserved musicians and music students from the bustling streets of Hong Kong and send them halfway around the world to the natural landscapes of Iceland, Fire and Ice.

The Umbrella Movement of 2014, also known as the Occupy Movement, paved the way for Hong Kong’s current upheavals, but unfolded in significantly different ways. This creative documentary focuses on the intellectual, political, and discursive underpinnings of the social and political actions of 2014, before fast-forwarding to 2019. A range of thoughtful and engaged intellectuals, students, scholars, activists, and artists including Benny Tai, Chan Kin-man, Ray Wong, and Agnes Chow (many of whom are facing imprisonment for their democratic activism) articulate a range of philosophies, viewpoints and emotions, set against Hong Kong’s spectacular urban background of skyscrapers, night lights, and street-occupying mass movements.

Cheung Chau, once a fishing village in Hong Kong, has transformed into a tourist spot. Ri-Tai, a food stall run by A-Cheung, reflects local life, absurdities, and societal realities. A-Cheung spends his days playing games with customers like Plumpy, forming bonds that transcend generations. However, the onset of COVID-19 disrupts this sense of community, leaving the island deserted and questioning whether Ri-Tai's simple way of life will vanish.

The third episode of Patrick Tam’s anthology series “Seven Women” (1976), with three short stories combined.

Jia Zhangke travels with painter Liu Xiaodong from China to Thailand as they as they meet everyday workers in the throes of social turmoil. Liu Xiaodong is well-known for his monumental canvases, particularly those inspired by China's Three Gorges Dam project. Jia Zhangke visits Liu on the banks of Fengjie, a city about to be swallowed up by the Yangtze River. The area is in the process of being "de-constructed" by armies of shirtless male workers who form the subject of Liu's paintings. Liu and Jia next travel to Bangkok, where Liu paints Thai sex workers languishing in brothels. The two sets of paintings are united in their subjects' shared sense of malaise in the face of the dehumanizing labor afforded them.

Love in the Gaze of a Panopticon

In 2019, Hong Kong was swept by demonstrations against the controversial extradition bill. At the Polytechnic University, a group of students also takes a stand for freedom and democracy. Negotiations with the police are chaotic and aggressive, conducted via megaphones and politically charged music played over loudspeakers. The colorful umbrellas which the young people use to protect themselves against the brutal police actions emphasize the group’s bravado, which borders on recklessness. What begins as an energetic battle against the establishment turns into a lopsided game of cat and mouse when the police decide to surround the building. Within its red brick walls, the university building becomes a prison. Over the nearly two weeks that follow, as fear and exhaustion grow among the hundreds of students, so does the uncertainty. Should they hang on inside, or leave the building to face the armed police?

Seven activists from Hong Kong joint the global fight against the G8 Summit in Hokkaido Japan 2008. Given the fact that global warming, labor and energy issues were discussed and covered by mainstream media, they tried to get their voice heard to the leaders at the Windsor Hotel in Toyako (The Toya Lake), but they experienced hospitality of Japanese police brutality from the city rallies to the protest in the mountains.

The film traces the rise of one of the world's premier architects, Norman Foster, and his unending quest to improve the quality of life through design.

Behind the gas masks of Hong Kong’s democracy movement, the often very young activists are just as diverse as the youths of the rest of the world. But they share a demand for democracy and freedom. They have the will and the courage to fight – and they can see that things are going in the wrong direction in the small island city, which officially has autonomy under China but is now tightening its grip and demanding that ‘troublemakers’ be put away or silenced. Amid the violent protests, we meet a 21-year-old student, a teenage couple and a new father.

Edward Leung was an average student before he unexpectedly finds himself at the focal point of two Legislative Council elections. Despite winning over 60,000 votes in the by-election, his ticket to LegCo is forfeited when the regime imposes extra measures in the nomination process. On the other hand, Edward finds his free days numbered as he faces rioting charges for taking part in the Mong Kok Protest.

Flowing Stories is a documentary about change, migration of Hong Kong people and the unknowability of the future.

A behind-the-scenes look at the making of Benny Chan's Invisible Target (2007) including interviews with the major stars of the film and the production crew.

Angela Su’s fictional artist Rosie Leavers is the last remaining person to upload her consciousness to a video game. Contemplating during a pandemic year which also saw people’s resistance movements in many parts of the world, the work pinpoints the uncanny affinities between gaming and warfare strategies. They have mutually informed the infrastructure of both worlds since time immemorial when diplomatic conflicts played out on the battlefield of the 64 squares of a chess board to flight simulation technologies which were adapted to shape gaming experiences as we know it now. When the conflict is between the state and its people, she speculates that gaming strategies empower civilians in resistance movements to counter imperialism through its own operative logic. But once we upload our consciousness, are we able to return to the sensibilities and political motivation that inspired the revolution to begin with?

Three provincial girls departed for Beijing. Yu Quin works as a hostess in a night-club, leaving her two-year-old daughter in someone else's care. Hu Jin is a bit part player and runway model. Zun Ji worked as a dancer in a discotheque, but returned to her hometown after she became a drug addict.

Why does Old Granny seem less lovable as she ages? 82-year-old Granny lives with her fifth son in a Guangzhou apartment, but spends most of the time by herself. Two of her children are dead, another two have their own families, and a further two divide their time between Shenzhen and Hong Kong. The only connection among members of this family seems to be the annual grave sweeping ceremony.

