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Show of Mexican ranchers catching cows.

Chady and David work on cargo ships on Lake Geneva. They are both foreigners in Switzerland. On the oscillating waters of the lake, the young men, who are haunted by the memories of their home countries, share secrets, memories and the same feeling of being uprooted. A strange intimacy forms between the two men.

In 1958, in the midst of the Algerian War and two months before the World Cup, the French Football Federation (FFF) discovered on April 15th that nine of its players of Algerian origin had secretly left France to join the headquarters of the National Liberation Front (FLN) in Tunis, where the Provisional Government of the Algerian Republic (GPRA) was based. They chose to leave everything behind—careers, fame, money—to support the FLN cause: the independence of the Algerian people. Their daring escape was worthy of a thriller and made headlines across the international press. For four years, the FLN team toured the world and became the standard-bearer for a people. FIFA refused to recognize the team and threatened federations that played against it with sanctions. Nevertheless, the team made a lasting impression with 57 wins, 14 draws, and 12 losses in 83 matches. Ferhat Abbas, president of the GPRA, told them, "You have gained ten years for the cause of independent Algeria."

Almost five years after their return to power, a new era has dawned under the yoke of the Taliban, an inflexible fundamentalist regime. Under their rule, the former republic has disappeared, replaced by an ultra-rigid power structure closed off from the rest of the world and the foreign press. An "Islamic Emirate of Afghanistan", largely unrecognised, even by Islamic theocracies. After four shoots, mainly carried out outside the official framework, "The Taliban Country" offers a glimpse into the heart of this new Afghan reality. Through the eyes of the men and women facing these upheavals, the film paints a portrait of a paradoxical and radical system. It offers an in-depth look at the workings of a state characterised by extreme rigour, unparalleled in the contemporary world.

For eight centuries, between the 9th and 1st century BC, the Etruscans, inhabitants of the Italian peninsula, were one of the most powerful peoples of the Mediterranean basin, and when they disappeared they left behind impressive necropolises, vestiges of sanctuaries and even entire cities. How did they attain such power? How far did they extend their dominion and influence? What were the causes of their decline?

Asian and Near Eastern diplomats and royalty file past the camera on their way to the coronation of Czar Nicholas II of Russia.

Jul, a true rap phenomenon, has become in just a few years the new face of Marseille. A kid from the working-class neighborhoods who, with a €20 microphone and a bedroom turned into a studio, reshaped French rap. Independent and hyper-productive, he imposes his own style and brings together all generations. Behind the auto-tune and Kalenji tracksuits lies a cultural revolution that is disrupting the established rules of the entertainment industry and extending far beyond the city of Marseille.

An impression of the funeral parade for Victoria, Queen of England, filmed in London (via https://catalogue-lumiere.com/le-char-funebre/)

Dragons escorting officers on horseback.

In a field, three women are using pitchforks in order to feed a small fire with weeds.

Asian remake of Employees Leaving the Lumiere Factory, apparently.

An artillery parade in Cairo near Cairo Citadel filmed by Alexandre Promio for the Lumière Brothers. Original title was "Défilé de l’artillerie turque"

Sailors training with swords.

A group of Japanese, eating dinner, somewhere in Kyoto, Honshu.

Life is paused. ACTION. Camera rolling. As Claude Lelouch's voice imparts the wisdom that comes with a life lived to the fullest, we leave that voice behind and join his camera. It will take us on a journey through his filmography, where actors perform the ballet of life and love.

The Holy Sepulcher in Jerusalem.

Francis Doublier does bicycle tricks in the street.

A fixed camera gets images of traffic and passers-by in Vienna's chic thoroughfare, popularly known as Ringstrasse (The Ring), at a junction with another large street.

While his aide continuously turns the handle of the bellows, keeping hot a small furnace in front of him, a blacksmith is pounding a piece of metal on an anvil, then plunges the shaft into a tub of water, causing a cloud of vapor in the process.

The earliest surviving motion-picture film, and believed to be one of the very first moving images ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken on paper-based photographic film in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), on 14 October 1888. The film shows Adolphe Le Prince (Le Prince’s son), Mrs. Sarah Whitley (Le Prince’s mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. Roundhay Garden Scene is often associated with a recording speed of around 12 frames per second and runs for about 2 to 3 seconds.

A street scene in Munich from the Lumière Brothers.

First published in 1898, H.G. Wells’s The War of the Worlds was a veritable literary and cultural revolution. It laid the foundations for modern sci-fi by telling the first- ever story of an alien invasion. A political and moral fable, the novel uses science fiction as a tool to raise our awareness and alert the modern world to the dangers and risks inherent in industrial, scientific and technological progress. It is high time to rediscover this seminal book.

A boat returns to port, where passengers are helped ashore.

A magician performs a few tricks.

A Chinese dragon parade.

A Tyrolean dancing couple, accompanied by a musician, perform a traditional folk dance in a park in Cologne.

"Danced at the Casino de Paris by the Elks and their Indian troop."

Aboard the 'Tonkin' - jumping rope.

Children dig for clams on the beach

Mexicans lassoing a horse.

From the early 1960s to the mid-1970s, independent Algeria provided significant support to anti-colonial movements and revolutionaries worldwide. Successive presidents, Ahmed Ben Bella and then Houari Boumédiène, made Algiers a haven for activists fighting against colonial and racial oppression. Algiers the White became Algiers the Red. The internationalist Che Guevara established his base of operations there for his guerrilla activities in Africa. The African-American leader Eldridge Cleaver made it the international headquarters of the Black Panther Party. During this period, Algiers was known as "The Mecca of Revolutionaries."

Small glimpse of city life in Jerusalem.

Djibi and Ange, two teenagers living on the streets, arrive at the Archipel, an emergency shelter in the heart of Paris. This documentary is a look at the Archipel, a shelter offering an innovative way to welcome families living on the streets.

Shots of the panorama, filmed from the winding railroad tracks that stretch along the coast, from Beaulieu to Monaco, including tunnel passages.

Traffic and crowd in front of the stalls of a street market.

Another street scene of daily life.

A short clip of street life in the French village Chamonix.

Static shot of the traffic at Hyde Park Corner, London.

In Algiers, in June 1957, Maurice Audin, a 25-year-old mathematician, was arrested by French paratroopers. His wife, Josette, and their three children never saw him again. This documentary interweaves testimonies from French and Algerian protagonists: activists for Algerian independence, lawyers, historians, and military personnel. Drawing on the research of historian Pierre Vidal-Naquet, it blends archival footage, newspaper articles, books, drawings, and reenactments to reconstruct the context of this disappearance and denounce the torture and murder practiced in Algeria. Josette Audin is the central figure and the moral compass of this film.

An ostrich pulls a cart carrying young women wearing ostrich-feather hats.