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Bicentenario

Exactly 200 years after Simón Bolívar’s Colombian war of independence, a campaign that ran from late May to early August 1819, filmmaker Pablo Alvarez-Mesa follows the iconic Libertador’s route through the country. At each historic battleground, he calls on a medium to summon the general’s spirit, helping Alvarez-Mesa reveal Bolívar’s permanent and more or less visible presence in an array of social rituals and state structures. This historic legacy, after two centuries transfigured into a blend of political mysticism and unchallenged military doctrine, remains an integral part of Colombia’s collective unconscious. It keeps finding new expression in an endless cycle of violence, which this intriguing medium-length film seeks to exorcise. (Charlotte Selb)

Bicentenario

NR 2020
Social Genocide

After the fall of the military dictatorship in 1983, successive democratic governments launched a series of reforms purporting to turn Argentina into the world's most liberal and prosperous economy. Less than twenty years later, the Argentinians have lost literally everything: major national companies have been sold well below value to foreign corporations; the proceeds of privatizations have been diverted into the pockets of corrupt officials; revised labour laws have taken away all rights from employees; in a country that is traditionally an important exporter of foodstuffs, malnutrition is widespread; millions of people are unemployed and sinking into poverty; and their savings have disappeared in a final banking collapse. The film highlights numerous political, financial, social and judicial aspects that mark out Argentina's road to ruin.

Social Genocide

8.2 2004
Dolores guapa!

Religious-based images and traditions permeate the lives of all the people who inhabit Seville. Historically, the city's mariquitas ("sissies") have also assimilated them in their childhood and, through them, have been creating their own encounter spaces and their own codes. Nowadays, new dissident identities continue to respond to them: they participate or distance themselves, they continue what exists or transform it. This film looks at these traditions from a perspective always relegated to the margins.

Dolores guapa!

4.7 2022