In a quiet forest, a sign warns of radiation hazard. “Is this the past or the future?” muses the masked figure who appears like a kind of ghost in nuclear disaster areas. At a time when nuclear power may be re-emerging as an alternative to fossil fuels, this calmly observed and compelling tour takes us to places that may serve as a warning.

I made June when I didn’t have any inspiration to create a feature film. The documentary is about the rarely known stories in the social movement in June. At first the clips of videos were kept for sorting out my feelings, but after being edited, they were made into a documentary and became a record of history. Six scenes and voices were used to tell what happened during that month.

The film consists almost entirely of an interview with the elderly He Fengming, recounting her experiences in post-1949 China.

A Hong Kong Newt once resided in a narrow irrigation channel, believing it would be confined there forever. However, an unexpected flood swept it away, carrying it through a dark passage until it arrived in a serene, azure pond. The newt found companionship among its kind and thrived in the aquatic haven. But as it ventured back onto land after the breeding season, it encountered unforeseen threats.

Ali is a Hungarian film director (over 50, grey hair, not completely bald yet), who is no longer making films. The question is: what has happened to him? One day, he gets a phone call from Hong Kong, and decides to find an answer to the question in Mong Kok on the 37th floor.

Demonstrations and examinations of Tae Kwon Do kicking techniques.

A short film that originally played before showings of "Heroes Two" - in which Fu Sheng, Chen Kuan Tai and Chi Kuan-Chun demonstrate different techniques of Hung boxing.

Memories of his four-year journey focused on the Hong Kong protests. Narrated in the first person, is rich with reflections and contemplations, most intertwined with feelings of guilt.

Amy Yip showcase.

The sixth episode of Patrick Tam’s anthology series “Seven Women” (1976), which adapted from Pat Flower’s “The Tape Recorder”

Documentary about the Songshan Shaolin Temple.

Shot over the course of ten years on both film and video, the film consists of a series of carefully composed tableaux of people and environments. Pedestrians shuffle across a bustling Beijing street, steelworkers linger outside a deserted factory, tourists laugh and scamper across a crowded beach, worshippers kneel to pray in a remote village. With a painterly eye for composition, Wang captures China as he sees it, calling to a temporary halt a land in a constant state of change.

A documentary team takes on an expedition to an exotic country in Southeast Asia in search of paranormal phenomena. What they never expected is a horrifying journey with encounters of unexplained occurrences. Led by a notable parapsychologist, the encounters are so gruesome and hone chilling beyond what they can bear, ranging from paranormal phenomenon such as poltergeist, exorcism, haunted house to supernatural force like witchcraft, spells, voodoo, curse, tec. Based on Hong Kong Cable TV’s popular paranormal phenomena program of the same name, “The Unbelievable” is a documentary-style movie that throws the audiences to the twilight zone…and beyond! Rated Category III for its shocking scenes of horror, violence and nudity, the reality program-turned-movie features extreme content that makes the TV version look tame in comparison. I’m a fan of the HK TV program. If you like paranormal stuff, check this out!

Mr. An is almost 90 years old. He loves life, dance and the smiling young Xiao Wei, his daily life companion. His wife, secluded at home, is quite unhappy about this friendly and love relationship. Xiao Wei’s husband doesn’t seem to care. One morning Mr. An get sick and has to be hospitalized. Xiao Wei start to wonder if she shouldn’t end the relationship.

Veteran filmmaker Mary Stephen digs into her own family past to uncover the long-hidden origins of her Western surname, revealing a story of culture shock, colonialism, and contested remembrance.

In the aftermath of 2014's Umbrella Revolution, five Hong Kong activists are confronted with the question of what it means to be Hong Kongers.

Four college students came to Lantau to climb. They stayed in a temple in the mountains at night. Under the hospitality of a little monk (Zhang Guorong), the students chatted with the master of the temple all night and found that the life of the monks was very different from that of the world. The four people who come here only want to climb the mountain, while the family pursues the peak of Buddhism; the family wants to see through the world, while the college students only want to see the red sun; when the men and women have a picnic on the beach, the host is talking about Zen, which is a very clear contrast between the family and the world. The next morning, the students left the temple to continue their journey. The little monk who was cleaning in front of the door just smiled and saw him off. His heart seemed to be full of understanding

Director Ren's grandmother suffered from depression during the Cultural Revolution as her husband was jailed and tortured. Although the Cultural Revolution ended almost half a century ago, the trauma left behind still affects three generations of this family.

On the coal road linking the Shanxi mines with the large port of Tianjin, in northern China, the drivers of 100-ton trucks shuttle endlessly to and from, day and night. On the roadside: prostitutes, cops, petty racketeers, garage owners, mechanics.

No matter how quickly or far the times move forward, some people and some events will always be remembered by someone. June Fourth has yet to be redressed, rights activists have disappeared, and justice for indigenous peoples remains convoluted and slow. All these injustices bring sorrow. Yet, they refuse to give up; they keep thinking, acting, connecting with like-minded people, and creating alternative spaces in the land where they live. A one-party wall stands before them, making each step difficult; even with party alternation, nothing is guaranteed. They all know this. In these dark times, they join hands and move forward together, often very slowly, very slowly. Perhaps, one day, they will meet each other.